New #horror movie alert #Heretic (2024) In Heretic, two young Mormon missionaries visit Mr. Reed's house after he requests more information about their faith. One of their rules stipulates that a female must be present; Mr. Reed promises to fetch his wife, who he claims is baking a blueberry pie. Upon entering, they find themselves in an unsettling situation as Mr. Reed returns without his wife, signaling that something is amiss from the start. The tension escalates when the girls try to leave only to find the front door bolted and all windows too small for escape. Mr. Reed has concocted a sinister plan to test their faith, challenging them to decide what constitutes true religion. The narrative unfolds as a slow burn, engaging viewers with smart dialogue and thought-provoking debates on religion. Mr. Reed presents the missionaries with a choice: two back doors labeled "Belief" and "Disbelief." After some deliberation, both agree to choose "Belief," but what lies beyond this door remains a mystery, as does Mr. Reed's true motive. Hugh Grant delivers a chilling performance as Mr. Reed, capturing the character's eerie charm perfectly. The young missionaries, portrayed with intelligence and courage, respond to his provocations with heartfelt conviction, avoiding the typical trope of naive youth in horror films. While Heretic does incorporate some horror elements, it stands out by focusing more on psychological tension and character development rather than relying on jump scares or gore. This approach makes the film not just scary but also intellectually stimulating. 2024 was a standout year for horror films, and Heretic is undoubtedly one of the best, securing a spot in my top 5. I rate it an 8 out of 10.

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Tonight's #horror movie gif train is SCI FI HORROR Share any horror movie scene that fits

Today is #LaughandGetRichDay Share any horror movie scene that's funny.

Tonight's #Horror movie gif train VAMPIRE NITE! Share all the best horror movie vampires From Fright Night

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Born on this day Born on February 7, 1960, in Houston, Texas, #SteveJohnson was not your typical artist; he was a maestro of the macabre, an orchestrator of fear who brought to life creatures that haunt our collective consciousness. Johnson's journey into the world of horror began with a childhood fascination for Universal monster films and the eerie elegance of Hammer Horror. These were not mere movies for him; they were a calling. His idols, Jack Pierce, Dick Smith, and Rick Baker, became his north stars, guiding him through the dark corridors of special effects artistry. His first significant venture was with the legendary Rick Baker on "An American Werewolf in London" (1981), where the transformation scenes redefined the boundaries of what was possible in practical effects. But it was his creation of Slimer for "Ghostbusters" (1984) that introduced him to the mainstream horror audience, giving us a ghost that was both terrifying and oddly endearing. Steve Johnson's impact on horror is not just in the creatures he brought to life but in how he did it. For "Innocent Blood" (1992), he innovated contact lenses that could glow and change color on command, a technique that was groundbreaking at the time for its lack of reliance on digital effects. His work on "Lord of Illusions" (1995) under Clive Barker's direction saw him crafting a creature with organic, pulsing skin, using everyday materials like plastic bags and yogurt containers, showing the world that horror could be both beautiful and terrifying. In "Species" (1995), Johnson's creations reached a new zenith with the alien seductress Sil, employing a mix of animatronics and practical effects to make the transition from human to monster seamless and horrifying. His work here earned him multiple nominations and awards, cementing his reputation as a visionary in horror effects.

Today's #Horror VS Battle of 4 from the last 4 years Which one is your favorite?

Today is #NationalWearRedDay Which is done to help support awareness for women's heart health. We will support it by sharing #horror movie characters that wore red.

Tonight's #horror movie gif train. Nasty transformation. Share any horror movie character that fits.

