I can help you smash social media through strategy, auditing, coaching or doing the bloody posts myself. Made an absolute unit go viral once too.
(he/him)
Our teams had an incredible day at Edinburgh Pride 🌈
LGBTQ+ colleagues, members and supporters make amazing contributions to saving wildlife. Let's build a community where everyone is welcome 🏳️🌈
Together, we can create a world where nature is protected, valued and loved 💛
So, I’m leaving
@TheMERL
and
@readingmuseum
and starting as Social Media Editor at the
@royalacademy
in July.
I’ve spent six years working with amazing people in Reading and I’m going to miss it, but I’m also super excited for the future!
Birmingham City Council owns an artwork collection valued at almost half a billion pounds, a BBC investigation has discovered.
The scale of the council-owned art collection has also revealed.
Full story -
Well, this is as good a time as any to let you know I'm at
@royalacademy
now.
Tesla was a crazy opportunity but it was a personal decision to let them find someone else. I worked with incredibly intelligent people doing genuinely important things, and wish them the best.
I'm considering writing a 'things I learned in the past 6 years in museums' and I keep swinging between a practical tips blog and a blog where I scream about the sector paying shit wages and video games doing a better job teaching history than any exhibition I've ever visited
At the
@MuseumsAssoc
#Museums2018
I spoke about the Absolute Unit, and how we created the conditions for going viral at
@TheMERL
.
I wrote some of my conclusions up:
Don't think the visual metaphor of this building has ever struck me so strongly as it does tonight. Something beautiful about the ship, pulled up right in the heart of London.
The Natural History Museum hosted the National Conservative conference dinner last night.
Values only matter to national museums until it costs them money. If backtracking means a resulting attack article in the Telegraph, then they won't backtrack.
Seriously considering a digital form of label where you get two options:
- a label giving you one interesting story or fact about an object put across with personality
- Curatorwank: a long label of jargon giving you the full context, history and caveats as agreed by committee
You visit museums to have a fulfilling cultural time
I visit museums to take photos of laminated signage to include in name-and-shame conference presentations
We're not the same
After being out of the heritage sector only 3 months, I still hold this opinion:
If you don't talk about what you're doing online, then for 99.99% of your actual and potential audience, it's like it didn't happen at all.
The cycle of a museum career
- start out
- find a niche
- can't progress as there are no roles, or roles prioritise private sector experience
- get private sector experience
- museums still don't have vacancies, or pay less for more responsibility
- stay in private sector forever
When I was a teenager I ogled at the
@Pitt_Rivers
shrunken heads.
Today, I overheard a grandma exploring colonialism and ethics with their kids instead.
Loving the progress, and couldn't have chosen a better place for my first museum visit since lockdown.
I don't think we talk enough about how
@TheMERL
jumped on Animal Crossing, collaborated with artists and got people making smocks inspired by their collection.
21st century engagement.
I made a lot of GIFs while
@bodleianlibs
and
@TheMERL
- animating medieval manuscripts, timelapses of wagons, and levitating cows.
In case they're useful to anyone, I have them here with original PSD files:
Feel like I need to see a school group in a workshop, a couple lazily wandering through an exhibition, old men with papers in the cafe, somebody learning something new, just to remember what the fuck we're meant to be doing again
On top of this blog, we've been talking internally about how The MERL isn't especially innovative in social media, we're just given more freedom to take risks by our management.
So,
I'm the new Head of Digital
@audienceagents
, hoping to live up to the legacy of
@katiemoffat
(but not quite sure how?)
Talk to me if you need help on digital, content & projects!
When I see how rarely cultural orgs post online (for good reason, there's too much shit to do), I'd like to see an experiment where somebody employs a terminally online person who knows their topic who's allowed to focus on pure posting
I cannot stress enough how much peace there is in seeing an online trend and just *enjoying* it, not having to rapidly think of a hot take using a collection of 6000 paintings of dead dudes
If I have to click on your job advert tweet, and then download an application pack just to check the salary then well done I want to burn down your building.
Just put it in the tweet advert
Love that feeling when colleagues bring you the perfect piece of content.
Chicken in trousers in an 18th century maths book.
It even says 'the content' next to it.
most social media manager jobs I see advertised are underpaid considering their role in audience engagement, data analysis, creative skills and strategic thinking.
Your SMM has a finger on the pulse of what your audience want and are talking about *every day*.
Could I technically do these 50 things with the hours I have in the day?
Yes.
Do I have the unlimited energy reserves/cocaine habit to actually do them all?
No.
Doing social media as a job somehow turns you both into a massive nihilist where everything is transient and meaningless, and also extremely sensitive so that every minor negative feedback cuts to the bone
People in here both not understanding how museums work, but also again making the social media manager the lightning rod by assuming they make curatorial decisions
I've worked in a few museum stores and honestly this is so easy to get away with for a while. If something isn't requested for research or an exhibition you wouldn't know for years.
I HAVE AN ANNOUNCEMENT.
I am going freelance from September.
Cultural organisations should be smashing it on social media. I can help you smash it through strategy, auditing, coaching or doing the bloody thing myself.