One of my students just told me that when her 15 year old sister plays a vinyl record, she plays the same music on mute on Spotify, so it "counts" for her Wrapped
Idea for a television anthology series: "Roommates." Each season is based on a real-life pair of college roommates who both go on to be famous for different things. Season 1: Edward Gorey and Frank O'Hara. Season 2: Peter Wolf (from the J. Geils Band) and David Lynch
Some big news: I'm writing a group biography of the New York School of Poets for
@AAKnopf
! This is pretty much my dream project and I'm immensely excited about it
True story: Susan Sontag once encouraged my father to drop out of college (he didn't, because he was on scholarship and would have had to paint houses for a living or something)
If you have the Criterion Channel, I encourage you to watch "How to Take a Bath," a bizarre 3-minute instructional film directed by Guy Maddin from a script by John Ashbery
Speaking of Yeats' "The Second Coming" (as one does), is there another poem that has generated as many book titles? Offhand I can think of Achebe's "Things Fall Apart," Didion's "Slouching Toward Bethlehem," Woody Allen's "Mere Anarchy," and Robert B. Parker's "The Widening Gyre"
The Cambridge Companion to the Essay, which I co-edited with Kara Wittman, is almost here! Here's the cover, front and back, including a full list of contributors. And here's some further info:
Last week was my final one teaching at Pomona College. I'm happy to announce that, starting in June, I'll be working as an Associate Editor at
@ChronicleReview
, alongside
@GutkinLen
and other fine folks. It's bittersweet to be leaving teaching behind, but exciting too.
One weird editorial element of the Ghomeshi thing: the NYRB very rarely publishes personal essays. So it really feels like bending over backwards to make a (dubious) political point, in a way that’s uncharacteristic of the publication.
This is delightful: Jane Austen used to regale her relatives with anecdotes about what happened to her characters after their novels ended. (From David A. Brewer’s “The Afterlife of Character”)
The café routine. After work, or trying to write or paint, you come to a café looking for people you know. Preferably with someone, or at least with a definite rendez-vous...One should go to several cafés—average: four in an evening. 12/29/56
Once again, for the afternoon algorithm: my essay on the Kids in the Hall, niceness, transgression, queerness, drag, homophobia, self-loathing, Canada, America, and learning how to live
@kukukadoo
This is up there with "You can sing every Emily Dickinson poem to the tune of the 'Gilligan's Island' theme" in the ruining-canonical-poetry sweepstakes
My article "Kenner's Networks," on Hugh Kenner, Marshall McLuhan, intellectual networks, and the midcentury conservative movement is in the new issue of
@CriticalInquiry
:
I have eaten
the plums
that were in
the icebox
and which
you were probably
saving
for breakfast
Forgive me
they were delicious
so sweet
and so cold
"This Is Just To Say"
William Carlos Williams (b.
#OTD
)
(Photo: 1936)
Papers:
My friend Julie Cline, one of the founding editors of
@LAReviewofBooks
, died this month. She was a brilliant writer and editor who helped make LARB what it is. Please consider donating to this GoFundMe which goes toward funeral services for her family
"Everybody makes mistakes; only some of them become canonical." I'm very proud to share my debut for
@nybooks
, on
@Erica_McAlpine
's "The Poet's Mistake":
An interesting lexical shift in my lifetime has been how the word “discourse” evolved from a technical-sounding term in the humanities and social sciences to a dismissive epithet for idle chatter
I'm very proud to announce that The Cambridge Companion to the Essay, which I co-edited with Kara Wittman, will be available in October and is now available for pre-order!
I didn't publish a lot this year because I was starting a new job and working on my book. Forgive me! But I did review John Guillory's "Professing Criticism" for
@nybooks
“We lived among name-dropping as if in a fusillade of pigeon shit.” Amazing, dyspeptic description of midcentury New York literary society by Harold Brodkey, from his 1995 memoir of Frank O’Hara
I forgot how incisive this summary of postwar academic poetry culture - rendered in Byronic ottava rima, no less - from Kenneth Koch’s “Seasons on Earth” is
Crowd, please help me source. Who are some academic scholars, upwards of 75 years old, who you'd be interested to read career-spanning interviews with in
@ChronicleReview
?