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Pedro Sarmento
@umpedronosapato
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postdoc researcher in AI & Music @CDT_AI_Music @c4dm @QMUL
Joined June 2014
RT @CDT_AI_Music: Join us for the in-person seminar: "Pipa Performative Score Dataset Construction using Intelligent Installation & Compute…
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Great steps, but yeah... does it make your head bang? 🤘
it does not evaluate any other aspects e.g., if the audio is musically good or the audio is diverse. so methods like FAD would be still useful and worth improving. and of course @dadabots @umpedronosapato @urinieto would wonder how it scores heavy metal music 🤘
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Very excited to share our latest work, the GigaMIDI dataset with > 1.4M files, published at #TISMIR @ISMIRConf 🤘 It was a huge pleasure to collaborate with Keon Lee, Jeff Ens @monobor @matdiffusion @Sadkins65 on this one Check it out
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RT @deeplearnmusic: 🌟 New @ieeeICASSP Paper Announcement 🌟 We introduce "Music2Latent2: Audio Compression with Summary Embeddings and Autor…
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RT @ArxivSound: ``Music2Latent2: Audio Compression with Summary Embeddings and Autoregressive Decoding,'' Marco Pasini, Stefan Lattner, Geo…
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what a speech 🙇♀️🤘
Baroness Kidron may have saved the UK's creative industries with her speech in the House of Lords today. She managed to get the House of Lords to approve her amendments to the Data (Use and Access) Bill, which among other things requires overseas gen AI companies to respect UK copyright law if they sell their products in the UK. (As a reminder, it is illegal to train commercial gen AI models on ©️ work without a licence in the UK.) What's astonishing is that her amendments passed despite @UKLabour reportedly being whipped to vote against them, and the Conservatives largely abstaining. Essentially, Labour voted against the amendments, and *everyone else who voted* voted to protect copyright holders. This should give you some sense of the strength of feeling over the government's plans to upend copyright law to favour AI companies. The bill still has to go through the Commons. But, as it stands, it would require generative AI companies selling their products in the UK to license any copyrighted training data they use. This is what standing up for the creative industries looks like. I strongly suggest you watch her entire speech. (If you want to read it instead, the link to the transcript is in the first reply ⬇️)
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This looks so impressive and open 🎸🤘
1/n: 🚀 Announcing YuE (乐) – the most powerful open-source full-song music generation model! 🎵 Tackle the lyrics-to-song task (like with support for diverse genres, stunning vocals, & multiple languages. Bonus? It’s Hugging Face & LLAMA-compatible for easy fine-tuning. 🛠️ Code: Demo:
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RT @dadabots: Call for AI music papers or AI music music - Submission deadline March 1 - June 10th will be CCOM AI and Computer Music Day a…
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RT @hermanhwdong: Very excited about the many potential applications and extensions of this project! How about...🤔 🎶adding music & sound e…
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RT @hermanhwdong: 🎉Super excited to share that our TeaserGen project led by @WeihanCHsu has been accepted to #ICLR2025! 🔍We explored a new…
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RT @zacknovack: Our paper "Presto! Distilling Steps and Layers for Accelerating Music Generation" has been accepted at #ICLR2025 @iclr_conf…
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RT @deeplearnmusic: Recently, I had the honour of giving a keynote speech on Audio Representation Learning and Generation at the DMRN+ work…
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RT @TeeJayBaker: Hey musicians / ML audio people! 🎶 Please help with my research by taking a listening test to help improve generative mode…
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RT @deeplearnmusic: 🎶✨ New Paper Announcement! ✨🎶 We present "Improving Musical Accompaniment Co-creation via Diffusion Transformers" 🎹🎸—a…
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