Pierrot
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Update
Koichi Machiyama: ?
Masashi Matsui: Bleach TYBW (Production Manager)
Yoshihiro Tominaga: Bleach TYBW (Producer)
Tetsufumi Hotta: Yatagarasu (AniP)
Maiko Isogai: ?
Yosuke Tamura: ?
Ryosuke Hagiwara: ?
Studio Signpost:
Ken Hagino: Tsuma, Shōgakusei ni Naru (Most likely)
Needs some correction
Koichi Machiyama: Boruto (Producer), Cool Doji Danshi (Creative Producer)
Masashi Matsui: Bleach TYBW (Production Manager)
Yoshihiro Tominaga: Bleach TYBW (Producer)
Tetsufumi Hotta: ?
Maiko Isogai: Black Clover Movie
Yosuke Tamura: Kingdom S4 (Producer)
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Bleach TYBW Episode 6 is the kind of stuff you dream to see as a fan. Fantastic work by everyone involved in the episode. 👏 👏 👏
#BLEACH_anime
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Bleach TYBW 3rd episode was decent. You can tell they were struggling with the animation and Yuugen's part was the only impressive scene. Fortunately the ADs did a lot of heavy lifting to make the rest of the episode watchable.
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Bleach TYBW Episode 5 while being limited in animation was still fairly enjoyable thanks to the Masaki Hiramatsu's script and Mitsutoshi Sato's direction. This was also Sato's first storyboard here so it's safe to say the pacing issues in the previous episode falls on Murata.
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Bleach TYBW cour 2 staff changes:
Atsushi Wakabayashi Action AD along with Takashi Hashimoto and Satoshi Sakai
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Studio Pierrot producers and their projects
Koichi Machiyama: Boruto
Masashi Matsui: Puzzle and Dragons
Sadahiko Tominaga: Osomatsu-San theatrical
Tetsufumi Hotta: ? (MIA since 2019)
Maiko Isogai: Black Clover movie
Ryosuke Hagiwara: Kingdom Season 4
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I'm gonna sound like an ass for this but you're not really qualified to work as an animator on the show. You're still a young kid so I suggest you hone your skills first like your drawing skills. Your current output will only create more work for the ADs and affect the schedule.
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I haven't been keeping up with Boruto but Souta Kinoshita [木下颯太] had his genga debut last week on episode 292. He's another in-betweener coming through from Pierrot Animation Room like Ken Imaizumi. Hiroyuki Yamashita likely helped him by going NC. Another to keep an eye on.
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>No Official Website
>No recruitment page
>Actually just a rebranding of one of their production line
Fans so easily fall for hype and get disappointed when their expectations aren't delivered. I reiterate again Pierrot Films is just a rebranding of Tominaga's production line.
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Anime Twitter finding out the names of the staff is the worst thing that has ever happened in discussions.
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Ema Saitou [齊藤 詠舞] recently graduated from Geidai and is a complete newcomer to both the anime industry with no prior experience. Episode 214 will be their directorial debut so it makes sense for Abe to be involved too.
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Basically Yoshihiro Tominaga's Akudama Drive team. There are some nice additions like Yoshihiro Kanno and Satoshi Sakai as Action and Effects animation supervisor which is a big deal. Kanno especially because he's speed demon as seen during his SAO Alicization run.
◤￣￣￣￣￣￣￣◥
最新情報②
PV第1弾 公開
◣＿＿＿＿＿＿＿◢
星十字騎士団も登場する最新PVを公開！
#鷺巣詩郎 が手掛けた新規劇伴にもご注目ください。
📺Youtubeではこの後に１シーン追加した完全版を公開中！
→
#BLEACH_anime
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Not sure if it was mentioned before but Takahiro Enokida [榎田敬宏], one of the in-house Pierrot PA, had his directorial debut on Black Clover. Eventually he was one of the director for the final episode.
Always neat to see things like these in long running productions.
