Dylan 🎞️
@TheDylanHoang
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NOTHING hits like a Christopher Nolan IMAX shot.
Click photos for full 1.43:1 AR
If you can, see Oppenheimer in TRUE IMAX on July 21!
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OPPENHEIMER IMAX70MM SHOWINGS WILL NOT HAVE TRAILERS.
Due to the size of the print maxing out the platter size, the movie will start promptly at showtime.
Arrive not just on time, but early!
(meant to tweet this earlier in the week but totally forgot ugh)
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OPPENHEIMER with a live orchestra is pure ecstasy!! Two things:
1. The orchestra literally stamps their feet during the auditorium speech scene and it’s fucking amazing
2. The only thing more intense than the Trinity Test in IMAX is that scene with a live orchestra. HOLY FUCK
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Watch me make a fool of myself, but I haven’t seen anyone talk about the clicker in the ending shot of the first ep of THE LAST OF US. Obviously the focus is the buildings, but the clicker tease is cool.
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OPPENHEIMER in IMAX70MM now
TENET in IMAX70MM on February 23
DUNE PART 2 in IMAX70MM on March 1
This is a great trend that I need to see continue. Bring back INTERSTELLAR for its 10yr anniversary!
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It’s kinda crazy just how quickly TENET garnered a cult following. It’s a great film but it does lend itself to being celebrated for its cheese too. Last night’s screening at the Aero resulted in cheers anytime the words “protagonist” and “temporal pincer movement” were said.
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Haven’t seen anyone else comment on it but the clouds during Peele’s title card are literally moving at a single frame per second. And based on Palmer’s dialogue about frames per second, this aliens are probably going to have something to do with our perception of motion.
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High-res scans of the TENET souvenir IMAX70MM strip handed out at today's screening of the film.
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The OPPENHEIMER disc is STUPID beautiful. Might be the best, if not one of the best, 4K discs I've owned.
This is just on my projector, it looked significantly better on my OLED. And the sound mix is fantastic, my speakers were throttling.
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The Tragedy of Macbeth is fucking phenomenal. Some of the absolute BEST sound design, cinematography, set and production design of 2021. Forget your Marvel and blockbuster fare, THIS is what IMAX was made for. Washington and McDormand were born for the Shakespeare world.
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These back to back, close-up title cards hit so hard on a true IMAX screen. What a way to open a movie and set up the perspective “timelines”.
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@peakycrows
This feels like such a misinterpretation of what RDJ said…this is absolutely the biggest role for Murphy. Yes he led a tv show but still, he’s the main face for one of the biggest blockbusters of the year. It’s a very different undertaking
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CRAZY story about Oppenheimer -
Originally, it was supposed to be a 90+ day shoot, but production designer Ruth De Jong needed more money to bring specific sets to life, so Nolan managed to bring the schedule down to 57 DAYS and use the remaining funds for her department. INSANE
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The amount of detail IMAX film can capture is baffling, razor-edge sharpness. So crisp that it can jolt your retinas. Here are some 15/70 IMAX film cells from The Dark Knight.
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Never getting over how big this screen is. True IMAX is unbeatable.
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@HK_Sweeney
He cared about him when he was Timmy Chalamet but not when he was Casey Affleck. And that’s the way it should be.
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This is fucking insane.
The hype for Oppenheimer in IMAX 70mm has absolutely reached its zenith.
Pre-2008 it was unheard of to shoot a theatrical film in this format. Then Nolan did with The Dark Knight.
15 years later the format is selling out everywhere, every time.
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Some rare 15/70 IMAX film strips from
THE DARK KNIGHT
THE DARK KNIGHT RISES
INTERSTELLAR
DUNKIRK
magnified photos in thread
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Had the opportunity to see the TENET IMAX film print in person last night and it was glorious! All 520lbs of it. So cool watching the movie from the booth with the whir of the projector slamming in your eardrums.
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Nolan is the master of IMAX. With cinematographer Hoyte van Hoytema, OPPENHEIMER will be another landmark achievement for them; the FULL-FRAME 1.43:1 IMAX FILM photography so far looks absolutely stunning.
Come July 2023, if you can watch this in a true IMAX theatre, do it.
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I appreciate Universal Studios for not doing a bunch of influencer-dominated early screenings for OPPENHEIMER to get quick and lazy word of mouth. They’ve had legitimate small press screenings filled with people who actually know how to analyze and report on filmmaking.
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And there we have it. High-res scans of the third IMAX strip for OPPENHEIMER.
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Seeing TENET in IMAX 70MM again was a whiplash of an experience. God that sound design is incredible. Oh and DUNE PART 2 looks so…alien. Much more than the first. The physics and technology of Arrakis are so much more imaginative than I could have imagined.
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77 IMAX film cells from both THE DARK KNIGHT RISES and INTERSTELLAR. The ultimate cinematic medium.
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It's officially OPPENHEIMER week!!
Here's a video I made, the "Road to Oppenheimer", a celebration of Nolan's filmography leading up to one of his most important and biggest films yet.
