Have been working on this story about Ezra Edelman's brilliant Prince documentary for a long time. It's story about a suffering genius, Edelman's huge effort to piece together who he really was, and the forces that are stopping the world from seeing it.
This piece by
@Wesley_Morris
about growing a mustache and reflecting on how he became himself is amazing and profound. I’ve read it probably 25 times in the course of editing it with him, and each time I marvel at a different sentence. Most times, I cry.
In this week’s
@tmagazine
I profiled Juliette Binoche. She explores women who feel powerless (in the face of desire, aging, loss), yet they are never abject, their suffering never for our amusement.
RIP Charles Simic, a wry and magnificent poet and a dear man--the kind who encouraged a young NYRB editorial assistant, and, when he ran into her at a restaurant and overheard it was her birthday, sent over a bottle of wine. He had effervescence to spare.
Thanks,
@Mjschulman
, for taking the time to carefully make the comparison. Maddening to have words taken *completely* out of context. I wrote a process story, not an evaluative one. The Times is pulling the ad.
Truth in advertising: the "West Side Story" ad in today's Times, followed by some places where the words came from in
@sashagila
's reported NYT Magazine feature.
Read
@jazzedloon
’s profile of Viola Davis and the difficulties that she transformed into tremendous freedom and range. “Only someone who has already been dragged into the depths of emotion readily knows how to get back there.”
Worked on this one for nearly a year...on the new West Side Story, what it takes to delve deeply into a classic text and reimagine it for right now, and the crazy strenuous effort it takes to make art that is taut and ambitious
Zadie Smith writing on Kara Walker and in praise of "unsaid and unsayable the historically and personally indigestible, the unprettified, the autonomy of an imagination that cannot escape history"
Becoming a mother is identity-altering in ways that are almost never adequately discussed or acknowledged (and are now being openly mocked in yesterday's oral arguments). Merritt Tierce gives such clear and anguished voice to them.
The pandemic has revealed just how stupid it is to de-value the work, still done mostly by women, of domestic labor (i.e. care work). Here's
@jordan_kisner
on a thinker who has been correctly diagnosing the problem for decades
Thrilled and proud that
@samgf
can finally share his hilarious, insightful, full-of-heart debut novel GREEN with the world today! He spent 5 years on this book and it is a thing of beauty.
For this year’s The Lives They Lived issue, I wrote about Janet Malcolm and why her best pieces are 19th century novels disguised as 20th century journalism
I've been waiting for someone to write this essay for years, about how words like "whiteboard" have come into existence and been pressed into service as verbs and how awful that feels.
@magicmolly
, of course, nailed it
This essay by
@athenek
on estrangement (the literary technique, and the feeling, within yourself and a family) travels such distances in such a short space. Beautiful.
Spent the last six months watching and talking to the
@nycballet
choreographer/artist/gentle revolutionary Justin Peck. Could have spent many more. Here’s my profile for
@NYTmag
Teju Cole is back in our pages, with an essay on what has been missed about the historic Vermeer show in Amsterdam: the darkness in his paintings, the way they can hold both "consolation and terror."
A special episode of Still Processing:
@Wesley_Morris
and
@jennydeluxe
gather a big group of listeners/writers/thinkers to talk about racism against Asian Americans and the subtle and not-so-subtle ways it is allowed to persist in American culture
For
@tmagazine
, I wrote about Lynda Benglis, a sculptor whose influence on art history is hard to overstate. Her brilliant career got somewhat overshadowed by her daring 1974 Art Forum ad. Yet everything she did after was just as radical, if not more so.
I like how this review by
@EmilyGould
unself-righteously argues that someone can fall disappointingly out of step with the culture and still be worthy of serious consideration and praise for their best work. This is, sadly, kind of a rarity
This essay by
@CCooperJones
is so poised, frank, and provocative. Made me see Bernini sculptures and beauty at large in a new way. It's adapted from her beautiful forthcoming book EASY BEAUTY that I can't recommend enough
Such a moving story about a cache of music found in a fire island house that tells the story of the AIDS years: joy and liberation alongside grief and loss. 💔
What a great, provoking
@parul_sehgal
about the “trauma plot” that has commandeered the stories we tell. It takes so many surprising and quick turns, enacting the precise qualities she sees as lacking in fiction these days.