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Born on this day The Haunting Legacy: Zsa Zsa Gabor's Journey Through Horror Cinema #ZsaZsaGabor , the Hungarian-American actress left an indelible mark on the horror genre with a series of roles that, while not the epicenter of her career, added a unique flavor to the films she graced. Gabor's first significant venture into horror came with the 1966 film "Picture Mommy Dead". Directed by Bert I. Gordon, this psychological thriller stars Gabor as Jessica Shelley, a character whose death is central to the plot. The film revolves around Jessica's daughter, Susan, who returns from a mental institution to find her inheritance contested. Gabor's role, although brief due to her character's demise at the beginning of the story, sets the stage for a narrative filled with mystery and psychological horror. In "Picture Mommy Dead," Gabor's presence is felt throughout the film via flashbacks, where her character's murder by her husband (played by Don Ameche) is both dramatic and pivotal. This performance showcased her ability to contribute to a film's atmosphere, even posthumously within the storyline. A Nightmare on Elm Street: A Memorable Cameo Perhaps Gabor's most memorable association with horror comes from her cameo in "A Nightmare on Elm Street 3: Dream Warriors" (1987). Here, she played herself in a dream sequence watched by one of the film's characters, Jennifer Caulfield. The scene involves Jennifer watching a talk show hosted by Dick Cavett, who transforms into the film's villain, Freddy Krueger, portrayed by Robert Englund. In this sequence, Krueger questions Gabor's relevance before menacingly attempting to slash her face with his signature glove, only for the scene to end abruptly as Jennifer wakes up. This cameo not only capitalized on Gabor's celebrity status but also served as a clever blend of horror with meta-commentary on fame and the entertainment industry's treatment of its stars. Frankenstein's Great Aunt Tillie (1984): In this comedy-horror film, Gabor plays Clara, the sister of the famous monster's creator. The movie blends humor with light horror elements, showcasing Gabor in a more comedic, yet still genre-relevant, role. Night Gallery (1971): Although not a movie, Gabor's appearance in the episode "The Painted Mirror" from the horror anthology series "Night Gallery" deserves mention. Here, she plays Mrs. Moore, who encounters a supernatural creature through a portal in a painting, adding a touch of her unique glamour to the eerie narrative. Zsa Zsa Gabor's contributions to horror cinema might not have been central to her career, which was more defined by her socialite image and roles in comedies and dramas. However, her forays into the genre illustrate her versatility as an actress.

Today's #horror movie VS Battle of Nosferatu Which one is you favorite?

Today is #NationalRiverDay Share any scene from a movie where terror is on a river or near one. From the Edge 1997

@HLWDShuffle two awesome horror movies

Tonight's #horror movie gif train TERROR ON THE STREET Share any horror movie scene that fits

#horror movies released on this day

Born on this day John Carradine. Carradine carved out a niche for himself that was both vast and darkly memorable, embodying a plethora of sinister characters throughout his prolific career. Carradine's journey into the macabre began in the early 1930s, with one of his earliest horror roles in the James Whale adaptation of H.G. Wells' "The Invisible Man" (1933). Here, he was an uncredited villager of Iping, but this was merely the beginning. His presence, even if fleeting, was marked by that hauntingly distinctive voice and gaunt visage that would become his trademark in horror films. He followed this with another uncredited appearance in Whale's "Bride of Frankenstein" (1935), further etching his name into the annals of horror history. But it was his portrayal of Count Dracula in the Universal Studios films "House of Frankenstein" (1944) and "House of Dracula" (1945) that cemented Carradine's status as one of the most recognized vampire figures on screen. Succeeding Bela Lugosi, Carradine brought a new depth to the character, embodying the aristocratic menace of the vampire with a chilling finesse that has since become legendary. His Dracula was not just a monster; he was a tragic figure, a reflection of humanity's darker aspects, which added layers to the horror genre's exploration of the psyche. Throughout the 1940s and into the '50s, Carradine starred in numerous low-budget horror films, often playing mad scientists, diabolical villains, or otherworldly creatures. His roles in films like "Captive Wild Woman" (1943), "The Invisible Man's Revenge" (1944), and "The Mummy's Ghost" (1944) showcased his versatility in portraying the macabre. His performances were not just about scares; they were about the human condition twisted into horror, providing a mirror to societal fears and anxieties. Carradine's horror legacy extended beyond the Universal monster films. He appeared in films like "The Black Sleep" (1956), where he played a mad scientist, and "The Monster Club" (1980), where he shared the screen with Vincent Price in a horror anthology that reveled in the genre's campier side. His work in "The Sentinel" (1977) as the blind priest guarding the gates of Hell added a supernatural twist to his already extensive horror resume, showcasing his ability to blend into narratives of terror with profound impact. His later years saw Carradine in films like "The Howling" (1981), where he played a role in one of the defining werewolf films of its time, and "Nocturna: Granddaughter of Dracula" (1979), where he once again donned the cape of the vampire count. These roles, while sometimes in less critically acclaimed films, underscored his unwavering commitment to the genre that had embraced him so fully. Beyond the screen, Carradine's voice, a resonant, deep timbre, was used effectively in horror, notably in "The Secret of NIMH" (1982), lending gravitas to the animated feature's more foreboding moments. His ability to infuse life into both live-action and animated horror figures speaks volumes of his talent in transcending mediums.

Today is #nationalscreenwritersday Share a #horror movie that you feel has a strong script. Session 9

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Tonight's #horror movie gif train. EYE EYE EYE Share any horror movie scene that shows EYE(s) as the focus.