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@littlesnakexoxo
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@kaiwhiston
evverrything from this era. it bangs SO hard but if you isolate it it's the weirdest shit
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the whole foods cashiers in portland when i ask them if i can use them bathroom
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tired of people being like "I CONNECTED MY PIANO TO A FUCKKING SKATEBOARD!THIS IS WHAT IT SOUNDS LIKE!!" and its two electrical cords connected to some conductive object hooked up to a modular delay and now some kid thinks a skateboard makes the sound of god and doesnt get vaxed
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scratcha is a fucking menace dude 😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭😭
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male djs b like "i know a place" and then upon allegations, recede into further making themselves more evidently rapists by using laws about age of consent passed by straight white pedophilic men of the patriarchy as a defense mechanism for their career based on detuned saw waves
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airdropping this to every single person that pops up at the dubstep show
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sam g affirming all +15 DB limiter reverse masterers worldwide thank you sam g
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it's unbelievable new yorkers wake up every morning and have the courage to say they took the "L" train.. transferred to the ratio bus im assuming? grow up
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tiesto plays dnb and is basically worshipped but when i do it i'm "bringing a weird vibe to this baby shower" and i "keep opening the gifts for the mom"
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being single and living alone maybe top 5 experiences overall and then boom. the yearning.
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after 7 years of obsessive research in sound design and digital signal processing - a thread of stuff i wish i learned in my first year 🧵
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the lgbtq community: i'm gay
society: ok!
james blake during his granular phase: if-ii-if t-th-the ca-car b-besi-de you m-mov-es - ahead
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???????????
SYNTHEISM ROBOTICS — Online Premiere — November 15
Text EPROM to +1 (712) 526-5151 for more info and early access to Syntheism Merch Capsule 1
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i am not using this fuck ass 808
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mastering engineers all across the world: stop stop stop please oh my god stop
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producers will spend years studying microsound and in depth synthesis just to be added to a spotify playlist called "pickle rick riddim for the teenage soul"
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every time i'm using an eq to take out mids it makes me laugh because realistically nothing is taking the mid out of this track
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basic preachy production tip but write 16 bars every single day even if you have to force yourself to make a bad beat. the consistency of muscle memory helps you more than you'll ever realize - this is practiced amongst all things that require mastery.
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wow cant believe this episode of mythbusters just confirmed your snare sounds like shit
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learn drum synthesis today it takes 10 minutes tops and it'll reshift your perspective and you'll make sick drums
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thinking about how aphex twin has dj'd gjones x eprom, eprom, and g jones solo tracks
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had the pleasure of using this guy for a little bit. i'm not getting paid to say this - i genuinely think ableton just straight up won the daw war with this. it's a whole different software. if you're gonna use it, i cannot urge you strongly enough to read every feature in depth
Introducing Live 12 – with countless new ways to kickstart ideas and keep your creativity moving. See what’s in store:
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if it really came down to it i think i could convince him to swallow a whole bottle of pinesol
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a lot of yall aint even come close to thinking like this and it shows
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spotify needs a block feature. a do not ever play this again button
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i think its time we address the elephant in the room that the pandemic made us see. the touring industry is not a viable healthy way to make money and the crowd embraces a lifestyle that has now become directly harmful.
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id like to host a youtube series based on kenny beats' "the cave" but its called DE PRAVED and kids who are really into modular synthesizers come jam for 30 minutes or so and then head out after becoming scared from weed
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yall i walked in on my homie taking an online electronic music class and i am fucking ☠️☠️☠️
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nicolas jaar stands the most underrated artist of all time. should be regarded on the level of an aphex or something.
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what a fucking weird day... i was smoking outside the studio and this older dude comes up to me and introduces himself as a big fan. we start diving in a bit and he reveals he is a member of hit 70s german band CAN.. word..
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uber driver asked if i played instruments and i just summed this all up to "synthesizers" and he said "well those are pretty easy i'm talking about like a guitar"
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dude if you're producing DNB you HAVE to check out the mental health break
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ternion sound is crazy to me because 3 dude producers in their twenties we're sitting around a table talking about what is good about deep dubstep and it actually worked
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idk who needs to hear this but 1-15 MS of silence before your kick will put your sidechain on x games mode
also mix at incredibly low volumes for the first portion of the mixdown
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sophie + jimmy edgar + tnght + ivy lab + g jones + eprom + arca are a few examples of people i can look at with rock solid creative hearts. they hold such high authenticity in their expression of experimentation and never step out of it. rockstar shit.
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quarterly-reminder that not all silence is silence ! with severe compression, artifacts previously inaudible can be brought to light when severe compression or limiting. there's a whole world in there.
