Khalil
@tfayli_khalil
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Psychology Student - Fan Arts enjoyer/Animation & Manga enthusiast. Thank you Isayama, Miura and every other devoted artist
🇱🇧
Joined June 2018
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The last time Frieren's ponytails swayed wildly, the show managed to attract the greatest artists in the industry. 20 episodes later, ep
#26
repeats this prosperous endeavor with another strong lineup of talented individuals, breaking the norms of 2 cour series.
1/10
#フリーレン
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#BLEACH
TYBW finally rings up the curtain on the 3rd cour's fate after Taguchi stepped down to become Chief Director.
Once again, directed by Masashi Ito at studio Stereotype, the Bankai-themed trailer provides a good look at the production quality, so let's discuss it.
1/10
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Yuichiro Hayashi expressed his desire to evoke emotions from the viewers in the special eps.
A highly ambitious team took up the task and delivered the best episode in the franchise, resulting in an oddly solemn movie & a rollercoaster ride of emotions.
A thread (1/42)
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If Bocchi The Rock has taught us anything about Keiichirou Saito's directing traits then it's his tendency to add challenging scenes that most directors often avoid to elevate the source material, and that's where Kouta Mori's itano circus-like sequence goes hard.
1/5
#フリーレン
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A heavy thematic conclusion comes with one of the most polished & thoughtful representations of Tite Kubo's ideas.
TYBW keeps shining with ep
#19
being Mr. Dali Chen's (陳 達理) debut in
#Bleach
which settled itself as one of the best directed eps in the franchise🧵
#Bleach_anime
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Not many artists are capable of delivering an impactful debut for a heavy action series. but under Gosso's supervision, young animators showcase their talent freely.
Ep
#7
is another example with Yooto making a strong start to his directional career🧵
#JujutsuKaisen
#呪術廻戦
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Not that it matters to anyone, but Chainsaw Man was the first 2D anime to be nominated in the Saturn Awards for Best Animated Television Series.
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#BLEACHTYBW
ep
#21
After two well-directed episodes, Mitsutoshi Sato's participation brings the series' shortcomings into clear sight.
The hype moments still found their way to carry this episode, but the arguably average output has proven to be worth mentioning🧵
#bleach_anime
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This is by far the most difficult piece of material to adapt in any of Mappa's projects and arguably some of the most challenging in the history of the medium as well, yet Hayashi san and his staff managed to find impressive ways to deal with such a high standard.
Speechless
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If Tatsuya Yoshihara's (吉原達矢)
#chainsawman
eps were the show's most vigorous in terms of expressiveness, then it's only natural for his own series
#Wistoria
to be filled with high-spirited character acting that exudes a genuinely fun outlook on animation.
1/11
#ウィストリア
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Ryomen Sukuna is the most privileged anime character for having the industry's most talented individuals drawing him in very unique styles thanks to this adaptation's ambition that allowed for such artistic diversity
A thread🧵 1/8
Nakaya Onsen
Vercreek
Hironori Tanaka
Curie Lu
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That's how cour 2 of TYBW should have looked like, instead of that dull red sky.
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The most anticipated and craziest fight in this cour is chaotic, diverse and captivating thanks to the ambitious Wataru Yamamoto (山本 航), who offered one of the best performances in
#BleachTYBW
with EP
#20
announcing itself as the showcase of the Kenpachi🧵
#Bleach_anime
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If Shota Goshozono replacing Sunghoo Park's undeniable exceptional action spirit has worried people even after his astonishing work in CSM or Osama Ranking, then JJK S2
#1
is a perfect example of what this young talent can do with fun source material.🧵
#呪術廻戦
#JujutsuKaisen
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With Ichibe vs Yhwach being a major highlight of the BLEACH franchise, It's no surprise that the team behind TYBW would pull out all the stops for this epic showdown.
Ep
#26
is a testament to the dedication & hard work of the entire staff throughout the 2nd cour🧵
#Bleach_anime
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Now watch this 8 sec cut being better than anything that'll come from a certain football show in October.
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It's always amazing to see an artist finding his creative path and applying his mature artistic vision in a work that parallels his interesting ideas...
Attack On Titan S4 part 3 showcased Hayashi's impeccable view of the source material's heavy topics and made it pure perfection
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This singular cow in CSM was way more detailed than whole character sheets in most animes nowadays lol
Good fucking lord, this is the first 2D hand-drawn anime I’ve seen in YEARS with character animation this on-model with proper depth and proportions and anatomy and clothes folds and everything. SARU is truly on top.
