Forever Louise Brooks
@ForeverLouiseB1
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Pinned Tweet
Close-up detail of the famous “Louise Brooks on a Chair” portrait by legendary photographer Edward Steichen featured in ‘Vanity Fair,’ January, 1929.
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Sally O’Neil and Virginia Cherrill in a still for The Brat (1931).
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My mission: figure out (finally) who this spectacularly costumed actress was from Madam Satan (1930), Cecil B. DeMille’s legendary and jawdroppingly bizarre sci-fi cheesefest. It’s a tough job, but, well…you know… (Thread)
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The dancer Claire Bauroff as an Amazon. Photo by Steffi Brandl, Berlin 1919.
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Saturday Night Musings: Isabella Rossellini by Helmut Newton, 1992.
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Louise and fan, 1925. Photo by The White Studio in New York.
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Olivia de Havilland from a classic photoshoot with George Hurrell, 1940. (Thread)
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Louise’s legs are the first we see of her character Lucienne in the opening minutes of Prix de Beauté (1930). A longer clip is in the thread.
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“Louise Brooks' shoulders are more expressive than most actors' eyes.” — Richard Brody, The New Yorker
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Gene Tierney from a portrait by Frank Powolny, 1941. (Thread)
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Leslie Bogart, daughter of Lauren Bacall and Humphrey Bogart. Photo by Gianni Penati for Condé Nast, 1967.
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Norma Shearer has some issues with one of her more memorable outfits in Riptide (1934). That’s equally buggy Herbert Marshall at the door. Saturday night mood.
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Louise Homage: Winona Ryder by Farooz Zahedi, 1990.
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Louise out for a stroll in a scene from It’s the Old Army Game (1926).
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Louise and fan, 1925. Photo by The White Studio in New York.
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“Louise Brooks's shoulders are more expressive than most actors' eyes.” — Richard Brody, The New Yorker
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Hedy Lamarr in a still from White Cargo (1942). Also, Friday.
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Louise by Eugene Robert Richee, 1928. A personal fave photo.
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Olive Ann Alcorn by Alexander J. Stark (Xan Stark) for Alta Studio, 1920.
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Marlene Dietrich by Eugene Robert Richee, 1931.
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Marilyn Monroe by Andre de Dienes, 1946. She was just twenty years old.
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“The Enchantress” by illustrator Rolf Armstrong for the Brown and Bigelow calendar company, c 1927.
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In 2018, the British Film Institute announced that fragments of 1920’s “two strip” Technicolor film had been found including a few seconds of Louise posing and laughing in a costume test for the lost film The American Venus (1926).
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Louise on the set of Beggars of Life (1928).
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Marilyn Monroe by Lawrence Schiller on the set of Something’s Got to Give (1962).
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Myrna Loy at her most pre-Code in a still from Love Me Tonight (1932).
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Happy New Year to all friends and followers! 😘 On to 2024!
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Louise poses for a picture in Ocala, Florida during the filming of It’s the Old Army Game (1926). The snapshot was discovered decades later in a photo album of one of the town’s residents.
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Louise by Eugene Robert Richee, 1928. A personal fave photo.
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Louise from a still for Now We’re in the Air (1927).
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Louise in costume for Now We’re in the Air (1927). Photo by Eugene Robert Richee.
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Veronica Lake, 1942. Photo by Arthur Fellig, the famed New York freelance street photographer who went by the name “Weegee.” (Thread)
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Louise in costume for A Girl in Every Port (1928).
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Veronica Lake in a publicity still for Sullivan’s Travels (1941). (Thread)
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Louise on the set of Prix de Beauté (1930). Photo by James Abbe.
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Cloris Leachman by the Maurice Seymour studio, 1946. That year the 20-year-old was crowned Miss Chicago and went on to compete in the Miss America contest.
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Louise in showgirl costume for The American Venus (1926). During the film’s production she was still appearing onstage nightly at The Ziegfeld Follies.
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Louise by Eugene Robert Richee for Now We’re in the Air (1927).
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Louise and flowers. Portrait by Nickolas Muray, New York 1926.
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Ziegfeld Follies star Grace Moore, 1930. Photo by Alfred Cheney Johnston.
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Myrna Loy in a Warner Brothers fashion photo, 1927.
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Louise in a publicity portrait for Pandora’s Box (1929). (Thread)
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Louise in a still from Now We’re in the Air (1927).
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Hedy Lamarr by Clarence Sinclair Bull, 1941.
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Spicy Stories, April 1929. Cover art by Enoch Boles.
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Louise from a still for Now We’re in the Air (1927).
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Anna May Wong by Eugene Robert Richee, 1931. (Thread)
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Louise at seventeen in her days as a dancer for the Broadway stage production of George White’s Scandals, 1924. Detail from a photo by Alfred Cheney Johnston.
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Louise from a portrait by Eugene Robert Richee, 1927.
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Louise by Max Munn Autrey, 1939. Her film career over, this photo was to be her final portrait in L.A. She later wrote, “In August 1940...I caught up the tattered folds of my Hollywood robe and fled home to Kansas.” She was 32.
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Greta Garbo by Alexander Binder, Berlin 1925.
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Betty White poses with paint brush and palette in a remarkable early 1950’s portrait by legendary Hollywood photographer Melbourne Spurr.
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Louise poses at the pool of her Laurel Canyon home, 1927. From a photo by Otto Dyar.
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Hedy Lamarr by Clarence Sinclair Bull, 1940.
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Mary Pickford by Edward S. Curtis, c 1919.
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Louise in a photo by Alexander Binder at his studio in Berlin, 1928.
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Louise as Lulu happily receives chocolates and flowers in Pandora’s Box (1929). ❤️
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Louise in a still from Pandora’s Box (1929).
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Louise by Otto Dyar at her home in Laurel Canyon, 1927.
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Hedy Lamarr by Clarence Sinclair Bull, 1943.
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Hedy Lamarr in a still by Clarence Sinclair Bull for Lady of the Tropics (1939).
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Louise strikes a pose for Alfred Cheney Johnston, 1924. (Thread)
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Louise from a photo by Eugene Robert Richee for The Canary Murder Case (1929).
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L'Oreal hair dye ad, 1927. Artwork by Claude Lepape.
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In a Lili Damita mood. From Red Shoes (Das Spielzeug von Paris) (1925). Director Michael Curtiz left for Hollywood the following year and Lili, his lover at the time, followed in 1928.
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Bette Davis in an early publicity portrait after signing her first Hollywood contract with Universal in 1930. Photo by Jack Freulich.
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