@CDReferences Every element of Disney's HUNCHBACK is great but don't dovetail into a great film

@comicbookaddt By Paolo Rivera

@XMen90sCovers Thanks!

@ThorLawyer This is great! Why are the streets destroyed? In what issue of which title does this appear?

@justinmasonart Spectacular!

@declanshalvey @justinmasonart @AlexPaknadel Good covers. What did they let you do?

@FitMarshmellow Unkind. Perhaps what you are noticing is what I see: AB SUPERMAN is very similar to the version we all know but w a lasting relationship to Krypton, longer hair and less patience? The concept doesn't require a bold departure from mainline style. And Rafa is a good artist.

@fizzbhau @pyanrye His intractable, towering fear and idiocy compelled him to violence and revealed a lack of faith and dearth of love.

@nathanj9869 There is no problem

@ChrystalMAuthor What people?

@noampomsky It's called WAKING UP

@F4Update Meaningless

@JohnBuscemaArt Inks by P Craig Russell by the looks and if it's based on the pencils I've seen of this page he changed a great deal

@JohnsonIsLovely Eastman and Laird's April O'Neil first appeared in comics as a brown or black girl in 1984 but by 1987 she'd already been adapted into a white redhead in yellow jumpsuit. I like the iconography of the latter but not the erasure of the former.

@Parzival_jay The things she had to do to get the roll may have contributed

@TomTaylorMade @mikeljanin Um cool

@PeterPorker97 @GregHeffleyOG @1998Wens They didn't plan properly: they wanted to allude to Ben and his message in CIVIL WAR because we already know his origin BUT when they got to NWH they decided to give everything meaningful to May in her death scene because we never did see Ben's. It makes sloppy sense, also sucks

@CountDraculaDB The best adaptation

@FrozenBubble69 All great!

@FrozenBubble69 Great Cage Superman design