Writer, researcher. Jean Harlow and other dead actresses, silent/pre-Code film history, Old Hollywood portraiture, vintage fashion, etc., etc.
@harlowheaven
Thought my last piece was long and laborious, but I guess I held my own beer and surpassed it. The trials and tribulations of silent actress Justine Valse, who found herself next to Pola Negri at the center of a blackmail scandal, are up on my Substack:
Love this 1933 newsreel demonstrating some of the radical new women’s pants. “To be smart, the crease in your trousers must be as permanent as the wave in your hair…”
Just found my new favorite Clara Bow photo in the Bell family albums at UNLV. This is literally just titled “Clara Bow in the Mojave desert with a cigarette and a gun”. Incredibly personal vibes to me here
Just finished watching. Blown away. I have not been moved this much by a film in a long time. Less a horror film than a necessary and exquisite commentary, and visual representation of, trauma and mental illness—and how it separates you from reality and others.
Thinking of my best girl, Jean Harlow, every March 3rd always. Quite a feat to leave behind such a dazzling body of work at only 26—despite her much-deserved place amongst the celluloid goddesses, she really had so much left to give.
📸: Photographed by Ted Allan for SUZY, 1936
my grandma is in the hospital with covid and it’s really not looking good. thought i’d share a few of my favorite pictures of this special woman in her salad days. she’s one of my best friends. this is so hard to go through i’m having a hard time even emotionally processing it.
Finally finished the Sisyphean task of compiling my longest (and my favorite) piece to date, a labor of love that details the tumultuous life and career of silent actress Jean Lorraine—well, the first of three. It’s a lot.
Jazz Age icon Louise Brooks passed away 39 years ago today, which means there’s as good an opportunity as any to share one of the best publicity photos ever taken, of Brooks for BEGGARS OF LIFE (1928).
I am well aware Bette Davis did not mince words, but this passage in a ‘65 interview with her and ODH had me clutching my chest like I was dying of a heart attack
As someone who for years asked “when will I get to see the Jean Harlow and Bela Lugosi footage?”, this was a prayer answered. Thank you (and it’s so great to hear Harlow start to answer a question from one of her closest friends, Ruth Hamp).
New on our YouTube channel!
“The Voice of Hollywood” (1931)
This preserved short features rare footage of Jean Harlow, Bela Lugosi discussing “Dracula,” and Walter Huston performing a musical number. It survives as a fragment:
For Screwball September I’d like to recognize one of my favorite subtleties in BOMBSHELL (1933) that always cracks me up—the way Jean Harlow pawns her “baked potato” off on Una Merkel, only for it to circle around the entourage in hot-potato fashion
Don’t necessarily need to remind everyone of my soft spot for Fredric March (and his mustache) in The Wild Party on his birthday, so will take the holiday to share this Otto Dyar publicity photo of him with camera, Alice Adair, Adrienne Doré, and Jean Lorraine on the set.
Jean Harlow obtains a secret divorce from cinematographer Hal Rosson in 1935. It was so secret that she obtained the divorce after a ten minute testimony on how he kept her up by reading in bed with the light on
Joining Olympia with sharing some more divorce court chic and the impossibility of having a “secret divorce” in Old Hollywood. Ann Harding obtaining her divorce from Harry Bannister in 1932
Wishing a happy birthday to Irene Dunne, a favorite of mine and a truly talented comedienne. Always loved this candid of Irene playing solitaire, photographed by Roman Freulich in 1942.
Remembering the fabulous Adrienne Doré, born 115 years ago today (May 22, 1907) in Coeur d’Alene, Idaho. Can’t express enough how much this woman, however obscure, has changed my life. What better way to celebrate than with one of her Fryer glamour shots from my collection, 1932:
Rewatched THE GIRL FROM MISSOURI the other night and reminded of how perfect this exchange is. Harlow’s shocked, courteous smile is perfectly timed—the way it gives way to revenge only to appear again, satisfied, is further proof of her effortless comedic charm.
well. she’s gone. almost two whole weeks of what was probably just straight up agony for her. i probably won’t be on here for a bit. wasn’t really anyway lately but more so now.
my grandma is in the hospital with covid and it’s really not looking good. thought i’d share a few of my favorite pictures of this special woman in her salad days. she’s one of my best friends. this is so hard to go through i’m having a hard time even emotionally processing it.
this reminds me of how criminally few people realize how garish 20s and 30s patterns were. i never want to see a black beaded dress in a reenactment again
I sometimes wonder if designers know that just because old photos and paintings yellowed, that doesn't mean the world was dull and sepia tone in ye olden days.
Check out these smoking suits from the 1870s and 1880s respectively.
In love with this 1933 study of RED HEADED WOMAN author Katharine Brush by Leon Gordon; and this photo of Brush standing beside it in her Manhattan apartment, 1940.
Remembering my fellow Cancerian, the ultra-talented James Cagney, on his birthday. In love with this photo of him and Joan Blondell on the set of Penny Arcade, the Broadway production that became SINNERS’ HOLIDAY (1930) and helped set both of their film careers in motion.