We know that writers often explore binary concepts: transient and permanent; concrete and abstract; constant and volatile. Teaching versatile vocabulary in pairs allows students to notice, create and analyse these patterns. This is what we want in their backpacks.
English H/W: I've been thinking hard about how to make it structured, motivating, genuinely useful and self-assessable. It's also got to reinforce existing grammar / vocabulary instruction. A Big Job! Sharing my ACC H/W booklet: structured essay planning + paragraph practice⬇️
AIC revision + teaching: we - students + teachers - need easy ways to codify big ideas and patterns. Vocab list, graphics of AIC characters and scripts for teacher exposition ➡️
AIC booklets! Student booklet:
Teacher booklet with:
✅MCQs (and answers)
💬Comments using MCQ content to support with scripting exposition
🕺Funky graphics for each character
📝 Context notes
Continuing the English H/W chat: providing structured opportunities for writing practice builds confidence, resilience, a sense of success and helps internalise the what & the how of great writing. Sharing my Macbeth H/W booklet: structured writing practice⬇️
@joharrop1
@Team_English1
We define 3-4 key quotes / ‘moments’ for each poem + attach them to key images and we teach versatile vocab that they can use to unlock big key concepts. Here’s a booklet w/ knowledge organisers + examples of images + quotes + model essays:
💭
@bridiemcpherson
and I have been thinking hard about thinking hard in English and across the curriculum - how do we get students to REALLY think? This is what we’ve got so far… here’s how how it could sound in a classroom! 💭
Thinking about why I 🧡 planning + teaching an English curriculum that is founded on versatile, carefully sequenced Tier 2 vocabulary. It’s because the vocabulary unlocks the patterns, concepts, themes that students can then notice + critique in literature + LIFE!
Teaching vocabulary is one of most important things we do. We imagine that students start school with an empty backpack. When we deliberately select, instruct & sequence vocabulary and it is repeated and retrieved, the backpack fills. They carry it for life; not just into exams.
When we teach carefully chosen versatile vocabulary precisely and repeatedly, we empower students to access complex concepts and articulate nuanced thinking. It's SO exciting to students using these as lenses through which to see texts -- their own + others'
🕺 Marking Y11 Lang Mocks - extremely exciting to see impact of sequenced, repeated + explicit vocab instruction:
students are talking about 'callous indifference' (from Anita + Me, Y9) / being in a 'liminal space' (from Binti, Y8) / being ‘forthright' (from Antigone, Y7) 🕺
AIC revision + teaching: we - students + teachers - need easy ways to codify big ideas and patterns. Vocab list, graphics of AIC characters and scripts for teacher exposition ➡️
We’re among these amazing Eng deps with +40% FSM and +1 P8. Looking forward to doing even better for our students next year! We keep it simple with effective T+L: direct vocab instruction, codified + interleaved knowledge, centralised curric from
@VersatileVocab1
Thank you
@chrisjordanhk
for having
@bridiemcpherson
and I to chat about concept-led curriculum, writing instruction, feedback, why model answers aren’t always the answer & more!
Lots of amazing English work at
@OasisSouthBank
. The chat for this week’s podcast with
@bridiemcpherson
and
@VersatileVocab1
is fantastic for anyone questioning curriculum change or whole class feedback. Available below or wherever you usually get them!
Come and work with me +
@bridiemcpherson
!!! Centrally planned curriculum, booklets - no worksheets! - bloody good subject CPD, excellent colleagues. All the good stuff!! Message me w/ any Qs!
3/n
Second in Charge, English Faculty
You'd work with the amazing
@bridiemcpherson
who outlines her thinking here. Have a listen and if you like it, come by next Wednesday to say hello.
Explicitly teaching versatile vocabulary & using it, repeatedly, to interrogate texts = modelling & codifying what analytical & critical thinking can look like. We demystify the process, making it accessible & building robust patterns of responses. It works for lit & lang!
We’re big fans of drop ins
@OasisSouthBank
. In the English team, each teacher does an average of 6 drop ins a week. It’s non hierarchical — we all do them, for anyone! This open door culture can feel daunting at first, but when it’s embedded, it’s totally transformative. 🧵
@lilmissstace87
The change I’ve found most powerful for this repeated annoyance is a simple ‘because the writer’ - this forces them to link it to structural choices! We also teach ‘conceal / reveal’ and ‘ambiguous / unambiguous’ to support them to make precise comments about effect!
@cgkedu
@HeptonMrs
@Team_English1
Agree! We find a simple ‘establish the focus’ + therefore the reader +because the writer can be really powerful! Here’s a booklet with some examples:
@_krogg
@Team_English1
try giving short, whole class feedback on a sentence-level after writing in class, followed by green pen amendments so that they are familiar with what it looks like to make focus edits rather than big crossings out
@Josie_thomas1
@FunkyPedagogy
We get them to look at beginning, middle and end of the poem - to notice a key image in each part and 'zoom in' on that image. This leads to three paragraphs that also notice something about structural shifts. Here's a lesson on London Thoroughfare:
@LoicMnzs
Agree! That comparison with LA non disadv. is RUBBISH. I downloaded the data and worked out P8 gap for each school, comparing disadv. P8 with non-disadv. P8 for each school, which might get you closer to what you’re looking for - it’s column BI
Interested in learning more about instructional coaching?
Steplab are hosting a summer conference at
@OasisSouthBank
on the 9th July. Information on speakers to follow.