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Studio Pierrot productions in 2021 so far
Osomatsu-san s3 ✅
Black Clover ✅
Boruto
Puzzle and Dragon
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Shuhei Nakata was recently promoted to Production Desk for Boruto. With that promotion, he listed his goals as a Production Desk for 2021.
1. Improve the schedule
2. Review unit price
3. Increase the number of staff
4. Reduce driving work of production assistant to zero.
2021年中田が制作デスクとして頑張る事。
1 スケジュール改善する
2 単価の見直し
3 人員の増強
4 制作進行の運転業務ゼロにする
5 ブレンダー作画の技術を取り入れる。
6 海外アニメーター様を多くの話数で参加していただけるようにする。
この6つを今年度中に実現する事を目標にします。
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Ken Imaizumi [今泉健] has come a lot way since he first had his genga debut on episode 135. We all knew he would eventually become a promising animator but he has exceeded expectations by doing so much heavy lifting and putting out impressive cuts regularly for the show.
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"Professional" animator knows how to dish out criticism but can't handle them eh? Ramadan Mubarak btw
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This is what I mean by creating more load for the animation supervisors. Left is Layouts by Vann Oba while the right ones are the supervision by Tetsuya Nishio. The LOs were so terrible Nishio had to completely redraw them to the point you can't even tell it was Vann Oba's work.
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With Boruto part 1 concluding, Shuhei Nakata, the production desk for the show, has announced he has left Pierrot. He has now joined Wit studio currently as an associate producer for an upcoming work.
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I know it's bait but Ryo Ohashi was originally from Pierrot and part of Pierrot DAR. He's worked on Naruto for years. He left Pierrot after Boruto episode 65 and then joined David Productions.
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Bleach TYBW Episode 1 Staff
Screenplay: Tomohisa Taguchi Storyboard: Tomohisa Taguchi Episode Director: Hikaru Murata
Animation Director: Cindy H. Yamauchi
Chief Animation Director: Masashi Kudo
#BLEACH_anime
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Based on this interview, it has been confirmed that Pierrot is establishing a sub-studio Pierrot Films led by Yoshihiro. The goal of the studio is to adapt adult manga and original works. Bleach's 3rd cour will be produced there.
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Caught up with Kingdom Season 3 recently. I mostly followed it to keep an eye on how the production fares but to my surprise it ended up being the show I look forward to the most nowadays. Helps they're adapting the best arc in the manga.
#キングダム
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Pierrot with no long running show is kinda wild to imagine going forward.
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Shuhei Nakata, production desk for Boruto, gave us an update on his previously mentioned goals.
1. Schedule improvement
→Secured a schedule for 3 to 4 weeks more thanks to the director Masayuki Kouda and Ayano Kusunoki (handles the setting production)
途中経過です。
1 スケジュール改善
→甲田監督と設定制作の楠彩乃さんの頑張りにより3〜4週間多くスケジュールを確保出来ました。
2 単価の見直し
→プロデューサーとの協議の結果Lo単価を1000円上がりました。
3 人員の増強
次のクールより3名新規で作監様が作品制作に参加していただいています。
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Sanjin's CG bankai was well done. Not nearly as bad as some leaders were talking about.
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Interesting name for the upcoming episode. Those who aren't familiar with Wataru Yamamoto should check out Osomatsu S1 ep1. He boarded the episode that got banned for parodying literally every popular title at that time.
Bleach: Thousand-Year Blood War
#20
Preview & Staff
-Screenplay: Masaki Hiramatsu
-Storyboard: Wataru Yamamoto
-Episode Director: Yuusaku Kikuchi
-Chief Animation Director: Kiyoshi Komatsubara
#BLEACH_anime
#BLEACHTYBW
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They did a good job depicting As Nodt's abilities and how he instilled fear in Byakuya. The AD work as usual was superb. The designs can be a handful so hats off to the supervisors for keeping it so consistent so far.
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When animators working on the show (some not even getting credited for their work) privately say the production is a disaster and don't want to work with them anymore, then yes they can jump to that conclusion.
