Left front and side of a woman's embroidered linen waistcoat, c. 1615, English Silk & metal threads in a pattern of strawberries.
(Victoria & Albert Museum, London)
After 1650, a fashion for miniatures with overlays developed allowing the portrait to be 'dressed' in different costumes. These were made in the Netherlands. The first here allows the sitter 'become' a Carmelite nun. (Victoria & Albert Museum, London)
@maryhitchman
I was really ill once in late 1980s Poland - Latin was the only language the doctor and myself had in common.
Her: 'What impedes your triumph?'
Me: 'The stockade of this general's body is overthrown'
Both victims of De Bello Gallico...
Swan pendant
The Netherlands, c. 1590
A large pearl forms the body of this swan pendant. Such large, unusually-shaped pearls were known as "baroque" and were especially popular in the 16th century.
(The Hermitage Museum)
Two tender images here (c. 1630s) by Rembrandt from the British Museum of women teaching a child to walk & stand. The infant's hat is reinforced so that if it fell over, its head would be protected from impact.
So after almost two years fleeing from Covid-19 it has finally arrived at the door - official positives came in this morning for myself and household.
So far, thankfully, no-one is worryingly ill.
(Here’s St Roch, patron of plague victims. Met Museum)
Hans Holbein, Portrait of a young merchant, 1541 It's so striking, so fresh. You can easily transpose that face to a modern suit and tie.
(Kunsthistorisches Museum Wien, Gemäldegalerie)
Incomplete set of playing cards, made c. 1684. BM catalogue notes: 'The cards are accompanied by an envelope inscribed in pen and ink "These cards were used to play on the ice at Westminster when an ox was roasted in front of the Houses of Parliament"'. (British Museum)
17th century, painting of 'A Turkish woman' by an unknown artist (Wellcome) The hat, the pattens, the handkerchief, the ermine trim ... it's all happening
Rosary, c. 1500–1525, German
Each bead has the bust of a well-fed man or woman on one side, & a skeleton on the other. The terminals, even more graphically, show the head of a dead man, with one half eaten away from decay. (Met Museum)
The five volumes of the Oxford History of Catholicism in Britain & Ireland, 1530-2021 of which I was co-general-editor with
@monksinmotion
just arrived in my office. Huge thanks to all the wonderful volume editors & contributors!
A work bag, English make, dated 1669, Marked with the initials I.S and the words "Age 10." (Met Museum) Linen worked with wool thread. 47 x 61 cm - excluding the cords.
Left front and side of a woman's embroidered linen waistcoat, c. 1615, English
Silk & metal threads in a pattern of strawberries.
(Victoria & Albert Museum, London)
This unusual sculpture depicting Saint Anne lying on the birthing bed with the swaddled Virgin Mary probably came from the lower section (predella) of the late Gothic altarpiece dedicated to Saint Anne in the parish church at Ebern, c. 1480 (Met Museum)
Hans Holbein, Portrait of a young merchant, 1541
It's so striking, so fresh. You can easily transpose that face to a modern suit and tie.
(Kunsthistorisches Museum Wien, Gemäldegalerie)
Booklet of embroidery and drawnwork early 17th century Portuguese (Met Museum)
Many small pieces of fabric in this booklet were seamed together and loosely bound, to create a kind of glossary for a seamstress of coloured and monochrome openwork patterns. An amazing object.
This is Helena Parr [née Sankenborg] Marchioness of Northampton.
She was a favourite of Elizabeth I and died in 1635 at the age of 86.
At her death she had 92 descendants.
(Tate)
This: “Trinity has an obligation to protect the Book of Kells which is a national treasure”.
It costs €19-25 to see it.
Derrynaflan chalice, Faddanmore Psalter &c &c: cost to see - €0
I am sure the National Museum will take care of it for you if it's a burden.
This is Helena Parr [née Snakenborg] Marchioness of Northampton. She was a favourite of Elizabeth I and died in 1635 at the age of 86. At her death she had 92 descendants. (Tate)
When I mentioned I wouldn’t be on here for an indefinite number of days, some of you sent lovely messages.
I had a small operation and am fine now. Thanks for your kindness!
Oval box (locket?) containing a woman's portrait and 13 mica transparencies painted with different costumes, c. 1642 - c. 1652 (Rijksmuseum) This is an amazing and striking survival.
Loose gown made of Italian brocaded silk which would have been worn by a woman in the early 17th century as part of a formal day ensemble.
(Victoria & Albert Museum, London)