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too weird for the EDM kids
too aggresive for the experimental scene
just right for 𝓝𝓑𝓞𝓜𝓮 25-𝓲 users who stumbled into the wrong set by accident 𝕒𝕥
❤️ ᦓꫝꪖꪑ᥇ꫝꪖꪶꪖ ꪑꪊᦓ꠸ᥴ ᠻꫀᦓꪻ꠸ꪜꪖꪶ ❤️
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this lowkey looks like fourtet - i accept any direct consequence of my action here but i felt like it just had to be on the table. have a good night.
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normalize stepping on FL studio users with platform boots until they switch to ableton
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its crazy to me that we we're waiting for skream to come back to dubstep for like a decade and he not only did the must die collab but a full ass 140 set at coachella and the whole timeline slept
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if you guys like forward thinking electronic music i cannot urge you strongly enough to go watch that video of chee absolutely downing an entire bottle of patron on the dj booth
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we are once again entering the era in which g jones and eprom dominate sonic consciousness for many years
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in the lab w lotus fucking with the stems for zodiac shit.
if u told me i was gunna do this in high school i woulda laughed at u..
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yo. "DRIVING ON ACID", my first solo project in over a year is out. it's exactly what you'd expect from me right now but on it's bare-limit overdrive. well beyond a cliche response of "im so attached to this EP!!" - i am smiling like a child knowing this is out to the world.
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i just realized some of u are staying up after your set at an after party and straight to the airport so u dont have to pay for a hotel 🤯🤯🤯🤯🤯🤯🤯🤯
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ive been in portland for about 20 minutes and i just got offered vegan acid
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wow. damn.
my debut full length album; "A Fragmented Love Story, Written By The Infinite Helix Architect" is out in it's entirety, everywhere. it feels super weird to say, but here it is.
thanks for sticking around 💘🎲🎰
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my biggest advice to younger artists that love music, finally making a bit of a name for themselves - keep your job until the very moment you're getting paid a bare living wage to do absolutely whatever the fuck you want
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really wanna start a podcast called "ones" hosted like hot ones but the guests keep eating an exponentially larger amount of acid and i ask them if "they're ok" every question
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say what you will but out of all electronic, trap, rap etc eprom makes the HARDEST of it all. obviously some fresh experimental ideas but i still havent come across doing anything quite and tastefully aggressive/gangster as him and ill die by that.
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imagine the soundclash culture in jamaica was just just as obsessed with sampling north america as we are of them. like what if king tubby put a bunch of vox samples of scrawny white dudes saying "COLUMBUS OHIO WHERE IS THAT ENERGY??" over top of some actual plate
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huge PSA that being slow, having writers block, or needing to catch up on day-to-day energy ≠ falling off. it's so easy to feel like you're at a grim end when realistically it's just a slow period. in the grand scheme, you're a little bit sleepy and you're gonna make classics
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IM FUCKING PANICKING LETS GOOOO THANK U
@flyinglotus
@RockstarGames
GTA V UPDATE WITH A NEW TRACK FROM URS TRULY OUT NOW !!!!!!
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today i emptied my trash on my laptop and i was like hmmm
why are 465 items being deleted
and when i went to go open ableton i realized
i had deleted my folder of project files from the last 2 months
and all my client work
a haiku
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the biggest production secret is absolutely anything ever can be a snare if it hits.
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chee has never made a bad snare in his life people dont know that
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lil yachty in that interview saying hes done DMT more times than he can fathom and is currently working on a psychedelic album is one of the most exciting things ive heard in a long time
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dude i should have never given camoufly my number lmfao this is insufferable
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i'm not collaborating anymore unless that person wants to go insane with me The Lighthouse style in a locked dark basement for a straight week. i need to smoke cigarettes with them and come to some sort of near romantic spiritual realization before we lay down a beat
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@adamrad13
fellsius
allen mock
herbalistek
dayzero
maru
trekkie trax roster
just to name a few. a lot of good people popping out
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ivy lab: this one hits a bit different.. we made this in J's studio after a string of particularly traumatic events. it's one part melancholy, one part loss. the back bone is held up my a lack of hope or love. we hope this resonates with all those who have lost..
the artwork:
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dude does anybody get an insane amount of spam texts during tax season? it's literally getting so annoying like leeaaavee me aloonne
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🥲❕ hello twitter, i am beyond elated to announce the first single "Fallen Angels" (Featuring @ flyinglotus), taken from my forthcoming debut album is out now 😭😭😭
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i think creating is the best thing you can experience with your time on earth.
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dnb producers will littterallly make "reeses basses" in the studio alone instead of emailing me their third and final album
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