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This episode of Jojo Part 4 was outsourced to Studio Pierrot and Narihito Sekikawa handled all of the Key Animation. I still find it amusing that after all those years Jojo fans still wonder why this episode stood out so much.
Art: Naruhito Sekikawa (関川成人)
Source: Diamond is Unbreakable - S3E16
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Studio Wit's George Wada has replaced Mitsuhisa Ishikawa as Production IG's new president. Wada was serving as IG's vice-president before this announcement.
プロダクションI.G代表取締役社長にウィット社長の和田丈嗣氏が就任
石川光久氏は代表権のある会長へ
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Rough analysis of Studio Pierrot's output since Michiyuki Honma replaced Yuji Nunokawa as president and CEO ( from 2013 onwards)
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I try to avoid tweets like these but I couldn't help myself this time. Boruto episode 171 was outsourced to Jiwoo but it doesn't mean Pierrot had no involvement there. Katsuhiro Takagi and Jay1Jay1Jay1 were responsible for key animating the fight and Ichiro Uno for supervision.
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Financial Results of Animation Companies in 2020
Sunrise Co., Ltd.
Rep: Makoto Asanuma
Net income: 48.4 billion yen (+73.58%)
Studio Ghibli Co., Ltd
Rep: Kiyofumi Nakajima
Net income: 680 million yen (-26.49%)
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Tominaga admitted they're behind schedule which is not surprising because of how demanding Kubo's designs can be. It doesn't help that the arc is mostly just fights. Even if the animation isn't consistent, one thing we can be sure of is that the anime will look visually pleasing.
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Yatagarasu Ep 4
I feel like a broken record but the high quality artwork from this modest team has been superb. Combined with excellent contributions from the background and photography team, Yatagarasu has been a worthwhile experience.
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I'll be genuinely shocked if any animator would continue to have a good relationship with Taguchi or Hara. Imagine working with someone who's looking forward to see you jobless. Pathetic.
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You guys are too slow
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Kaiju 8 credits confirm Ken Imaizumi is a WIT employee now. Had some suspicions after he RTed the One Piece remake announcement.
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The Boruto team keeps hemorrhaging staff and people still thought the anime would return in an year or two. I jokingly said it might return in 2027 but it'll be funny if it turns out to be true lol.
>RT
Ryota Asaoka is now part of WIT Studio's in-house team and has left Pierrot.
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Taguchi storyboarded the episode and Ema Saito (斉藤えま) was responsible for the direction (likely aided Yamashita. Saito is quite recently graduated from Geidai University and debuted on Boruto last year. She hasn't quite reached her potential but will be a big name for sure.
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Just because you can animate stick figures doesn't make you qualified even if the PAs are constantly begging you to work on shows. Have some self respect with the kind of work you put out.
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Studio fanboyism is starting to get as bad as console wars. You should be siding with artists and not with companies that believe overproduction is an opportunity to make a big name for themselves.
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5. Incorporate blender drawing techniques.
6. To allow overseas animators to participate in many episodes
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There was no credits for Animation Director but it's been an open secret that Hiroyuki Yamashita will be the one responsible. And just as we expected he went NC on the credits. At this point, no one knows if he doesn't like being in the spotlight or he's playing games.
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Park leaving in some way is a blessing in disguise. With Gosso at the helm, the new anime looks so much more competent and pleasing to the eye. Can't even make fun of the aesthetic anymore.
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Needs some correction
Koichi Machiyama: Boruto (Producer), Cool Doji Danshi (Creative Producer)
Masashi Matsui: Bleach TYBW (Production Manager)
Yoshihiro Tominaga: Bleach TYBW (Producer)
Tetsufumi Hotta: ?
Maiko Isogai: Black Clover Movie
Yosuke Tamura: Kingdom S4 (Producer)
Studio Pierrot producers and their projects
Koichi Machiyama: Boruto
Masashi Matsui: Puzzle and Dragons
Sadahiko Tominaga: Osomatsu-San theatrical
Tetsufumi Hotta: ? (MIA since 2019)
Maiko Isogai: Black Clover movie
Ryosuke Hagiwara: Kingdom Season 4
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Masashi Ito directed the new Bleach PV. He has previously directed some of the Black Clover openings.