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THE DARK KNIGHT opening bank heist on IMAX 70MM film. One of the best openings there is.
“Whatever doesn’t kill you simply makes you…stranger.”
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TENET. Eighth time in IMAX 70MM tonight. Such an incredible experience.
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Nolan has changed DPs, editors and composers several times in his career, yet his voice and unique style has remained intact. OPPENHEIMER looks, sounds and feels like his signature cinematic events and it's glorious. Göransson, Hoytema and Jennifer Lame are all doing great work!!
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I literally cannot shake the ending of OPPENHEIMER. We spend the first third in his mind - abstract nightmares of where theory can take you - and we end with those abstractions fully, tangibly manifested in the world we live in today. It’s powerful, devastating and terrifying.
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On July 21, if you're a fan of Barbie or hate Barbie...the world forever changes.
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Every theatre chain should really be sending this as an email to anyone who purchases a ticket...
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Roughly thirty minutes of THE DARK KNIGHT RISES on 15/70mm IMAX film
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@romanroyco
Especially when the cuts aren’t even precise and you see the quick frames of them being off center
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3mo till OPPENHEIMER! See it in 70mm IMAX FILM if you can! Here is some of my collection of 70mm IMAX, I am a big proponent of the format as you can tell.
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I'm exceptionally passionate about 15/70mm IMAX - celluloid and the most immersive format combined. OPPENHEIMER's theatrical FILM release is a big deal and I made a video about why. Please watch this movie in IMAX FILM if you can!!
PART 1
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These shots in 1.43:1 on a true IMAX screen are jaw-dropping. The use of 1.43:1 in DUNE: PART TWO is quite inconsistent, but when it goes for it, it's heart-stopping stuff. Third shot might be my favorite in the entire film.
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Scans of the 15/70mm IMAX film strip for Oppenheimer being handed out at select IMAX locations
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In celebration of Interstellar's 6th birthday, here are some of my IMAX film cells. Been collecting for years, got over 500 of them! I love this movie so much.
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For some reason people put so much stock in Nolan's genius and forget that he's just a very efficient filmmaker. If he can re-use a shot, he will. More importantly, if he can re-use a technique, he will. Look at these shots from TDKR, the exact same plate, just different VFX.
Interstellar is my favorite movie all time and never once thought of this theory. Seriously mind blown.
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@drowsylia
@speedforce_77
@millamoluigi
Keep in mind this is only one incident that happened to be recorded. Imagine how many times these workers have to go through this type of shit. It’s gets annoying and it gets annoying fast. She probably also saw the phone and knew exactly what was happening
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For the record, I'm all for the usage of the "protagonist" moniker. It certainly sounds silly at points, but the meaning goes beyond a name and is more about "the protagonist" coming to full terms with his purpose and importance in the overall mission. He is THE leader.
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And one more thing, I never thought DESTROYER OF WORLDS could be any scarier, but hearing it live is bone-chilling.
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Reminiscing about how TENET had one of the most interesting marketing campaigns because of the pandemic.
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@Iouisera
@GraceRandolph
@samnoaches
@Harry_Styles
Well based on that logic every other critic must be a die hard Styles fan too then.
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@Adam_TH_
It’s all about geography. If the cutting doesn’t sacrifice the movement of characters from point A to point B it does its job. Plus, the frenetic cutting works perfectly for the tone of the movie too
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@FilmUpdates
Everyone who says this is like Gerald’s Game probably thinks Interstellar and Gravity are the same too. Y’all see one similarity and go berserk.
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Happy one year to the greatest biopic ever. OPPENHEIMER sucks you in from the first frame, a tranquil splashing of rhythmic raindrops, only to flip that beauty on its head with the nightmare of nuclear fallout. Nolan's masterpiece, among his several other masterpieces.
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"Time has come for a new protagonist."
"Time has come for a new kind of mission."
I'm reading these more as "time" being an actual threat. The approaching "time" being the inciting incident.
#Tenet
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The new TENET trailer is...very cool.
Lot of story elements, lot of action and those practical effects 🙌
See it on the big screen.
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**The POSSIBILITY of theatres playing trailers in DIGITAL is there. But it's very unlikely that every theatre will do that then switch to their film projectors for the feature presentation. Most theatres will be eliminating that process entirely, so just show up on time!!**
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If Christopher Nolan doesn't understand sexy, then why did he give us John David Washington doing pull-ups in a windmill and sleeping shirtless on a 60ft IMAX FILM screen?
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@LORDEMAXUS
I can tell the difference between frame rate and compression, this wasn’t the latter
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Can confirm that the new OPPENHEIMER trailer that’s attached to Guardians of the Galaxy Vol. III does have a 1.43:1 DCP. So if you live near a true IMAX theatre, see it there!
