Cait Doherty
@caitdoherty
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Associate Editor @NewLeftReview
London
Joined December 2007
RT @NewLeftReview: 'What would art as pure politics look like? Is it even desirable?' Luke Roberts on the poetry of Tom Raworth: https:/…
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RT @leorobsonwriter: Here’s my somewhat lengthy but cameo-strewn @NewLeftReview SCar piece on Bob Dylan from 61-66—his aesthetic priorities…
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RT @zeithistoriker: Whole-heartedly agree with @caitdoherty's conclusion in @Harpers: new model for Davos is Dubai and the zone: https://t.…
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RT @Harpers: “Davos Man had become a victim of his own success, too visible in the background of state and corporate handshake photos to hi…
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@CasparShaller @Harpers thank you Caspar; would love to talk to you about your experience protesting the WEF for another project I'm working on -- please do DM if you're interested
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@Harpers huge thanks to editor extraordinaire @maya__perry and brilliant factchecker @IsabelRuehl for all their work (and patience)
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'Poetry seems to belong to the slippage, the dead air, the delay between broadcast and reception. It lives in the imperfect relay of language, the unstable interaction between fantasy and noise.'
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'Hegemony is more than a vibe, and critical realignment is not just a fancy name for a dramatic election night.'
'Perhaps the safest thing to say is that the working class, as a class, didn’t do anything. The vote is evidence of dealignment, not realignment: voters below $100,000 split basically down the middle.' Tim Barker (@_TimBarker) writes for Sidecar:
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RT @LRB: ‘Since the end of the Cold War, the US and its coalitions of the willing have launched several Great Power interventions. But they…
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I talked to Mike Leigh about his new film, Hard Truths, and his filmmaking over the years, for @FilmComment:
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RT @kunktation: People who appreciated my piece in The Nation on (de)growth should check out this @NewLeftReview collection on related poli…
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RT @parisreview: “In the early years of the fifth century, a famous philosopher visited Athens. You could say that this philosopher, Parmen…
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'Nobody remembers that I like talking about other things than paintings.'
From 1966: L.S. Lowry spills all about art school and being a lazy man, the critics who attacked his ‘figures like insects’ and why he feels so lonely
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