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In the midst of Ishida's departure & the chaos of the remaining Bambis, Yoichi Fujita returns with a satisfying storyboard that revitalizes the adaptation's potential, resulting in a cohesive ep in terms of blending the director's vision & the use of manga panels🧵
#BLEACH_anime
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With the strongest action boards of this cour so far, Atsushi Wakabayashi (若林 厚史) made his TYBW debut with ep
#18
being one of his classics.
With Itoko Nagai (長井惟杜子) at the helm of direction, they created the flashiest episode of this new adaptation🧵
#BLEACH_anime
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As the series' final stretch of action commences, Yoichi Fujita unleashes his abilities, but he is not alone in this as Kubo is also working in full swing to bring us his ultimate ideas, and the result is ep
#24
being one of TYBW's strongest in boards & content.🧵
#BLEACH_anime
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Not knowing the inevitable difference between a frame in motion & a static drawing is questionable
To dare to say this ep was the worst in capturing the the manga moments when it's by far the most creative in terms of storyboard, direction and even additions is a really bad take
يب في فريمات رسموها وكأنهم نسخ من كوبو لكن في فريمات لا تقل اهمية عن الباقي ابدعوا في عطبها..
مثال آخر يبين لك سوء الحلقة من الناحية الإنتاجية:
لا زالت المانجا متفوقة. في رأيي الانمي فشل في إيصال ربع الشعور الي بالمانجا في (هذي الحلقة بس)
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Shinichirō Ueda (上田 慎一郎) returned to storyboard and direct
#BLEACH
TYBW’s 17th episode, with some innovative ideas behind his 3D veteran experiences. It's clear that Taguchi's vision is becoming more defined and transcended to his team with each episode 🧵
#BLEACH_anime
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The penultimate EP of TYBW's 2nd cour wasted no time in setting up the stage for Yhwach's fight and Squad 0's shiny moments, as Shinichiro Ueda makes his 2nd contribution with EP
#25
evoking powerful action set pieces despite the conservatively adapted panels.🧵
#BLEACH_anime
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Yubisaki to Renren is the first TV series since Yuichiro Hayashi's Dorohedoro to be entirely storyboarded by its series director, Yuta Murano.
Not only this but it also has been confirmed to be in production since 4 years ago!
One of the best passion projects in recent memory.
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Oh yeah, Mappa bad, they should learn from the industry leading Studio Pierrot when it comes to healthy schedules and good working conditions, lol
As if Pierrot didn't cut nearly 5 minutes worth of content from the last ep of TYBW cour 2 in order to release it on time
1/4
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The duality of Reiko Nagasawa's Frieren design & corrections was prominent the most in this episode and one could only question her ability to draw an innocent lovely creature in such a malicious manner.
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This is an interesting discussion, and although Murata's name has been dragged into unfavourable discourses, a little peek at the credits of most of his episodes tells us a lot about this situation...
A thread analysing his controversial participations & the reasons behind them🧵
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Tooru Iwazawa's impressively consistent output has exalted the role of action AD as evidenced by giving birth to these complex cuts and letting them see the light in TV series format...
Making Fern's attack gradually illuminate the battlefield in less than a sec is amazing.
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Mr Michio Hasegawa's (長谷川 亨雄) hands corrections are truly elegant...
His nice shading alongside the immaculate compositing made some very detailed drawings.
This is a small thread featuring his work as a CAD in
#BLEACHTYBW
:
Episode
#2
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BLEACH: Thousand Year Blood War - The Conflict PV (Direction: Stereotype)
Nothing crazy in the animation itself but all the other departments look strong as always
If it's not obvious, these shots were only done for this teaser, cause they definitely haven't finished anything yet
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It's not common to find intricate angles for long dialogues in
#BLEACHTYBW
but thanks to Atsushi Wakabayashi's intriguing storyboard in EP
#23
, Mayuri's heavy speech became easier to digest with some interesting highlights that made this EP his best result yet.🧵
#BLEACH_anime
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Based on Choso's blood manipulation form, the participation of Arai and Sunakuhara seems to be the most exploratory of Shibuya's spatial elements, as they mainly used arrows scattered around the train station to indicate the flow & direction of the fight.
#JujutsuKaisen
#呪術廻戦
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Upon rewatching Attack on Titan, Araki's classic premiere never loses its charm. It's the kind of show that grows on you with every viewing, so here's a little appreciation thread.
