universal madness
@sean_obee
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Lecture series on Marx & the Climate Crisis: https://t.co/HOnHqBULdk
Bristol, England
Joined March 2011
You ever get the feeling that, like, the ‘90s are back? @la_louve_rouge_ and I do. That’s why we’re editing a volume for @PlutoPress! The Return of the ‘90s, featuring work from a dozen amazing contributors, is now under contract.
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RT @tobihaslett: On Saturday I gave a little talk about a new painting by the brilliant Hamishi Farah. Interestingly, the work itself was d…
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RT @break_downradio: As part of our new plans, we’re taking pitches for our first themed issue! 🎉🖋️📄 See our website
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When Naomi Weber said, “where will my alarm take me, / only to work,” I felt that.
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Mark Simpson chatting with Imre Szeman about his recent book, Futures of the Sun, out on the Forerunners series at U Minnesota Press.
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RT @Parapraxis_Mag: “We are beginning, yet again, from the absolute zero of collective devastation.” The editorial note for our new Issue…
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When Peter Manson said “a life lived in darkness is fine,” I felt that.
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RT @zeithistoriker: Musk today at an AfD rally: “The German people are really an ancient nation which goes back thousand of years… It's goo…
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RT @HZeavin: Harvard adopted IHRA. NYU suspended its students & faculty--on and on. Here is a story of how this playbook came together, and…
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@Arbeit_Fish Oh mate, I could go on. It can be serialized, worlded, formalist, abstract, critical, postmodern, financialised, you name it. It’s the gift that keeps on giving.
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But wait, it can also be historical or speculative, peripheral or Eurocentric, Bourgeois or socialist, a genre, a form or a mode. I mean really though.
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RT @natecrompton: My interview with Lorraine Chisholm of Red Eye/Co-op Radio about the impending destruction of the Dunsmuir Hotel @redeye…
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