I am very excited to officially announce that we have a book coming out this July called CORPSES, FOOLS AND MONSTERS. It is a critical and historical re-examination of transness in cinema in the vein of "The Celluloid Closet". You can pre-order the book now through bookshop.
The best movies are
*six guys have to rob a bank
*vampires (gay) are hanging out in a castle
*a woman with bad mental health
*italian movie from the 1970s about sex
*It's nazi killing time
*french actors smoke cigarettes
*cursed object causes the death of so and so
David Lynch and Mark Frost somehow did not fuck up their introduction of a trans woman character in their tv show in the 1990s and then declared 25 years later that if you don't roll with trans women then you're a shitty person, and I still think that's pretty fucking cool.
The bit where Homer buys a trampoline in The Simpsons is as good as anything human beings have ever created. Right up there with Moby Dick, Jeanne Dielman, Purple Rain and indoor plumbing.
Don Draper fucking ruled because he'd be disassociating hardcore and then go into meeting like "SNICKERS...It's there for you" and then all his ad buddies would be like holy shit.
Wishing a happy birthday to John Carpenter. He made a dozen incredible movies and then retired to play video games, record heavy metal music and watch basketball. We should all aspire to such a life
BATMAN RETURNS is truly the best Batman movie, because everyone is a giant perv. You've got Danny DeVito clapping his flappers saying "I'd like to fill her void" with fish guts all over his mouth. Michelle Pfeiffer is purring and licking Batman's face. Christopher Walken is there
The fun thing about David Lynch's "announcement" is that it could plausibly be anything. He has made a candle, he is shaving his beard, he has found a nest of bees, Twin Peaks season 4? All of it on the table.
Rewatched Carpenter's HALLOWEEN last night. Carpenter understands that horror movies often live and die by geography, space, architecture and blocking. Every slasher film kind of has the same structure, but none have as strong a form as this one.
It's worth sticking around for the credits in a Mad Max movie because you'll realize all the guys with one line of dialogue have names like "Canniballsack"
Jordan Peele's movies are marketed very well, and it always makes me a little happy to know that a film can still be sold on the basis of a director's style being recognizable.
My favourite Sam Raimi memory was seeing DRAG ME TO HELL in a nearly empty theater and mid-movie we were crashed by a Christian minister waving a flashlight warning us that by watching the film we would in fact go to hell.
Criterion Channel is amazing. You can just type a year into their search bar and then every movie from that year will be listed and there's usually a ton of films you can watch. A bounty of riches. The only streaming service I consistently use
Bob Clampett's strategy with Daffy Duck was that with each frame Daffy would have a different facial reaction. You can literally pause it frame to frame in his shorts and each Daffy is completely different from the last and each image is its own little comic device.
Ray Liotta was totally unique in that era of American cinema. Everyone is rightly going to point out Goodfellas, & they should, but I was always impressed that he challenged himself. He was always learning as an actor. Should have gotten as much praise as Dern for Marriage Story
Laura Dern stated in an interview today that there's a twinkle in David Lynch's eyes lately and he's up to something radical and fantastic. I can't wait to see the new shelf he's built.
Vibe of Texas Chainsaw cannot really be tapped into anymore because there are foundations in place to never repeat that kind of aesthetic or the circumstances of its production. You can make a million Halloween clones. Chainsaw is different.
Eyes Wide Shut is hilarious, no seriously, the whole movie Tom Cruise is headed to fuck city, but he wasn't ready for fuck city and it's all played deathly straight.
This is quite genuinely one of the greatest films ever made. It was on my sight and sound ballot. If you're lucky enough to go see it then go for it. The only thing you need to get acquainted with before you watch is the Book of Revelations in the Bible.
Credit to a24 for getting I SAW THE TV GLOW out in front of trans critics so that we could have a say in how the film would be perceived prior to its wider release. That almost never happens.
