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zoe g
@zoeguttenplan
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@Lit_Review / book designer and writer
London, England
Joined March 2010
RT @zoeguttenplan: I wrote about a woman in her 20s struggling through a graduate dissertation on Virginia Woolf, bogged down by Theory. Al…
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RT @midoririot: the cover design (@zoeguttenplan !) is astonishing & looks even better in person. really excited for this
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London isn’t London without the Prince Charles — I have fallen in love with so many movies in their seats.
#SaveThePCC Some of you may have read about the situation regarding our new landlord wishing to add a new redevelopment break clause, with only 6 months notice to our lease. For now, we're simply asking you all to share & sign the petition below;
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RT @Dalkey_Archive: With delightfully risqué cover art by Zoe Guttenplan ( @zoeguttenplan ), visceral interior illustrations by Gregory Kla…
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Pretty cool to tell the entire story of the Odyssey from the POV of Telemachus, Odysseus’s son Right? …………..Right?!
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My saucy little illustration is out in the world!
On display in Brussels—my place of birth. If you want to write about the book for a good outlet, message me and I’ll make sure you get a copy — so in love with the cover by @zoeguttenplan
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This piece by @JulianaDeVaan is an excellent prompt to read — or reread — The Power Broker
Fifty years after the publication of “The Power Broker,” the legacy of urban planner Robert Moses is ripe for revisiting.
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Currently reading the real thing 🥲
If, as @The_Fence_Mag says, this is the most boring letter TS Eliot ever sent, I might have to buy the collection. Woolf taking trouble over paper? Eliot also caring? I’m salivating.
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Thanks @washingreview for including the piece in their newsletter!
…@zoeguttenplan in @Lit_Review on Murakami’s new novel, and @j_amesmarriott in @thetimes on knowledge and curiosity. (2/2)
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RT @zoeguttenplan: I enjoyed Ali Smith's new novel, Gliff, and explain why in the new issue of @Lit_Review
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RT @BaptisteOduor: I wrote about Ta-Nehisi Coate’s The Message, a book which, despite its limitations, advances a radical critique in a la…
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