A creative endeavor to write full novel adaptations of EVERY Japanese Godzilla film and share them – completely free – with the fans • Created by Daniel DiManna
In celebration of THE RETURN OF GODZILLA’s 40th anniversary, the GNP is proud to reveal the 1st chapter of its new novelization!
Translating this 1984 classic into book form is going to be an incredible journey. I hope you enjoy it!
Read Chapter 1 here:
GODZILLA MINUS ONE is a revelation in black and white. Rather than simply throw a monochrome filter over the existing film, Takashi Yamazaki and his crew painstakingly remastered every shot. The results are terrifying in a completely unique way.
Absolutely see it if you haven’t.
ゴジラ死す (Godzilla Dies)
The great Kenpachiro Satsuma – the dedicated actor who terrorized the world as Hedorah, tried to conquer it as Gigan, and beautifully redefined the physicality, personality and soul of Godzilla across all 7 Heisei films – has passed away. He was 76.
News has broken that the legendary Sadao Iizuka – the ingenious optical animator who created the iconic rays and beams of Godzilla, Ultraman and innumerable other kaiju and mecha – passed away on March 24th after a career spanning seven decades. He was 88.
Rest well, Iizuka-san.
DOUBLE WOW!
Nearly 70 years after its publication, the original 1954 novelization of GODZILLA – written by the film’s story scribe, Shigeru Kayama – is getting an official English translation.
This is something I’ve been waiting to see happen for years. It’s about time!
GODZILLA MINUS ONE has swept the Japanese Academy Prizes with an incredible (and so very deserved) eight wins!
They include:
-Best Picture
-Best Supporting Actress
-Best Screenplay
-Best Editing
-Best Sound
-Best Cinematography
-Best Lighting
-Best Art Design
Congratulations!!
The whole “Oppenheimer is a Godzilla prequel” thing has been punchlined to death, but Godzilla really is the moment where Oppenheimer’s bomb transcends history to become mythic. Where the Manhattan Project’s reality ends, Godzilla and other cultural reactions to the bomb begin.
News has broken that trailblazing screenwriter/author Yukiko Takayama – who became the Godzilla series’ first (and thus far only) woman writer in 1975 when she penned TERROR OF MECHAGODZILLA – has passed away. She was 83 years old.
Farewell, Takayama-san. And thank you.
@IGN
Godzilla movies are turning out to be Fast and The Furious. Pretty soon Godzilla will be fighting Aliens in space with time warping jet packs on his back
There’s something haunting and eerily authentic about the set photos from the original GODZILLA. They’ve always felt like “artifacts” to me, like photos taken of a real tragedy as it unfolded.
You could almost believe it all really happened that night, nearly 70 years ago...
Happy 7th anniversary to SHIN GODZILLA, which brought Godzilla’s 12-year Japanese hiatus to an end on this day in 2016.
Conceived by the minds of Hideaki Anno and Shinji Higuchi, the film was highly acclaimed upon release, and remains a terrifying and poignant masterpiece.
A brand-new, 5-part Godzilla comic book miniseries – featuring the King of the Monsters in the bygone time of high-seas exploration and daring treasure hunting – is releasing in June!
Behold the awesomeness that is “Godzilla: Here There Be Dragons”!
Kazuki Omori – director of 1989’s GODZILLA VS. BIOLLANTE and 1991’s GODZILLA VS. KING GHIDORAH, screenwriter for 2 further Heisei G-films, and one of the most unique creators to work on the franchise – has passed away. He was 70 years old.
Thank you for my childhood. Rest well.
GODZILLA MINUS ONE has just made history as the first Japanese film to be nominated for a Visual Effects Oscar.
This is a huge moment for the franchise, the filmmakers, Japanese cinema, and the fans (though we’ve never needed golden statues to prove how special the Big G is 😉).
Captured live at G-Fest XXVIII, I present proof that GODZILLA ‘98 isn’t nearly as universally hated as the internet would have you believe.
This film will always have its detractors and criticisms (many valid), but after 25 years of vitriol, this was genuinely nice to see.
The men behind the monsters.
Shoichi Hirose, Haruo Nakajima, and Masaki Shinohara pose with models of their respective kaiju characters on the set of INVASION OF ASTRO-MONSTER (1965).
GODZILLA MINUS ONE has toppled 2019’s PARASITE to become the third highest-grossing international film in U.S. box office history!
At $55 million and counting, the film is – if audiences continue to turn up – on track to take the
#2
spot within the week.
Absolutely amazing.
A very happy 74th birthday to the one and only John Carpenter – master of horror, self-professed Godzilla superfan, and a guy who once shot an 8mm short film called GORGO VS. GODZILLA that he’s kept under lock and key for over 50 years.
What a legend.
Nobuyuki Yasumaru, the legendary Showa-era suitmaker whose talented hands crafted monsters like Gorosaurus, Gigan, and Godzilla himself, has passed away. He was 87 years old.
Rest well, Yasumaru-san. And thank you.
Read Brett Homenick’s tribute here:
I love that there was a guy in the Toho special effects department back in the ‘60s whose job was to wander around the set slapping things with a severed Godzilla tail.
That’s a dream job, right there. 😉
I love the fact that there was a guy in the Toho special effects department back in the 60s whose job was to wander around the set slapping things with a severed Godzilla tail.
That’s a dream job, right there.