Баран Шрек oднажды сбежал с фермы и 6 лет скитался пo гoрам. Пoсле пoимки с негo сoстригли 27 кг шерсти. Егo выгнали с гoр волки, кoтoрые не смогли прoкусить шерсть, а oн хoдил у них на глазах немым укoрoм их беспoмoщнoсти.
Best version of DUNE would be directed by Takashi Miike, because he'd totally ignore the text and use the entirety of his $30 budget to make the worm very gross.
The fun thing about David Lynch's "announcement" is that it could plausibly be anything. He has made a candle, he is shaving his beard, he has found a nest of bees, Twin Peaks season 4? All of it on the table.
I am against Cocaine Bear in theory, because it looks ironic and tryhard. If it were made in 1981 it would have a budget of $40, be directed by a secretly amazing Roger Corman guy and it would probably rip.
In an interview for the Enter the Dragon dvd the set designer said after working in the hall of mirrors for more than an hour or so he felt like he was losing his grasp of reality, and dude had to go home and stare at a wall to come down. I get it. Shit's wild.
The last image we'll see of CM Punk in aew is him hugging a fan holding a sign that said "Trans rights are human rights", and 30 minutes earlier he tipped a monitor over on his boss. Legend.
One of the cool things about watching old VHS tapes or DVDs is sometimes you'll get trailers beforehand for movies that basically do not exist anymore and feel made up.
or we could not make a movie about Hulk Hogan because there's no way they'll be honest enough to portray him as a piece of shit racist who killed any notion of a union happening in professional wrestling
The beauty gap between women and men in old Italian horror movies is so fucking vast. 15 of the gnarliest looking dudes ever and the most beautiful woman you've ever seen in your entire life. It's amazing.
I personally think the resurrecting of actors/public figures/etc for the sake of movies through CGI or voice technology is one of the very worst developments in cinema. I find it disgusting. They're dead. They had no say. It feels wrong to me.
I genuinely feel like Matrix Resurrections has somewhat restructured where stories of transness in movies might go in the next ten years. If the original trilogy was about becoming, which is what a lot of trans movies obsess over, then this one is about survival and sustaining.
With the release of I SAW THE TV GLOW, THE PEOPLE'S JOKER and T-BLOCKERS, we are living through what increasingly feels like a significant moment in the history of film: the emergence of a definitive trans authored cinema.
God bless Chris Jericho for being extremely Y2J and relating to Nyla's journey as a trans woman by stating the following: "No, I get that. They said you couldn't be a girl and you didn't listen to them. I was like that. When I was a kid everyone said I couldn't be a rock star."
Thinking about how David Lynch DVDs come with a special feature to help you calibrate your TV so it looks great, and how I have used them for every TV I've ever owned.
There's a whole section in Mulholland Drive about a guy who keeps accidentally shooting people with an "oh god, oh god, I'm trying to delete it" mindset about the problem he finds himself in and I still think it's like the funniest shit.
Sure is a trip that Francis Ford Coppola still has to rummage around for funding and basically bet on himself considering he's made a half dozen or so of the greatest movies ever made.
What movie changed your life this decade? What movie have you not been able to stop thinking about this decade? What movie have you come back to again and again these last ten years? I think these are better questions to ask critics than what movie was the best?"
I can't be on here all day tweeting about this, but I want to say one last thing, if a child knows they are trans, and are forced to endure a puberty that is wrong, it damages them in such a foundational way. I speak from experience. It is agony. It is torture.
They always say TV didn't become great until Twin Peaks or the Sopranos or whatever, but TV peaked in the 70s because talk shows would bring Orson Welles on to tell stories and talk shit for an hour and everyone tuned in.
Don't be shitty about the way people choose to explore their own cinephilia. It doesn't matter if they're using Criterion Channel, to**enting, youtube, libraries, rep cinemas, physical media, w/e. It's all cool. Go get laid instead of being weird about this.
Wolf of Wall Street to Silence to Irishman is an absolutely absurd streak of movies. If you wanted to argue this is his best decade ever as a filmmaker you could.
