RT @blackfaurest: Incredibly tragic news of Susan Alcorn's passing. I had the honor of sharing two bills with her this past weekend, and ap…

RT @IRCAM_official: RIP tom johnson, composer of rational music, critic at the village voice & essential documenter of downtown nyc scene i…

RT @ninaprotocol: The newest edition of Nina Interviews is a conversation between @_SCVSCV and the artist @hesaitix, which is the new monik…

tensor tympani muscle flexors rise up

To me listening to music in 2024 has felt like a series of beautiful but isolated cybernetic koans: accidentally hitting the IG live notification & being the sole spectator of someone’s extended technique trumpet set, or a constant cascade of songs a public airport piano endures

Shares a spot as my AOTY. Proof of ELECTRONIC music. A drum, a hi-hat snapping at an infinitely receding horizon, that Noctian Airgap. You can actually hear the gap. A wind cuts through it until its howl vanishes outward. @hesaitix

RT @hesaitix: My third album is coming out in a couple days

I push my fingers into my eyes

RT @flea333: When i listen to ornette, its not just free in terms of its relationship to chords, harmony and rhythm, but in also in relati…

My hero 😭

@Fratty_Hearst Goat

Megalopolis was so good

@ddddddeon Mentally slow it down to half time and it can become bearable

Please contact me if you are a sousaphone player or know any sousaphone players

@Optical_systems I'm not just talking about that track. That's where the album's thesis is verbatim but its implications are expressed throughout in the sampling, industry breakdown of the 90s and 2000s with digital distribution, the social commentary, the "experimental" discourse etc. More soon

@elischoop @misterminsoo 🎵 what do you value in your music? Is it an idea or is it just how good it makes you feel? 🎵

@rock_da_world 🎵 Take your aim, shot your shot … but you better not miss 🎵

@trmaxin Same bro