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In awe of what Team Yamahitsuji led by talented director Tatsuro Kawano in studio Colorido has achieved in
#Burn_The_Witch
's adaptation, oozing with fun animation & fresh script writing management that transform Tite Kubo's Mahou Shoujo-like one shot into a (special) 29-min ep🧵
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Taguchi's Rim lighting is still one of the best things that happened to the
#Bleach
franchise
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He and his team have made the best qualitative shift in terms of aesthetics in modern Battle Shounen series.
And although we have yet to witness the consistent peak of his vision for TYBW, no one can deny that he brought the most refreshing visuals in recent years.
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Whenever Masashi Ito directs a trailer or AMV for
#BLEACHTYBW
, it's impossible not to wonder what it'd be like to have him direct an actual EP/OP.
As he incorporates used frames with Taguchi-inspired rim lighting, his keenness to use realistic assets for 3D backgrounds never
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Art direction parallels from two industry leaders🏙️🌇
Heavenly Delusion Chainsaw Man
Yūji Kaneko Yūsuke Takeda
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The idea behind the CSM teaser is a great callback to this arc's opening title "Love, flower & Chainsaw".
Starting by colouring Reze to represent her enjoying life for the first time, then dropping the white Chrysanthemum flower, which in Japan represents death.
#チェンソーマン
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@chromat1cfire
I get the frustration over TG but come on it needs more time to pass before the mere idea is actually in discussion
I mean look at OP, it took them 20+ years to make the idea lol (same with Berserk)
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SB: Tooru Iwazawa (岩澤亨)
Having matured under Tatsuya Yoshihara in Black Clover made him understand how to make thrilling boards with adequate timing for anticipation.
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#SoloLeveling
#11
is finally hitting its stride in action forms, being a testament to the anime staff competing with Jinwoo's kinetic energy as Takayuki Kikuchi brings up the best employment of the main animators' as well as fully exploiting the series' known wide settings.
1/7
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As S1 had complex designs with many folds in clothes, S2 embraces this concept while challenging its simpler designs with Sota Yamazaki (山崎 爽太)'s incredible fabric corrections.
#呪術廻戦
#JujutsuKaisen
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I liked the ice breaking off the clone's body as it featured 4 different layers before it cracks, something most animes with snow-related abilities doesn't do but rather let it directly breaks.
1
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Director Hirotaka Mori provided the photography team some specific instructions on how to capture Sense's blade-like strands of hair while the rim lighting for Frieren's clone was set up to bring attention to the character's scary features.
1
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184
Cool detail having Fern's POV incorporated with eyelashes, it's rare seeing this focus on feminine aspects in the middle of a fight, in comparison to another magic-led series containing powerful witches like Burn The Witch, where Ninny's POV didn't have this privilege for example
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Makoto Yukimura:
"Hands are the most expressive part of a character, after the face.
I've heard that you can tell a person's personality from their hands, so I always look at them.
You can fake a facial expression but your hands will show how hard you work or how hard you don't".
Key Animation: Akiko Kudo (工藤 晃子)
Anime: Vinland Saga (ヴィンランド・サガ) (2nd Season) (2023)
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Hayashi keeps reminding us of what we could've had with better schedule
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That's how you make a Titan fight
Under Hayashi's direction, this fight stood out as one of the best choreographed fights in the entire series
Starting with a low angle to highlight the Titans' mightiness
Followed by Reiner preparing for the next attack imitating MMA movements...
FX: Satoshi Sakai (酒井 智史)
2D KA: Takayuki Sano (佐野 誉幸)
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#SoloLeveling
staff indeed love to show Jinwoo's helplessness and difficulties against strong monsters, but Yoshihiro Kanno's playfully strong action boards embraced that approach and stood out along with Hirotaka Tokuda's impressive supervision of such a large 2D snake.
#俺レベ
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The last credit for Attack On Titan being the director Yuichiro Hayashi placed alone next to explosions and destruction pretty much summed up his entire experience with this franchise...
This man truly gave us his all, and deserves a lot of appreciation
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The initial observation regarding this trailer is the continued prioritizing of original anime fights and the inclusion of prominent freelancers for them.
However, it remains to be seen whether this focus will come at the expense of manga-based fights, such as the case in cour 2.
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My favourite Director of all time
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Contrary to the OG adaptation's forgettable eye-catch designs,
#Bleach
Thousand Years Blood War offers epic drawings that pay tribute to Tite Kubo's meticulous usage of black and white, an appreciable effort from Studio Stereotype's Art Director, Shota Watanabe (渡邉翔太).