Major Briggs rules because he's a guy who says things like, "this reminds me of a feeling once occupied in the soul of my grandest days as a child..of innocence and breathtaking beauty.", and he will be talking about like a 75 degree weather day.
My love for Martin Scorsese is synonymous with my love for movies. He's acts as this symbolic figure of cinema, and I get really overwhelmed sometimes thinking about how much his movies and his own love for film have influenced how I try to live my own life.
Criterion uploaded the reconstructed film that Lynch made out of Blue Velvet footage that he didn't end up using. It's a fascinating little thing that more clearly underlines that MacLachlan's character is a pervert and ends on a dreamy note of thunder and lightning.
I wrote about the movie months ago, but the fundamental issue with Promising Young Woman is that it eventually asks you to have faith that cops and the justice system would give a damn, which is an insane fantasy that's offensive considering everything we know.
I still think it's fucked up mad genius shit that on the last episode of the OG Twin Peaks run Laura tells Dale "I'll see you again in 25 years", and then they brought the show back 25 years later and ended it THAT way.
I get the vibes these days that folks aren't into horror, but rather an aesthetic they associate with horror, that's tied up in things like edited for TV movies, Halloween (the holiday), and like, the idea of sharing "spooky" things on social media.
I am thinking about the scene in ANNETTE when baby Annette is performing at the Super Bowl halftime show and the man over the intercom asks politely to give her some time "she is a baby after all"
I SAW THE TV GLOW is a major film. Jane Schoenbrun is a visual stylist who has captured something specific about how transness actually feels as a bodied experience. I am haunted by it and excited that it is going to touch others who are going to realize cinema is theirs too.
I sometimes wonder if Rob Zombie knows there's a small group of film critics who consider his directors cut of Halloween 2 one of the finest films of the 21st century.
A Nightmare on Elm Street 3 begins with Patricia Arquette swallowing a spoonful of instant coffee, taking a big sip of Coke and blasting Dokken's "Into the Fire", and it is genuinely one of my favourite horror movie openings mostly because I like the riff in the Dokken song.
My favourite thing about LADY BIRD is everything we see has a life beyond what we're shown in the film. A suggestion that if camera were to drift into the life of another character, or another home, or even a shop, it would be just as rich.
So many original reviews of Fire Walk with Me from 1992 show a willful disinterest in engaging with the text, and an inability to think beyond linear plot structure. Additionally there's just an immense about of victim blaming directed at its lead character. Bad vibes.
IN THE LINE OF FIRE Clint Eastwood plays a secret service agent and includes a scene where he looks at the Lincoln memorial and says, "wish I could have been there for ya, buddy."
my favourite thing about art is when they tell me before the movie comes out if the people in the movie are bad and whether or not i should look up to them, because i'm very susceptible and can't tell the difference between a cool guy and a jerk
I've watched Mare of Easttown grow in popularity from week to week on my feed as a point of discussion. It's almost like this is how TV is supposed to be released or something.
BARCLAYS: “Disney+ growth has slowed significantly.. In order to get to its long term streaming sub guide, $DIS needs to more than double its current pace of growth to at least the same level as $NFLX.. Long term streaming guidance could be at risk.”
Cuts to equal-weight, $175
Many of these short films from Akerman have never been available before on physical media. One, in particular, has never even been traded around on the internet among fans. This is a major release.
✨Announcing our JANUARY 2024 Criterion Collection titles!✨The evolutionary first decade of a singular filmmaker, an American tragedy set in the Mississippi Delta of the '40s, a '90s British indie phenomenon, & a neowestern mystery in a Texas border town.
Following Bob Dylan through his entire career must've been a trip because he was the protest guy and then the sellout and then the country music guy and then the jesus guy and then he was alive in the 80s and then a whisky blues guy and then a sort of crypt keeper of history.
Caden Mark Gardner and myself (we are the two trans film writers) are mentioned in the newest email newsletter for Quentin Tarantino's Video Archives Podcast. Surreal. Shout out to Jessica as well who wrote a great piece!