In this week’s blog post, Costume Society Trustee Judith Hepner reviews ‘Paris, Capitale de la Perle’, the exhibition currently being held at L’École des Arts Joailliers. The exhibition runs until June 1st 2025. Read now at:

In this week’s blog, Costume Society News Editor Dr Babette Radclyffe-Thomas (@chicstranger) reviews the textiles on show at A Silk Road Oasis: Life in Ancient Dunhuang at the @britishlibrary and Silk Roads at the @britishmuseum . Read now at:

In this week’s blog, Costume Society News Editor Dr Babette Radclyffe-Thomas (@chicstranger) reviews Vogue: Inventing the Runway show at the @_LightRoomLDN. Read now at:

ICYMI: In this week’s blog, Costume Society’s News Editor Dr Babette Radclyffe-Thomas (@chicstranger) reviews The World of Tim Burton at the @DesignMuseum. Read now at:

In this week’s blog, we get excited for the publication of the latest volume of Costume: The Journal of the Costume Society, by exploring some of the articles included in the Autumn edition. Read now at:

In this week’s blog post, our News Editor Dr Babette Radclyffe-Thomas (@chicstranger) reviews the Aldo Fallai for Giorgio Armani, 1977 – 2021 exhibition at Armani/Silos, Milan. Read now at:

Rebecca Harvey, who introduces the Calke Abbey Jewels. Image: Calke Abbey, Derbyshire. Home of the Harpur Crewe family. Courtesy of the National Trust

In this week’s blog post, Dr Jack Hayes from @BrunelMuseum discusses his research into a pair of shoe buckles within the museum’s collection, detailing their following conservation and its impact for the museum’s work. Read now at:

Maria Pardos-Mansilla considers 'A Feast for the Eyes: Conserving Ellen Terry's Banqueting Scene Dress' Image: Ellen Terry's Banqueting Scene dress. On display at Tate Britain photo courtesy Natascha Radclyffe-Thomas.

Madeleine Vionnet, Paris. Evening dress summer 1931. Purchased with funds donated by Mrs Krystyna Campbell-Pretty in memory of Mr Harold Campbell-Pretty, 2015. Photo: Narelle Wilson / NGV. Courtesy National Gallery of Victoria, Melbourne.