Using rap lyrics as evidence in court is unnecessary if prosecutors have an airtight case,
@cekubrin
explains. It's also a racist tactic that relies on juries and judges completely misunderstanding hip-hop.
I'm the only full-time Editor at The FADER right now, and I receive ~400 pitch emails every day on top of everything else.
I promise I'm getting to whatever you've sent me, I just also need to sleep a bit and take regular breaks to rewatch that Joe Bryan free-kick.
If you've ever wondered what "I Could Never Take The Place of Your Man" would have sounded like on Dirty Mind, here's an extremely early demo his estate just released.
You simply have to admire David Beckham: a man who is so accustomed to sponsorship, even opening up about living with OCD becomes a brand activation moment.
PUP have made one of the most enjoyable punk records of the decade. They were about to play it to a sold-out crowd at a massive venue in Brooklyn.
So, naturally, we talked not only about 'Morbid Stuff,' but also, like, just morbid stuff.
If you’re a publicist and I haven’t given you my personal cell phone number — the one on which I call my mother, play the New York Times’ Spelling Bee, and text football memes to my idiot friends — please do not call me unannounced to pitch artists.
"I know next to nothing about the musical traditions in, say, ancient Rome, but I’m sure even back then songwriters were trying to capture the exact feeling and syntax of texting an ex while you’re drunk at the club." —
@paulxt
on
@iLoveMakonnen5D
"[Nipsey Hussle's] closest peer was YG, not because they sounded alike, but because they were cut from different colors of the same cloth."
Read
@Passionweiss
on Nipsey and YG.
I've written about Christmas music for 25 days straight, and I'm suddenly crippled by the realization that this will all be rendered completely irrelevant first thing tomorrow morning.
Hello my December friends. Today I'm starting The Noisey Advent Calendar. I'm going to write about a different holiday song every day until Christmas. It's very exciting.
Day one is Tom Waits's "Christmas Card from a Hooker in Minneapolis"
Once again, for the people in my inbox: Though I greatly admire his work, I am not the Pulitzer-nominated Alex Ross who has been writing about classical music for The New Yorker since the mid-'90s.
“I definitely think maybe there's a really peaceful, amazing future ahead of me, and maybe there's not,” Conor Oberst says. “I don't think I'll know until I get there.”
I profiled
@brighteyesband
for
@thefader
.
Hello my December friends. Today I'm starting The Noisey Advent Calendar. I'm going to write about a different holiday song every day until Christmas. It's very exciting.
Day one is Tom Waits's "Christmas Card from a Hooker in Minneapolis"
Music and audio just make sense, so it's only right we launched our own podcast. Now presenting The FADER Uncovered, hosted by super-producer and world class DJ,
@MarkRonson
.
It's a weird world out there, but Dogleg (
@leg_dog
) just released one of the best punk albums I've heard in a long time.
@dniellechelosky
spoke with them about 'Melee.'
@dbdabs
photographed them in Detroit.
Read their FADER Gen F right here:
I've spoken to Willis Earl Beal a lot over the last eighteen months or so. We met up in Tucson, New York, and London. We shouted at each other over the phone a lot as well. I wrote about most of it for
@NoiseyMusic
.
Had a conversation with my mum last night in which she said there aren’t enough people going by Bob anymore. Now she’s watching two hours of
@jon_bois
videos.
One last time: Scammers are posing as FADER staffers on (mostly) IG and DistroKid, promising coverage in return for money, and then ghosting.
@thefader
doesn't accept money for coverage. We won't contact you from our private accounts. Please block/report anyone who seems dodgy.
Some people probably assume that The FADER offices are constantly awash with people shouting the word "BEYONCÉ" at random intervals — sometimes in shock, sometimes in admiration, sometimes just for fun.
I can confirm that this is indeed the case.
Enigmatic country singer Orville Peck's 'Pony' is an early contender for album of the year. We talked about it over Skype, and now you can listen to the whole record before it comes out next week.
I've been doing this shit for so long, I can now measure time by the distance between surprise Jeff Rosenstock albums that I have to write up at short notice while momentarily realizing I'm not dead inside.
Remember the piano music that looped in the background while you spent hours doing ambitious landscaping on The Sims? Sure you do. I wrote about it for
@NoiseyMusic
.
Once more for the weekend people —
@thefader
has launched another new podcast.
Our first guest on The FADER Interview was
@porterrobinson
. Listen to the full pod, and subscribe to get a new episode every Wednesday, at this link:
Food $200
Data $150
Rent $800
Cristiano Ronaldo $87,000,000
Utility $150
someone who is good at the economy please help me budget this. my family is dying
I met up with soul man Lee Fields at the Russian Tea Rooms in Manhattan before the Van Morrison tribute show a couple weeks ago. He talked about God and the cosmos and the future. It's at
@thefader
.
I took nothing but horrible photos of it for The FADER’s Instagram all night, but going to an honest-to-God full-capacity show at Irving Plaza again was overwhelmingly wonderful.
Figure the Maya Wiley > John Mulaney > AOC > The Strokes (feat. Dev Hynes) lineup may be a one-off.