The
@nytmag
asked a big group of women writers/thinkers/artists to reflect on the conversations they've been having in the wake of widespread sexual harassment allegations. Here's what they had to say
This
@garthgreenwell
essay is as wonderful for its wider cultural observations as for its intricate, passionate close readings. It's demonstrating precisely the kind of reading that's been blotted out by reducing art to moral caricature
Our annual culture issue is here. Not counter-programming to the news, but a way of thinking through it, around it, alongside it, and imagining, against all odds, alternative futures.
Lynda Benglis is one of the greatest living American sculptors, in the cohort of Stella, Judd, Serra—but far less known. She is a badass visionary, still making work at 80 in her studio in the desert. A privilege to get to write about her brilliant career.
If you like me are having Sunday blahs, crack open the
@NYTmag
culture issue for some succor and stimulation.
@aoscott
on Sontag,
@jennydeluxe
talks with Amy Sherald, Lorna Simpson & Simone Leigh,
@rachsyme
hangs out with Kathryn Hahn...
Interviewing Stephen Sondheim for a piece on the West Side Story revival was a life highlight. He was funny, precise, challenging, searching. We spent an hour together and he said things I would never forget.
For a brief moment of respite and reminder of what's actually good about being human, read Giles Harvey's profile of Deborah Eisenberg, a brave and irreverent and singular woman in her own right
There is a feast of cultural profiles in the
@NYTmag
and
@tmagazine
today. Taken together, they’re a document of obsession, far-sight, new ways of thinking about sex, portraiture, bodies of all kinds
As usual,
@parul_sehgal
is brilliant on what makes Jenny Offill's novels-in-fragments so radiant, but also on the the exquisite tenderness of motherhood, how to make art when the earth is collapsing, the plentitude and chaos of domesticity, high standards
So moved, as usual, by the rigor, playfulness and passion of
@parul_sehgal
's assessments. The way she is in an ongoing conversation with herself and literary ancestors. She's a keeper of the flame.
Wrote about Taylor Mac and his wild, challenging creations. If still we had brilliant Shakespearean fools at court, I would nominate Taylor to be ours.
So much wisdom and surprise in Joni Mitchell’s performance of “Both Sides Now” at Newport Folk Festival. And layers of irony in the way she lands on “I really don’t know life at all.”
A searching piece by
@AlexKleeman
about being multi-racial in America, sensing gaps in your family's history, trying to fill them in, and how Nella Larsen's "Passing" (the book and Rebecca Hall's new film adaptation) can be a key
This essay by
@fluentmundo
is about the ecstasy of dancing and the intimacy we all crave. It's also about the kind of historical memory that can only be transmitted body to body. It's beautiful. It made me understand how dance is essential work.
"What could it mean to write without words? How are we woven into histories we’ve never heard?"
@FluentMundo
on Cecilia Vicuña's life-long career making art & resurrecting lost knowledge
If you haven’t seen Unbearable Lightness of Being, Blue, Certified Copy, Let the Sunshine In, The Clouds of Sils Maria or Camille Claudel 1915 lately (my faves by there are dozens of others)…treat yourself to the splendor of Binoche.
weird day to have this drop, but -- late in summer, I went to Nashville to spend time in the backyard of Gillian Welch and David Rawlings. We talked about optimism, legacy, loneliness.
If you want to take some time today, my profile on the duo is here:
I adored this Rosemary Hill essay on "clothes consciousness," or the way a dress can become a permeable second skin, an expression of your ineffable ideas about yourself
I had never thought about how much the dead have to tell us about how we live, but this piece by the always-penetrating
@jordan_kisner
about the U.S. autopsy crisis opened my eyes
Lovely piece on my friend
@alisethimusic
music and his genius “ragaton” hit Pasoori. If you haven’t heard it yet you’re gonna want to play it all day. You can hear the deep classicism behind its pop perfection