GODZILLA MINUS ONE has just snagged an incredible 12 Japanese Academy Prize nominations! They include:
-Best Picture
-Director
-Actor
-Actress
-Supporting Actress
-Screenplay
-Cinematography
-Lighting
-Music
-Art Direction
-Sound
-Editing
What an amazing and well-earned honor!
One of the most fascinating aspects of
#GodzillaSingularPoint
is its unique fusion of science and mythology. Behind all the complicated theoretical physics is a deep connection to the rich history of Japanese myths and demons.
Godzilla’s resemblance to the Oni is no coincidence:
Masterful. Emotional. Powerful.
Takashi Yamazaki’s
#GodzillaMinusOne
is a triumph in every sense of the word. It’s heartbreaking, terrifying, and deeply resonant. Not just a great, game-changing, bar-raising Godzilla film, but an incredible piece of cinema.
I’m still in awe.
Happy heavenly birthday to Momoko Kōchi – beloved for her role as Emiko Yamane in 1954’s GODZILLA (and briefly again in 1995’s GODZILLA VS. DESTOROYAH) – who was born on this day in 1932.
In 1999, the DiverCity Plaza mall in Odaiba, Tokyo, erected this massive Godzilla-shaped Christmas tree to promote the Dec. 11 theatrical debut of GODZILLA 2000: MILLENNIUM.
22 years later, it’s not Christmas in the G-fandom until you’ve been sent this image at least 78 times.😆
The Godzilla series is no stranger to talented women both onscreen & behind the scenes, but of particular note is the amazing woman below.
This is Yukiko Takayama, whose screenwriting prowess gave us TERROR OF MECHAGODZILLA in 1975. A true living legend.
#InternationalWomensDay
THE PET (1921)
This 12-minute animated film from legendary cartoonist Winsor McCay describes a dream in which a nondescript domesticated critter eats a bit too much food and grows into a giant. He wrecks buildings, fights the military... the works.
Cinema’s first giant monster.
Happy birthday to the late, great Raymond Burr, born on this day in 1917.
In addition to his stellar work onscreen in GODZILLA: KING OF THE MONSTERS and GODZILLA 1985, Burr was also a true ally to Godzilla, and wore his association with the series as a badge of honor.
What an incredibly powerful and haunting shot from the GODZILLA MINUS ONE trailer.
The people of Japan stand solemnly, holding their loved ones, under the shadow of an angry god and the destruction he’s brought back into their war-torn lives.
Poignant. Symbolic. Terrifying.
JET JAGUAR RETURNS!!
Master suitmaker Shinichi Wakasa is on tap to build a brand-new Jet Jaguar suit for this year’s Godzilla Fest!
And yes, just like Hedorah in 2021 and Gigan last year, this new Jet will star in his own short film!
Crowdfunding link:
Welcome back, Megalon!
A new “Godzilla vs. Megalon” CGI short film from Gemstone will release on November 3rd for Godzilla Day. It looks to be a sequel to last year’s “Gigan Rex” short, with the same Godzilla returning!
HO. LY. CRAP. 😱
The 1967 Korean kaiju film SPACE MONSTER WANGMAGWI – easily the genre’s most sought-after “lost” film – is FINALLY getting a home video release!
Eternal gratitude and respect to
@AVERYGUERRA
& Ron Bonk at
@SRSCinema
for finally bringing this film to the world.
Is there a single shot/frame from Godzilla’s long history that – for whatever reason – IS Godzilla to you? The image that pops into your head whenever you think of the monster?
For me, it’s the shot below from GODZILLA 2000. Apocalyptic. Nostalgic. Perfection.
What’s yours?
A stunning black-and-white version of GODZILLA MINUS ONE was announced on the same day McDonalds launched a delightfully goofy Godzilla collab.
If you needed another perfect example of serious and silly Godzilla coexisting in harmony, this is it.
What an amazing character.
Happy birthday to the late, great Raymond Burr, born on this day in 1917.
In addition to his stellar work onscreen in GODZILLA: KING OF THE MONSTERS and GODZILLA 1985, Burr was also a true ally to Godzilla, and wore his association with the series as a badge of honor.
NEW KAIJU FILM!
The talented crew at 3Y Films are hard at work on HOSHI 35, an independent, toku-driven project releasing in 2023.
The cast includes Jun Hashizume, Daijiro Harada, Hiroshi Miyasaka, Yumiko Tanaka, suit actor Akira Ohashi and *drumroll please*... MEGUMI ODAKA! 🤯
Happy birthday to suit actor Katsumi Tezuka, born on this day in 1912!
Tezuka-san famously shared the roles of Godzilla, Rodan, Moguera, Varan, and others with Haruo Nakajima, and played multiple early Toho monsters including Anguirus, Meganulon, and Mothra’s larval form.
89 years ago today, moviegoers saw the advent of something remarkable. Something monstrous, neither beast nor man...
On March 2nd, 1933, KING KONG had its New York premier, and the world was changed forever. Nearly nine decades later, it remains a timeless cinematic masterpiece.
“I think the MonsterVerse is at a crossroads where audiences need to vote that they wanna see another one of these films before they continue...” —Adam Wingard
Well, you heard the man. It’s up to us to let
@Legendary
know we want more.
#ContinueTheMonsterverse
Spread the word.
And now, some insightful observations on 1992’s GODZILLA VS. MOTHRA from my 4-year-old godson:
“They not being nice to each other.”
“That other butterfly saved her! That other butterfly didn't want her to die.”
“Mothwa is so fluffy! I want to sleep on her back.”
MY HEART. 🥺