1/3
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150
The way that you can recognize Harashina San's storyboard part through some "interesting" layouts is funnily amusing, and it's always Ubel in action ! (Based)
SB: Daiki Harashina (原科大樹)
The weekly dose of diverse layouts that do the job excellently, with a bit of (welcomed) serviceable angles are the team's quirk and they know their audience very well...
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It takes more than emotional and visually stunning finales to provide an unforgettable closure to great series.
That's what makes Attack On Titan's ending special, because it challenges you to question what you consume, which is what a series finale should do.
Thank you Isayama
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Apparently, Sung Hoo Park reused the same impact frame in three different shows, originally done by Kouki Fujimoto in JJK 0
He would've had a bright future in Wit Studio if only he hadn't opened E&H.
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This fandom truly complain about the wrong things.
Kudo's design is better than the manga version for Haschwalt and it's not even close, because of a very simple yet important reason, which is the necessity to depict a brutal soldier like him with serious and harsh features...
I prefer Kubo's artstyle for Jugram over the Pierrot version, cause what the fawk
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Bleach is back with ep
#14
looking more consistent in technical qualities.
A Divine presentation of Yhwach's birth was founded with metaphorical Color contrast between birth in blue and death in red.
Directed by Murata, this premiere offers an impressive outcome 🧵
#BLEACH_anime
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Dir. Murata has stated that they'll be using more CGI than ever. While this may sound worrying at first, it should be noted that 3D work involves a lot of technical fields that can enhance the experience, such as the 3D LOs that shone the best in his eps.
1. Ichigo vs Ebern looked pretty good, highlight of the episode. I'm not gonna talk about the effects cz they looked great all the time. Compositing complemented them so much.
Usage of CG background made the fight very dynamic...
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The new Bleach trailer was pretty descriptive for what the aim will be in the 3rd cour, unlike people who raised their expectations too much because of the larger timespan that they took, the result was believed to be within cour 2's best levels
Will talk about it in detail later
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I noticed that I hadn't talked about the narrative side of episode
#19
, one of my favourite episodes in the entirety of BLEACH.
The emotional execution of the dynamic that defines Rukia and Byakuya certainly makes for a compelling narrative.
And this episode captured it perfectly
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I really wish that any Bleach fan who uses these pictures to stop right away.
Especially this particular shot, I don't know how much visual damage it caused me...
The way it breaks Saori Goda's colour script and ruins Kazuhiro Yamada's balanced photography is just eye hurting.
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The term "Sakugatards" was initially associated with inappropriate discussions related to animation. However, some people have made their job to compare CSM to any new "untraditional" looking anime, which is when it becomes a fitting description that screams visual illiteracy.
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"The Battle of Heaven and Earth" is one of the most monumental sets of battles to ever grace the medium. The vast spectrum in which it unfolds certainly lived up to its name thanks to dir Hayashi's exceptional sense of cinematography & scaling, capturing the epic scope perfectly.
1
1
120
Now deep into the cuts themselves, it's nice seeing Yhwach's fire fists have actual effects and not the previous over composited digital effects like in cour 1.
The second cut is interesting with its rotation and it looks like the action boards will be more promising than before.
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I'm fond of the way these shots were storyboarded, and I'm sure they'll be more impressive with their context revealed.
End of thread!
I'll leave things here and continue with the weekly reviews when the episodes drop, see you then.
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This is by far the best Mikasa design that we have ever had in AOT
Tomohiro Kishi (岸友洋) has proven once again that he can compete with Kyoji Asano's (浅野恭司) , Satoshi Kadowaki's (門脇聡) and Wit's incredible makeup team (see ALT)
Her soft features are simply gorgeous
「進撃の巨人」The Final Season完結編(前編)
ミカサ・アッカーマン新ビジュアル公開！
NHK総合にて、3月3日(金)24:25放送！
✅完結編(前編)PV第2弾
✅25分で追いつける！アニメ『進撃の巨人』ダイジェスト
#shingeki
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Despite Mr Taguchi's knowledge, his current most famous work (Bleach TYBW) barely sees the light in this regard, and does not reflect this fact.
In a span of 2 cours, consisting of 26 episodes, the number of character acting cuts doesn't exceed the fingers of one hand.