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It took Pierrot 6 months to animate Boruto movie at the cost of staffs health and multiple production lines getting affected. Hiroyuki Yamashita was hospitalized a number of times during production. What you're asking is a repeat of that.
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The new PV was directed by Masashi Ito. This doesn't imply the current one was pre-animated.
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Episode 3's staff
Episode Director: Hodaka Kuramoto
Assistant Episode Director: Yoshinori Odaka, Nozomi Fukui, Yoshihiro Kanno, Mitsutoshi Sato, Yusaku Kikuchi
Animation Director: Natsuki Suzuki, Maki Kouno
Assistant Animation Director: Saeko Ozawa, Mika Okubo, Rina Suzuki
Bleach TYBW 3rd episode was decent. You can tell they were struggling with the animation and Yuugen's part was the only impressive scene. Fortunately the ADs did a lot of heavy lifting to make the rest of the episode watchable.
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>RT
Ryota Asaoka is now part of WIT Studio's in-house team and has left Pierrot.
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Takeru Ogiwara's (荻原健) debut as a series director. His progression from being part of the photography team at A-1 and now to a series director is quite extraordinary and inspiring.
The '"Ippon" again!' TV anime begins January, animation production: BAKKEN RECORD.
They've also unveiled a teaser visual & teaser video:
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FYI this new sub-studio wasn't made just for Bleach lol. Dunno why people are misinterpreting Tominaga's words.
Based on this interview, it has been confirmed that Pierrot is establishing a sub-studio Pierrot Films led by Yoshihiro. The goal of the studio is to adapt adult manga and original works. Bleach's 3rd cour will be produced there.
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This clip in particular was animated by Go Kimura.
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The juxtaposition of thr past and present fight between Yamamoto and Yhwach was poetic. Something that wasn't included in the manga but it helped increased the already high stakes. (Apologies for the lengthy tweets. Wanted an excuse to dump these screenshots)
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Yatagarasu Episode 6
Nice Koto performance by Asebi. An ambitious effort by the young team even with the shortcuts.
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Yeah I'm not sure why people are surprised by Naruto Specials getting delayed for so long. Staff aren't available (Nishio on Kaiju 8 and Hiroyama on Bleach) and you could count the core staff with a single hand. The other production lines are also busy with their own shows.
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Here's the Marvelous producer admitting it himself. It's quite obvious Root A had producers meddling even without this interview. All the trailers leading up to Root A promised things that were never delivered.
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Back in 2020 (3 years already?), I said what Mappa is doing isn't sustainable in the longrun and there's bound to be a meltdown sooner or later. Writings were on the wall and it's sad that now it's happening with JJK s2. The staff's done a superb job so far despite the situation.
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@Mirishaq8
@SpiralingSphere
@Crunchyroll
It doesn't in terms of animation and choreography. Boruto episode 65 was nonstop high quality action you'd find in movies for the entire episode.
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I may be biased but Choujin X is easily the best ongoing manga right now and that worries me about the eventual anime adaptation. Doesn't matter what studio picks it. It will live or die by the choice of director. It's gonna need someone who will go the extra mile.
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@henry_thurlow
I'm sorry Henry but I agree with others that this reads as a little tone deaf. How could you say that's the animator's job after you yourself were hospitalized three times for exhaustion and illness? Refining art is fine but it doesn't have to happen at the cost of one's health
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Chainaw Man part 2 has been incredibly dull so far. This is something I never felt even at the lowest points of Fire Punch and now it's pretty evident long stories are not Fujimoto's forte.
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Most played anime from fall 2020 on bilibili streaming website
1) Tonikaku Kawaii (6 ep) 45.19 million
2) Jujutsu Kaisen (6 ep) 41.67 million
3) Akudama Drive (5 ep) 25.18 million
4) Our Last Crusade (6 ep) 18.15 million plays
5) Sleepy Princess (6 ep) 17.59 million
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Yatagarasu nails it with stunning art direction. Shinji Matsuura's (松浦真治) debut as an art director could not have been better than this. Previously, he had small roles assisting the background team of Kyoto Animation before moving to Pierrot with similar roles.
