I was also very impressed by Poltergeist Theatre, who seem like a company to watch. Oh, and Julian Spooner deserves a shout out for an incredible, shape-shifting performance in Mistero Buffo. OK, that's it. Over and out.

@RachelHann Hi Rachel. Yes it was the Elevator Repair Service article that won the PG Prize.

@thelawyercatrin Oh good, it's not just me.

@iamfinlay Sound advice.

(Apologies to future me, to whom I've delegated the responsibility of working out what I actually think)

Nothing says "fuck it" to the day's thesis writing like adding "[make some conclusions]" at the end of a chapter section.

RT @karenjquigley: Hello playwrights! EXCITING COMMISSION from @TFTV_YORK - write us a play about women in science! Full details here: http…

RT @NatashaTripney: I know so many passionate & adventurous arts journalists – did the BBC even try to find someone who gives a shit? https…

Three years I've been doing this PhD now, and I still seem to have just two work settings: blithe complacency and utter panic.

@danielbye @theatremagazine Thank *you* for a great show. I'm afraid I wasn't feeling very courageous that night; if I was, you might have seen my hand up in the air.

RT @theatremagazine: Review: Daniel Bye's Instructions for Border Crossing "carves out space for thought, for questioning"

RT @theatremagazine: Rufus, Rupert, Edward... take note. Exeunt's writers suggest some female playwrights who deserve a wider audience http…

RT @guardianstage: 'The church of the lost cause': inside Kneehigh's wild Cornish home

@TomCornford Thanks! This one in particular I need to keep reminding myself of.

Academics: any advice about final few months of PhD-ing? Getting back on Twitter was a good move that definitely won't distract me, right?

(A bit of a lie: I've actually been doing lots of writing about theatre, but only @DanRebellato has been forced to read it.)

Back on Twitter and back writing about theatre.