Beth Sharrock
@mirthnomatter
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Shakespeare Paratexts in contemporary digital performance and 18th cen. print Teaching Fellow at the University of Warwick she/her
Joined July 2012
Finally, I'm so fortunate to be able to reproduce a partial transcript of an RSC Live broadcast as an Appendix to the Element. I'm proud that the paratexts to the book might be enriching in and of themselves. With sincere thanks to @Illuminations for his generosity.
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RT @CUP_LitPerform: New Cambridge Element Shakespeare Broadcasts and the Question of Value by @mirthnomatter is now free to read for 2 week…
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RT @brendanwalsh53: Amid the lords and levellers, kings and regicides, @MinooFramroze tells a tale of two moderates in the Civil War, the p…
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RT @felicityebrown: I wrote about @amy_lidster and @soniamassai69’s exhibiton at @NAM_London and their brilliant collection ‘Shakespeare at…
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RT @elisewatson_: Whenever I feel unproductive or that the work I'm doing is subpar I remind myself of the printer of Sainct Austines Relig…
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RT @BBCWomansHour: 📚The novelist Marie Corelli outsold Arthur Conan Doyle in her time, but hers is a name most of us wouldn’t recognise. N…
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RT @LeahVeronese: Browsing through some early modern song titles today (NOW THAT'S WHAT I CALL MUSIC 1659). Some favourites include: - In f…
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Give this song the 'Murder On the Dancefloor' treatment. Speaks to contemporary music as if from some mythic past. Rich in allegory and psychomachia. The Faerie Queene of 00s pop.
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