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Tetsufumi Hotta is the animation producer for the new Pierrot show Yatagarasu. Back after 4 years.
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Wakabayashi has boarded multiple storyboards for Boruto and Puzzle & Dragon over the years. His last storyboard for Boruto was episode 288 which aired this year.
After almost 6 years since the last time, Atsushi Wakabayashi/若林厚史 will storyboard the episode 18 of Bleach
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Yatagarasu Ep 5
Minoru Murao. A name I haven't mentioned in previous episodes but he has been exceptional. There's a remarkable sense of volume and realism in his supervisions. I believe the corrections in the opening segment are his and it encapsulates mentioned qualities.
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You can tell he's heavily influenced by Hiroyuki Yamashita too. The way he draws the poses are distinctly familiar.
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What a shit take by Tomohisa Taguchi and Keiichi Hara. I wonder how they'd feel if someone told them AI could replace directors and storyboarders to cut on costs.
Tomohisa Taguchi (Bleach: Thousand-Year Blood War) and Keiichi Hara (Colorful) think that AI might be a good tool to "replace lazy animators who don’t get the work done". Some quite peculiar and unexpected comments.
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Yoshiaki Kyougoku returns to Pierrot after exactly a decade but as a series director. Last time, he was involved in Tokyo Ghoul and directed some memorable episodes. I am excited to see what he has up his sleeves for this historical fantasy novel adaptation.
／
🪶アニメ「烏は主を選ばない」🪶
PV第2弾を公開！
＼
オープニングテーマは
Saucy Dogの新曲「poi」に決定！
本PVにて音源初解禁です✨
雪哉(CV:#田村睦心)
若宮(CV:#入野自由)
🔗公式HP
🔗YouTube
#烏は主を選ばない
#yatagarasu
#SaucyDog
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Nah this crosses the boundaries of a homage and goes straight to the realm of theft. Unless he received permission.
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Akudama Drive character popularity poll conducted by the Renta.
1- Cutthroat
2- Courier
3- Hacker
4- Swindler/Ordinary Person
5- Hoodlum
6- Doctor
7- Execution Division Master
8- Execution Division Pupil
9- Brawler
10- Black Cat
#akudamadrive
#アクダマドライブ
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Yatagarasu Ep 3
The AD work continues to remain strong but what piqued my interest this episode was the close attention to the hands in certain scenes. Almost felt like one of the AD loves correcting them.
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Noriyuki Abe has done this before with Takeru Ogiwara and Nozomi Fukui,
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People speculating and giving "leaks" about the Bleach anime production when not even animators close to the studio have any idea if it's being animated or not 😂
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2. Review of unit price
→The unit price of L/O's were raised by 1,000 yen after discussing with the producer.
3. Increase in the number of staff
→Three new animation directors will join from next cour.
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My goat. These aren't just empty words. Although it took a while, Michiyuki Honma has done a lot to change the system inside Pierrot if you've followed their works since he took the mantle.
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6. Invite more overseas animators to participate
→The production assistants in charge of the episodes are working very hard.
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Takeru Ogiwara (荻原健) directed and storyboarded OP 10. He previously directed episode 204 (Naruto and Sasuke vs Ishiki).
Ryo Ohashi (大橋遼) also returned after his last contribution (Boruto 65) by being the director of photography, 3DCG, VFX.
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Always amazes me how some industry people complain about conditions like schedule or money in social media and then repeatedly go work for the same studio that treats them in the worst way possible. It's so tragic they don't even realize they're contributing to the problem.
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4. Reduce driving work of Production Assistants to zero
→This will take more time
5. Incorporate blender drawing techniques.
→Started preparing meetings with the photography team but this will also take more time
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Some people were really optimistic thinking the Boruto anime would return this year lol
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