spinsbüm
@spinsbum
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i’ve decided that i will no longer post my art as i don’t want anybody to rip it off/trace it
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THREAD OF LOONEY TUNES CARTOONS ART
reminder that the show is available to
@StreamOnMax
MODEL SHEETS: a lot of these were drawn by jim soper
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thread of crude matt groening simpsons doodles
fell free to add
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grim natwick art for your pleasure
always love his loose and imaginative style
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presentation art for pitched movies by john k and lynne naylor (1/7)
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here's some great drawings of betty boop from mysterious mose (1930) by grim natwick
i really like the design of betty in this short. since unlike other characters at the time, betty was a way more stylish looking character which allowed here to have much more rich acting (1/7)
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CONSTRUCTION NOTES
drawn by alex kirwan, jim soper and david gemmill
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back in 1937, after ub iwerks' brief tenure, bob clampett started work on his first cartoon "it happened all night"
the title was a take off on the screwball classic "it happened one night" but was later changed to "porky's badtime story" at the behest of the hay's code (1/12)
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CHARACTER PORTRAITS FOR THE TITLE CARDS
drawn by jim soper and then painted by alex kirwan
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the original title card for the short featuring the original name by mike ruocco
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huck magic bumper (1/2)
ed bendict's character designs felt inviting and cute. plus they were stylish and wonderfully drawn
early H-B always felt carefully planned in the backgrounds and layouts even if they were limited animation
the voices were also great too
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pie pirates (1958) the first produced cartoon to feature yogi bear and boo boo
a pretty good start for yogi, you can definitely feel the fun in the early H-B cartoons
great layouts, backgrounds, and timing
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daffy just being plain daffy
from baby bottleneck (1946) deliciously animated by the great rod scribner
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the way he drew teeth was pretty funny especially with how solid they were
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i think it's also because scribner was able to draw really solid drawings (like mckimson) and give them such an exaggerated, appealing and clear favour
it's all taken in as "wrinkly wacky stuff" which of course is a part of it, but that's taking a *LOT* of the other appeal away
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scribner at avery unit is definitely a good example of his solid drawings
here's the ending to a wild hare (retitled the wild hare in the blue ribbon title) in which he animated
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hot take: bob clampett was the most crazy and best cartoon director even more than tex avery and the best looney tunes director
in a clampett cartoon everything is going on: the characters, the timing, the animation basically anything in a clampett cartoon (1/2)
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bob clampett tweety is best tweety
those first three cartoons are what i think tweety should: a cute crazed looking bird with a devilish streak
here watch the naked genius at work
a gresome twosome (1946)
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i feel like nobody is going to admit this so i'm gonna say it
the golden era of animation (1929-1969) will always be the best era of animation because it was the only time when creators were pretty much able to do WHATEVER THEY WANTED
they were allowed to experiment with gags,
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you gotta love how "the hep cat" starts out with the cat just chilling and then immediately is pulled into a chase
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some concept art for dotty loves bobby also known as bobby's girl by john and ralph bakshi (3/7)
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john k doodles out boo boo and a toy
gotta be honest i do dig john's later style especially the crude faces/backgrounds,fast pace timing and animation
@SpumcoArt
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pick up the damn pencil or suffer the consequences
Check out my pixel art of Godfield, Snoop Dog, and some boring-ass turtle oc. Sick nasty isnt it?
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