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Matthew Aucoin
@aucoincomposer
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composer. "Eurydice" recording available on Apple Music; "The Impossible Art" (book) out now via @fsgbooks.
New York / Vermont
Joined August 2016
MUSIC FOR NEW BODIES: (excerpts from the world premiere performance, Houston, April 2024) @DaCameraHouston @KathrynLewek @ShepherdSchool
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RT @nybooks: “Two decades into George Benjamin and Martin Crimp’s creative partnership, it feels neither premature nor hyperbolic to sugges…
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RT @nybooks: Matthew Aucoin (@aucoincomposer) on George Benjamin and Martin Crimp’s tender, crushing opera Picture a day like this https://…
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@nicomuhly @asvokos @TheaterFreiburg nico what was the menu item in houston that reminded u of my orchestration? “spicy flaming queso” I think? anyway “two boys” (accidentally wrote “two bots” at first) is definitely ripe for revival!!
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I'm making a piece with Peter Sellars based on poetry by @jorie_graham. It's called MUSIC FOR NEW BODIES. Wow I don't have words for how excited I am for this one. See you next April at @DaCameraHouston @ShepherdSchool
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@eyepitydafu didn’t he also tell a student pianist (not you) that his performance of a Beethoven sonata had too much “lipstick” on? What a spirit. RIP.
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@chriscerrone forgot to mention that the innocent bystander was Arnold Schoenberg, in his later period
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RT @nybooks: Matthew Aucoin (@aucoincomposer) on the conductor Carlos Kleiber, the nonpareil of podium alchemy
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@Lynn_Nothegger The particular use of “oder?” as a question, after having asserted something. I like the way it opens up space for the other person to answer/correct you. It’s close to the English “right?”, but somehow (to my ears) more flexible, less defensive-sounding.
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RT @ErnestoLechner: I wrote about @aucoincomposer, Anthony Davis, @T_Blanchard and their @RecordingAcad nominated operas. One of those rare…
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