Directors Tomohisa Taguchi (Akudama Drive, Bleach: Thousand-Year Blood War) and Keiichi Hara (Crayon Shin-Chan, Colorful) gave a talk about how they approach their work at Annecy Festival this year. Here's our report:
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Dungeon Meshi is fun and all but so far in terms of Food Sakuga, last winter's Tondemo Skill is far better in this specific department (or even other ones too) So for anyone who wants to enjoy some Raw cooking animation (although it's rotoscoped) go watch the Real gourmet fantasy
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SB: Daiki Harashina (原科大樹)
The weekly dose of diverse layouts that do the job excellently, with a bit of (welcomed) serviceable angles are the team's quirk and they know their audience very well...
1
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108
Considering Saito's more tranquil preferences in storyboard content, he handled the least raucous portions of the episode, paving the way for Wirbel's team to get into the next battles.
1
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One significant issue that continues to persist is the poor quality of the in-between animation, which is a well-known problem at Pierrot due to them being notorious for not allocating enough resources from their in-house staff (Pierrot Drawing Room) for their tight productions.
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Of all the previous uses of the shadow technique, this one is the most complex in terms of the ideas implemented in it. In addition to the zoom-out, which sets the stage for the event itself, we have a clever use of air effects to reflect the strength of the summoned characters.
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And speaking of digital effects, this double edged approach cannot be deemed flawless when the entire drawings get lost in this highly saturated shiny particles that become annoying the longer they appear on screen, hoping for them not to turn into One Piece's controversial auras
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Episode
#24
was hype AF, one of the best boarded episodes in TYBW, and definitely the top one in the 2nd cour so far
Amazing lore added to both Ichibe and Yhwach thanks to the well thought out extra content from Kubo, this man keeps proving his love & commitment to the franchise!
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If you've been wondering about the destiny of the series' direction style after its strongest key component changed his role, minor cuts like these affirm that the quality is not decreasing whatsoever, as Taguchi's legacy is still present & ruling in the corners of the project.
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Nevertheless, that doesn't mean that all drawings will suffer from lacking corrections because this is ironically one of
#BLEACHTYBW
's excellent aspects, especially in still shots.
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While Kubo is an insanely dedicated creator, it is important to acknowledge his true contributions without making him solely responsible for
#BLEACHTYBW
's creativity.
A thread correcting the misconception about him "storyboarding" key moments & the real name of this conduction🧵
18 pages of Kubo's storyboards for Senjumaru's bankai for
#BLEACH
TYBW Cour 2 EP26 have been revealed! They look amazing!
If they release this fight as separate booklet in manga format it'd be a great addition to the volume releases! Kubo's work for the anime is pure perfection!
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To be more specific, this ep's main problem was the COMPLETE reliance on manga panels for the SB, and believe me when I say that Kubo himself was the real storyboarder for this ep, not Sato lol
It's a worrying sign of their lack of time, as their schedule is already very tight...
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Satoshi Sakai's effects supervision is back as one of the show's core staff members, however Bleach won't be his only commitment in this fall since Shangri-La Frontier is coming with its 2nd season where it's expected for him to handle the series' action & effects direction too.
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Daiki Harashina San with his framework-authentic boards continued to work upon its previous episode's philosophy and hasn't missed any opportunity to show the gods' statues, enriching the historical aspects of the dungeon through these subtle additions.
I will introduce the layout and background art for episode 24 that I worked on. I drew various murals, including those depicting Ewig and the Unified Dynasty period (layout only). It was enjoyable to consider the lighting as well.
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The fact that he was the only AD in the episode made him flex his strong drawing skills regarding closeups and the reflections in the eyes of the characters.
Souso no Frieren really is making it look easy when just a season ago a certain 2 cour series was barely capable of airing
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Arifumi Imai's innovative ability to translate the very ambitious and complicated action boards into such a powerful scene is pretty much unmatched...
His understanding for the huge volume the scouts are dealing with, was shown through smart composition throughout this cut 👇
Key Animation: Arifumi Imai (今井有文)
Anime: Shingeki no Kyojin (進撃の巨人) Season 2 (2017)
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After watching Burn The Witch 0.8 special, I'm all for starting the propaganda of "that's how TYBW should've looked like"(just kidding)
On a serious note, it's just impressive how a strong combination of all artistic departments easily crafted one of this year's best animated eps
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No amount of cute characters, delicious meals or even fluid animation (god forbid) can save this money-craving project from being boycotted
Pierrot really is in a contest to reach new lows huh
Good strategy to pay your overworked employees off a company that feeds child killers
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