Sam Wolson
@samwolson
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Emmy and Peabody winning director / Interactives Visual Features Editor @newyorker
Joined October 2009
Our VR film Reeducated is now available on the @NewYorker website, Youtube and on Oculus TV. The film takes viewers inside one of Xinjiang’s “reeducation” camps, guided by the recollections of three men who were imprisoned at the same facility.
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RT @madeleinebaran: Sen. Warren, Sen. Van Hollen, and Rep. Jacobs are demanding answers from the Dept of Defense about the killings in Hadi…
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RT @ClareMalone: If you've been listening to this season of In The Dark, you should take a look at this companion immersive interactive tha…
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RT @michaelluo: This is the most ambitious @newyorker has ever undertaken. @InTheDarkTNY combined forces with our interactives team @david_…
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RT @NewYorker: U.S. Marines killed 24 civilians in Haditha, Iraq. No one has been held accountable for the killings. An interactive documen…
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RT @madeleinebaran: We also released a short bonus episode of @InTheDarkTNY today, with me going behind-the-scenes with Sam to talk about t…
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RT @madeleinebaran: For months, The New Yorker’s Sam Wolson & David Kofahl have been working alongside us on a different way to examine wha…
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RT @michaelluo: Stunning interactive documentary reconstructing what happened in Haditha by @david_kofahl @samwolson @InTheDarkTNY.…
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RT @michaelluo: On the morning of November 19, 2005, U.S. Marines killed 24 people in Haditha, Iraq. They also recorded the aftermath of th…
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RT @madeleinebaran: In the Dark has obtained photos of the 2005 massacre in Haditha, Iraq — which the U.S. military tried to keep from the…
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RT @PeabodyAwards: If you’ve been paying attention, journalism is in crisis mode. So If you want to feel good about journalism—awed by meti…
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RT @abstractsunday: Create your own @NewYorker cover with the tool we built for this week's A.I. issue: https://t.c…
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RT @ian_urbina: In the past several days since our investigation was published by @NewYorker there has been a lot of follow-up coverage and…
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RT @NewYorker: .@ian_urbina and a team of investigators spent the past four years visiting ships from China’s distant-water fleet in their…
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RT @michaelluo: Read this incredible, immersive investigation by @ian_urbina, years in the making and demanding the most intrepid of report…
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RT @ian_urbina: The Crimes Behind the Seafood You Eat: China has invested heavily in an armada of far-flung fishing vessels, in part to ext…
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RT @chaykak: My latest for @newyorker is this interactive “Touchstones” column on Wong Kar Wai’s “In the Mood for Love” — the way its beaut…
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RT @NewYorker: .@chaykak explores the iconic 2000 film “In The Mood for Love”—a movie whose aesthetic has inspired many movies since and ev…
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RT @Nic_Sealey: Immense gratitude to @Deardarkness and @ghazalblues at The New Yorker for this gorgeous treatment of an excerpt from my for…
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RT @NewYorker: In a new interactive poem, @Nic_Sealey creates a breathtaking sequence that reimagines the Department of Justice’s investiga…
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RT @pulitzercenter: In 2022, the documentary 'Reeducated' by grantees @benmauk and @samwolson received the first interactive and immersive…
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