Watched Ultraman USA. It was ok, what I enjoyed the most about it was the animation. Especially the transformation sequences that were different from the traditional rise.
Ultraman Chou Toushin Gekiden was amazing. Full of Dragon Ball-like fights, cool power armors and iconic seiyuu like Toshiyuki Morikawa and Ryo Horikawa
Ok so this is basically an small art doujin made by two members of SSSS.Gridman's staff (one of them being the key animator of the opening). It contains pictures of Rikka and Akane as humanoid versions of characters from the show itself and other toy-selling franchises
Orb was the first Ultraman I watched weekly. Personally I never felt like I was missing anything or I was being gatekeeped because I didn't know the stories of the Ultras featured in the fusions. If anything New Gen encouraged me to check out the older shows later.
*A large number of enemy reinforcements suddenly appear in the middle of a SRW T scenario*
Me: "Meh, it's obvious that a new character is going to show up and save the day"
*A new character shows up and saves the day*
Me:
>Shitting on Funko Pops is classist
>Pointing out bad writing is "YouTube poisoning"
>Watching an entire show makes you unable to say it's bad
>Telling people to experience media instead of reading wikis is gatekeeping
What a time to be alive
The funniest thing about GenLock is that nobody watched it and we only remembered it and found out about its mean spirited super robot parody because someone else made a video about the show
Seeing someone state that XBC2 was bad because a doujin artist was the art director made me realize how many people ignore the fact that a lot of creatives have published their own independent works and believe doing so disqualifies you from professional jobs