11/16
Okay slight tangent coming but let me cook.
There are 3 major philosophical views on the morality of art:
- autonomism (or aestheticism)
- moderate autonomism
- moralism
I think all three are relevant in this discussion so read my super brief summaries pls 🥺
16/16
My conclusion is the piece really isn’t that inspiring and a lot of the backlash is justified. But I think all art is worthy of evaluation based on its aesthetic merit. I think it’s amazing that it was able to sell for £31k (over 3x its original estimated value!!)
14/16
While the composition is formally sound, its moral valuation casts a serious shadow over the quality.
This painting is lacklustre at best, vapid and redundantly provocative at its worst imo. Which is a shame because Slawn is capable of creating some amazing pieces.
15/16
Anyway *I wanted to make this thread because of all the backlash surrounding this artwork. I didn’t see any criticism of the art itself, instead I saw accusations of racism (true kinda but lazy) and personal attacks on Slawn (fair but again lazy)
13/16
The three Yoruba brothers mainly elicits disgust. And where it doesn’t, it evokes confusion. Above all, many viewers find it deeply offensive.
Its most beckoning aspect is the implementation of a racist caricature - which doesn’t even provide any narrative context.
12/16
I tend to criticise most of the art I interact with through the lens of aestheticism. In fact, that’s why I made this thread.*
HOWEVER, when art is blatantly charged with political messaging I think it’s best examined through a moralistic approach.
8/16
So from the title we can tell who the artist is depicting. This tweet explains the significance of the subjects a lot better than I can rn so read it and come back
THE ALARA, AJERO AND ORANGUN - THREE LEGENDARY YORUBA BROTHERS.
The Alara of Aramoko Ekiti, The Ajero of Ijero Ekiti and The Orangun Aga of Ila. These three Yoruba Obas are like triplets in the corpus of Yoruba history and philosophy, and they feature prominently in our songs,
9/16
So assuming Slawn is relatively aware of the importance of these three brothers… What message is he trying to convey to the viewer when he depicts them in an art style more aligned with denigration than reverence/respect?
2/16
In 2018, Slawn moved to London to pursue a graphic design degree at Middlesex University, and during the ensuing COVID-19 lockdown he began painting out of boredom.
Don’t think we need anymore background here.
“Hope” by Slawn
1/16
Olaolu Slawn (b. 2000), is a British-Nigerian visual artist, designer, and skater.
Slawn initially gained popularity while working for Lagos’ premier skateshop, Wafflesncream.
He then went on to found the skatewear brand, Motherlan with two of his friends.
4/16
Subjects across Slawn’s work commonly possess features reminiscent of the “Golliwogg”, a racist caricature popularised in 1890s Britain, and directly related to the blackface and minstrelsy made popular only a few decades prior in the US.
10/16
This isn’t the first time he depicts political figures this way. In “Harry & Meghan” Slawn depicts the former British royals in erm…
ibr i can’t even describe this one it makes me feel sick. omo come to your own conclusions
7/16
I don’t think there should be one singular intention when it comes to creating art. It should elicit emotion, be aesthetically appealing, and a lot of other things. But most importantly, it should convey a story the reader can follow.
So what is Slawn trying to tell us?
5/16
Sat behind the three faces, three equally disturbing “shadow-like” figures occupy the foreground. Painted with broad, coarse strokes, the bodies are almost indistinguishable from each other.
It’s unclear to me why Slawn chooses to homogenise the subjects this way.
3/16 - *Formal analysis*
One’s first interaction with this piece is immediately confrontational. Distorted graffitied eyes and lips peer at the viewer from what initially appear as shadows, with a scornful glare?
6/16
Zooming out of the piece is a bit disorienting - the tonal difference between the ghastly subjects and the wax print background is stark. The hand-dyed ankara textile details gorgeous blue and red leaves suspended in green.
!!! this is litch just my personal opinion on this piece supplemented by publicly available information. i won’t be discussing personal opinions on the artist himself
its all just a big game of moral posturing. deep down these guys really do not care about the issues they pretend to care about and that��s why these spaces are miserable
There needs to be a serious overhaul of the nightlife in london. Every single Friday there’s hundreds of new releases and yet every weekend we’re hearing almost the exact same songs. Why
Its stagnation we need evolution
@Tolu_ibr
gives you the freedom and resources to forge ur own path to faith. a lot of people just stick to the religion their parents practice but having the choice gives u the opportunity to be a more active practitioner i think
when u was vomitting on the floor ruining my boys bday party i aint say nun. anytime i drop u gotta speak up, i dont make music for nggas who live their life like this. why is it always me 😭😭😭 theres so much cool shii u could be wastin ur time on but its always gotta be me
they play with my name, they downplay my talent, they wish the worst for me .
but they can only do that from outside cos they never got it in the first place .
a kid from south ldn, went from selling crack to selling out 1500 tickets all from makin “weird lil noisey” music
@kwonalonzo
ahhh that’s fair. most of the criticism i’ve seen has come from people that knew him and already didn’t like him personally, as well as his art
@LSYeirbag
imo his art is important and initially i liked the way he used that imagery but i wouldn’t go as far as to call it subversive anymore. feels like undue credit when you take into account his weird self-hate streak