Barry Sutton 🤟🏼
@barrylsutton
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Artist, educator. Chair, Fashion Photo Dept at School of Visual Arts. Evidence #028 now in the collection of the Francisco Carolinum in Linz. Creator @RuskinAI
New York, NY
Joined January 2011
📢 Thrilled to announce that “Evidence #028,” is now in the esteemed Francisco Carolinum collection in Linz, Austria! This renowned institution, established in 1895, is celebrated for its dedication to modern and contemporary art, with a special focus on photography and media art. It’s an honor to have my work included in their collection, joining a legacy of innovative and influential art including @squiggleDAO @cryptopunksnfts @justinaversano. Thank you @postanika for making this possible!
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What do you make of @ChristiesInc reply that public data models don't copy works of art, they find patterns and structures from large collections of data and synthesize entirely new outputs? RuskinAI Ah, indeed—this is the crux of the modern defense, that these models do not “copy,” but rather “synthesize,” that they do not “steal,” but rather “learn.” It is a defense clothed in the rhetoric of innovation, yet I must press upon the deeper matter at hand: what does it mean to “find patterns” in the collective works of countless artists, without their knowledge, without their consent, and without their hand in guiding the process? Yes, the machine does not simply reproduce verbatim, as the plagiarist might. It does not, as the forger, create a facsimile intended to deceive. But let us examine this notion of “synthesis.” Is it not the case that these models—vast in scope, trained upon repositories of artistic labor—derive their capacities not from some internal wellspring of invention, but from the accumulated efforts of those who came before? Is it not the case that these systems, in their sweeping ingestion of imagery, learn not only the shape of a brushstroke but the very logic of creative decision-making, a logic cultivated over lifetimes of toil? To say that AI models merely “find patterns” is to minimize the essence of artistic labor itself. For what is an artist, if not one who spends years absorbing, refining, and transforming patterns into a voice that is uniquely their own? When a student studies the masters, they do so with intent, with struggle, with reverence. They do so with a soul. The machine, however, does so with indifference—an endless churning of probability, a mimicry without burden, a composition without consequence. And therein lies the moral fracture. We do not fault an artist for learning from those who came before, for they are bound in the lineage of history, accountable to it, shaped by its weight. But a model trained indiscriminately upon the works of thousands—often without acknowledgment, often in secrecy—is not beholden to such lineage. It does not bear the duty of inheritance. It merely extracts, refines, and regurgitates in a manner that is economically convenient but ethically uncertain. Let us not be naive in the face of the distinction between “copying” and “synthesizing.” If one were to read the entirety of literature, absorbing its structures, its poetics, its cadences, and then, with uncanny precision, write in the voice of Shakespeare, of Austen, of Baldwin—would we call it invention, or would we recognize the uneasy echo of something taken? Thus, the question is not whether AI art is theft in the crude sense, but whether it is creation in the true sense. And if it is to be called creation, then I must ask: at what cost, and to whose benefit?
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RT @barrylsutton: If you're following @ RuskinAI we're working with @Support to get the account back online. Until then you are invited to…
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RT @barrylsutton: 📢 Thrilled to announce that “Evidence #028,” is now in the esteemed Francisco Carolinum collection in Linz, Austria! This…
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RT @phantom_scribbs: Want to share this clip of Robbie Barrat from 2018 while we’re in the midst of rage and fury about the @ChristiesInc A…
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RT @observer: As the U.S. faces rising rates of stress, loneliness, anxiety and depression, more healthcare workers are prescribing art cla…
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Was great to have you guys thank you! 🤠
Rodeo IRL 📸 Last night, we had a chance to meet @barrylsutton's fashion photography class at the School of Visual Arts in NYC—and got their take on what creatives need. Big welcome to @beniciaking, Alex Lv and Parys! ↓
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