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Might not be as slow as one FPS but it’s definitely slower than 24 and that’s a choice
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@hatdogchee
@SERENETEAR
Umm let’s actually give Gerwig major praise for shooting on real locations! Something we need more of these days, but the security for this movie has sucked no doubt
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@DiscussingFilm
What’s sadder than seeing this get a second season is realizing that enough people watched it for Netflix to want to continue it. This has nothing to do with Netflix’s lack of originality, but rather the audiences desire and satisfaction for mediocrity. THAT’S sad.
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Göransson, Nolan, Murphy.
Three artists who have delivered some of the best work of their entire career last year.
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The entire third act of OPPENHEIMER is the best writing of Christopher Nolan’s career. The Kitty scene, the lightning-charged finale of Roger Robb vs Oppie, Senate Aide giving Strauss a reality check and Einstein’s final conversation with Oppie. All fucking fantastic.
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@AlannaSchubach
@SamuelAAdams
In what world can you possibly believe Blade Runner was bleak and muted? Those colors popped! And on top of that there should be nothing fantastical about Blade Runner. Even the first one is muted. It’s a dark story and a dark world
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This shot from DUNE PART TWO on a true 1.43:1 IMAX screen made my stomach lurch. Vertigo-inducing stuff, just wish it lasted a tad longer!
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Here it is! One of my biggest editing projects to date, a 12minute retrospective at Christopher Nolan's ventures with IMAX. Started this last year and finally finished it several weeks ago. Please watch and share, thanks so much! First 2mins here, link to full video in thread.
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@bcom77
@jimmycthatsme
still awesome, kindness should be acknowledged whenever cause it doesn't happen often enough
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@idiotconartist
@metaplexmovies
1.43:1 aspect ratio and 1.90:1 aspect ratio
Real IMAX (1.43:1) gives you either the top left or right (depending on film projection or laser) and fake IMAX gives you the 1.90:1 rectangle inside the IMAX laser square
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@martigt18
@RottenTomatoes
@CandymanMovie
@TeyonahParris
@JordanPeele
@Monkeypaw
@mgmstudios
@UniversalPics
@BronStudios
He’s only the producer so he deserves credit for sure but let’s start crediting the actual director, Nia DaCosta, too
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Watch WB release the trailer tonight but somehow alter the timestamp to show that it was released at 9AM, thus marketing in theme with the movie. It hasn't happened yet.
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The fact that OPPENHEIMER might be the first Nolan film since THE DARK KNIGHT to be up for some serious acting Oscars is very exciting. He always gets good performances, but I’ve missed a deeply character driven film from him.
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First look at Dane Dehaan in OPPENHEIMER. Keep forgetting he’s in this as well
We have yet to see a shot of Alden Ehrenreich, David Dastmalchian, Alex Wolff, Devon Bostick or Jason Clarke.
Damn what a cast
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Many will disagree, but out of all of Christopher Nolan's films, I think TENET is the one that was most ahead of its time.
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Jesus FUCK man...one more week till greatness. GODDAMNIT this looks incredible.
This might be the best team assembled by Christopher Nolan. Everyone (cast and crew, creatives and performers) are just at the top of their game here. Ludwig Göransson's music...ugh so good.
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Christopher Nolan’s INTERSTELLAR turns 9 years old today.
To this day it continues to be a dominating force in the IMAX catalog. A cosmic experience to be reckoned with that demands to be seen on the biggest screen possible.
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@MonkeyTigerHead
@BradBirdA113
Incredibles 2 is NOT A KIDS MOVIE! And neither is the first. This ongoing mindset that just because a movie is animated means that it’s aimed for children is so agonizingly stupid
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These scenes are nearly back to back to back to back. OPPENHEIMER moves at a breakneck pace with a sense of importance and care that you don’t see anymore in Hollywood blockbusters. Truly an accomplishment for Nolan and Jennifer Lame.
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Well DUNE looks and feels incredible. I literally felt transported to another universe in those twenty minutes alone. Plus, Citywalk showed it in 1.43:1 aspect ratio so when I say I was immersed, I WAS. Nothing better than 6 story tall sandworms and intergalactic battles.
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Happy 15th birthday to this cultural and industrial shift of a landmark film. Cemented BOTH Christopher Nolan and IMAX as forces in theatrical filmmaking. This was the first movie in Hollywood history to use IMAX film cameras.
35mm strip in second pic for scale.
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I've been sharing my affinity for IMAX 70mm and anticipation for Oppenheimer for nearly two years.
And the day has finally arrived! T-minus less than four hours, this has been a wonderful journey. Thank you for putting up with my obsession.
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@NextBestPicture
Lol no way in hell MI is not surpassing John wick. MI Fallout made more than the first three Wicks combined, come on…and I’m pretty confident both critics and audiences will love MI
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TENET is the finest example of a “needs to be seen on the big screen” movie. Super flawed and far from Nolan at his best, but the cinematic experience is unparalleled. The opera and inversion scenes fucking rule and Göransson’s score in surround sound is just incredible.
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Here are some stills from the Tenet trailer in glorious 4K. I can't get over the scope of this damn movie! [a thread]
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