それいうとプロンプトから作れる画像生成はCGと何の違いがとか言えそうですね。昔は文字からレンダリングするのがCGと言われてましたし。

6 papers accepted at #ICLR2025 from our lab 🎉 1. SoundCTM: Unifying Score-based and Consistency Models for Full-band Text-to-Sound Generation 2. Discriminator-Guided Cooperative Diffusion for Joint Audio and Video Generation 3. Jump Your Steps: Optimizing Sampling Schedule of Discrete Diffusion Models 4. Mining your own secrets: Diffusion Classifier Scores for Continual Personalization of Text-to-Image Diffusion Models 5. Human-Feedback Efficient Reinforcement Learning for Online Diffusion Model Finetuning 6. Weighted Point Cloud Embedding for Multimodal Contrastive Learning Toward Optimal Similarity Metric

KITSUNE 🦊 💫 When I embarked on this project a month ago, I didn’t expect it to consume holidays, evenings, and far too many nights—but here we are. From the first scenes, I knew I had something special, and I don’t want audiences to watch an “AI film”—I just want them to watch a film, and hopefully, a good one at that. ( Sound On 🔈) 👇 KITSUNE is a tale of love between two souls separated by everything except their shared feelings of loneliness. I grew up in front of beautiful cartoons, from timeless treasures like those of @DonBluth, which I watched again and again to the point of damaging my VHS tapes, to early 90s anime, and later, of course, plenty of Studio Ghibli. And yes, before you ask—I know Hayao Miyazaki would disapprove of this film 100%, but then again… I’m not (only?) seeking approval. I’ve had goosebumps many times while reviewing the evolving states of this film, and I hope at least some of you will feel the same. Another famous director (@RealGDT , I see you) recently said AI could create “semi-compelling screensavers,” and I see this as a step toward proving him wrong. Because you’ll ask: under the hood, there’s been tons of writing, re-writing, and switching directions mid-way. All shots were generated with Google’s text-to-video hashtag#VEO2. I faced countless challenges and hoops to bring my vision to life, finding ways to prompt and structure within the limitations of text-to-video despite VEO’s excellent prompt adherence. So, is VEO magic? No, not really—and the 1,700+ curated sequences on my hard drive (out of an estimated 5,000–7,000 total generations) are proof of that. What impressed me most was the global consistency, adherence, and how I could achieve tweaks by simply adjusting a few words. But what mattered most to me was creating something warm, nostalgic, and full of heart, avoiding the cold, clinical feel of so many films leveraging AI. Also, I’m a 40-year-old kid who grew up in front of the TV, has been creative his entire life, and has been designing professionally for nearly two decades. The more time passes, the more I know I can relate to what Nick Rubin said in that now-famous interview, where he mentions having no technical knowledge but trusting and building his own taste. If you like this film, this isn't just "Oh, AI is magic." You need to steer the damn ship. Then there’s MMAudio for sound effects, regular good old stock sound libraries, music on Udio for this version (yes, there’s a second version—more on that later), and tons and tons (and tons!) of editing, sound design, and small post-processing touches. Is this exposing risks for animators? Perhaps. Or it could also be their greatest companion, because once again, this is the worst it will ever be, yada yada yada.... No, it isn’t perfect, and if you look close enough, you’ll find defects and variations, but this is a film I’m proud of, not just an AI one... Enjoy. Wanna see a clean uncompressed version?

MIRU2025のスポンサー募集要項を公開しました！（募集開始は1/15の予定です） MIRUはコンピュータビジョンやパターン認識に関する国内最大規模の会議です。本分野での技術力訴求や認知度向上にはうってつけだと思いますので、ぜひご検討ください！#MIRU2025

🎶Tokyo Music AI Gathering🎶 来年の 2/5 に【音楽 AI】に関わる人々の交流を目的とした Meetup イベントを【東京】で開催します！技術者のみならず誰でも参加可能なイベントですので、興味のある方は奮ってご参加ください。 言語：基本進行は英語 詳細/参加登録：