“Cinematographers often just direct-light a black actor, because they’re scared there will be a lack of exposure. My approach is never to direct-light; it’s always been to bounce light, so that it gives the skin an opportunity to reflect the environment.”
- Bradford Young ASC
Film: Happy Together (1997)
Director: Wong Kar-wai
DP: Christopher Doyle
Production Designer: William Chang
Costume Designer: William Chang
--
#ShotDeck
Film: 2001: A Space Odyssey
Director: Stanley Kubrick
DP: Geoffrey Unsworth OBE, BSC
Production Designer: Ernest Archer, Harry Lange, Anthony Masters
Costume Designer: Eileen Sullivan, John Wilson-Apperson
--
#ShotDeck
Search: Westerns + silhouette
Films:
1 - The Assassination of Jesse James by the Coward Robert Ford (2007)
2 - The Rider (2017)
3 - The Revenant (2015)
4 - True Grit (2010)
--
#ShotDeck
We spent the week recreating iconic shots from some of our favorite films for
@ShotDeck
.
They're noooot perfect and I'm pretty sure we could've just done 1 shot but I was like "Omg we should do like 15." We did 6.
Everything is submitted. I go sleep now.
#shotdeckrecreations
"The film voiced what was going on in the streets through the music of N.W.A, Ice T, and the burgeoning gangster hip-hop movement. LA has a really specific voice and we were showing that voice on film."
- Director John Singleton
#BoyzntheHood
#ShotDeck
NEW INTERVIEW with DP Greig Fraser ACS, ASC on Dune, where he chats with DP Lawrence Sher about his process making the Academy Award nominated sci-fi epic
@hbomax
@dunemovie
Watch Now
On this Day: February 24th, 2008 / No Country for Old Men takes home four academy awards including Best Picture
Directors: Joel and Ethan Coen
DP: Roger Deakins
MANK director David Fincher explains why he hates the aesthetic of Steadicam shots
Check out the full interview with Fincher and DP Erik Messerschmidt over at ShotDeck: