@TheQuiver_
iirc Ironhead Studios made it and they didn’t receive screencredit for BvS so they stopped working with WB and that’s why they couldn’t get the same effect for JL and every other movie that came afterwards.
I think the classic lifted up mask look goes great with the beard but there’s something so funky and silly about the noseless picotech mask that charms me
2. Todd McFarlane’s blue outlines with black suit. Before ASM 300 hit and McFarlane took over the art for a bit, the black suit (and later Venom) were drawn completely black with blue outlines.
good question! my palette for these pieces is just the regular bic highlighter pack, a red marker, sharpie for shadows, and posca for highlights/mistakes. I will sometimes mix the highlighters for different colors or shade them in pencil to darken them.
@MilfMaeve
thank god I’m not the only one who thinks this. movies have some sauce and style once in a while and these mfs come it like “omg goofy right ???”
I thought long and hard for the name of my peterMJ project and this is the best I could come up with. I think it evokes Lois & Clark: the new superman adventure vibes yk.
This little slice of life piece is based on Ernest Chiriacka’s gouache painting “Sharing the Mirror”
@huntermher
thanks! I can’t take all the credit for the idea tho. a few artists have done it before me. I personally get my inspiration from
@L_B_C_95
‘s goblin
3. As seen in Kraven’s Last Hunt and other such stories, the third style is the most common for the black suit—blue highlights and black shadows. It’s the industry standard for portraying black fabric before digital coloring came along.