CD.mp3
@CDmp33
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Pinned Tweet
i’m not a loop maker i’m not a drum programmer i just create .
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daily:
- 2 sample ideas
- 2 beats
- 1 demo
- 1 hour piano practice
- 30 min guitar practice
- 1 tik tok
- run 3 miles
- 100 push-ups
- skin care
- read 30 min
- study (music/creativity/business) 1 hour
- cold showers
- 30 min meditation
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we gotta normalize producers dropping songs that artists aren’t gonna release
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producer tutorial progression:
- metro boomin razer vid
- genius deconstructed
- how to make a trav type beat
- busy works beats videos
- music theory in 20 min
- nami / coop tutorial
- cobalii
- how to get placements
- kenny beats stream clips
- rick rubin talks about…
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if you do music full time you gotta accept that most people will always think you’re a bum/failure. 2023 i got flown to dubai and moved into a mansion and it’s still “well you’re young so you have time to figure it out” like dawg come on
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dudes say shit like “i love that loop just wish there was more to it” like they’re not allowed to add to it when making a beat
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mfs be partying everyday doing nothing productive and talk to me like i’m fucking up for taking music seriously
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daily goals : 2 samples , 5 beats , 2 demos , 1 tik tok , 30 min practicing piano + guitar. that’s like 7 hours worth of stuff then spend 3 hours distributing everything and working on kits, branding, networking. i’m thinking out loud but ya i’m locked in
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i swear like 60% of producers have a background in computer science .
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2023 (starting now) daily schedule:
- wake up (7am)
- push-ups
- check texts/dm
- make 3 beats
- send packs
- workout
- shower
- breakfast (11am)
- kit work
- make 2 samples
- content/brand work (3pm)
- send packs
- write
- music skill work
- find music
- dinner (7pm)
- read
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producer twitter engagement hack : use the phrases 808, loop-maker, out of key, stealing, cheating, keep going, and placements
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knowing how to play the piano is such a cheat code for loops. dudes be making the craziest shit in like 10 minutes just freestyling
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i wish more rappers shouted out producers as much as lil wayne shouts out wheezy
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producers getting a crazy ego after doing some minor shit is crazy .
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2024 daily:
3 beats
2 samples
1 demo
30 minutes of sending ideas
30 minutes of artist discovery
cold shower
no weed
100 push-ups
100 cross crunches
1 hour outside
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producer advice: if you hit someone to work and they say they charge for collabs either buy the collab or tell them you don’t pay for collabs but appreciate the response. don’t throw a tantrum in their dms you will burn that bridge for no reason
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doing sessions with women because you find them attractive is weirdo shit . respect the art + professionalism !
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growing up as a producer is realizing that sometimes the 808 sounds better when it’s not on the root note of the chord .
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when you really want this shit, you always feel like you should be going harder.
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808s going out sad just like kicks , in a couple years there won’t even be drums i swear
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you can go far in the music industry making mid shit , but if you really master your craft you can make history .
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got her talking about “that 808 sounds soo good with the little roll thing”
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fuck the “did everything on my own” mentality , embrace the people who helped you
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in 10 years i want to create an entire gated community of studios and apartments for music people to live and create in and make it like a safe haven where all the craziest records are made
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almost gave this shit up 4 years ago. i had been making beats for 2 years with no results then i remembered i didn’t start this for results i started for the love and the freedom of self expression. keep going for the love and the results will follow you
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you ever make something so fire you just gotta sit there and smile at FL for a lil
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they tried to play me since i was a minor now i c major differences in how we scaled relative to one other.
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i worked really hard for years to get good at music so i was ready for the opportunities that came later on . i’m still working on bettering my skills and i encourage everyone to take a step back and make better music before they try to push mid .
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growing up is realizing that sound selection is the most important part of the beat
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if you’re the least accomplished person in the room just know you’re doing something right
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y’all are gonna have to live with yourselves knowing you spent a year of your life alone in a dark room making yeat loops
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music dudes be so weird about working with women , just make music bro
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i really don’t want to have a specific sound . i just want people to hear a crazy beat and look up who produced it and be like “oh of course cd did this shit”
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working with producers you’ve looked up to for years is a better feeling than any placement
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so many loops so many beats . what can you do that no one else can ?
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was waiting for an uber and hopped on ig, lifes crazy. thank you cardo
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the worst part about being a producer is you feel like you always gotta be on your phone
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you’re in their loop email i’m in a session with them . we are not the same
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placements are cool but how many people are bringing up your name in closed rooms hyping you up?
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y’all ever just do some random dumb shit in a beat or loop cause it’d be funny to explain in a genius interview
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i promise you dont need plugins to make crazy music stop making excuses. i’ve been using all stock fl shit and one shot kits for the past 2 months making my best shit
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everyone in my circle on some legendary shit rn if you don’t fw us that’s just an L for you
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my advice for producers who are just starting out: focus on bettering your work and making a unique sound, be respectful, and collab with people who compliment your sound nicely . if you do these things, after some time everything will fall into place
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no one was proud of me when i dropped out of college to work for this shit a year ago .
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spend a few years in la , make connects , sign a nice pub , invest 1/4 of it , get land in a remote place , build small house , work remote , travel , live .
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what if the 808 was in key in every song every always the time while it couldn’t be flat by 50 more cents more than the chords bass note timing when melodic sharper than yeat bell after key out of the beats spinz hitting the hard notes flat one
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i’m selling an e book on how to scam and block people all while getting no bitches tap in
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lot of producers+artists can do way better than the shit they put out. stop overthinking and trust your vision. no more dumbing down the art cause you want it to be a hit that shits lame and flops 95% of the time
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if you wanna make timeless music don’t make shit for a certain genre or artist. think of a moment in your life and make music that you’d want to listen to in that moment
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if my unreleased credits were public mfs wouldn’t question my prices .
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producers will clown you for some technical shit when they’re insecure about their beats .
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you can chase placements but building genuine relationships brings you records and is way more enjoyable imo
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tbh i’d rather hear an out of key 808 in a song than an out of key cowbell
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boutta go find some new sample makers, if anyone’s got some crazy shit drop in replies
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a lot of new producers lack vision , they just wanna get a placement . there’s no thought about the bigger picture
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sometimes the only thing holding you back in your career is some personal shit you gotta figure out.
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when you’re creating, take your time and pay attention to what you’re doing, don’t rush it . a lot of people are so talented but got the wrong mindset and never really fulfill their creative potential
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put a music theory person in the room with someone who says shit like “ yo that notes not in the scale ” and watch chaos unfold .
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it’s been a year since i discovered the automation chain sauce for one shots. gonna bring this back, these old starters are insane and it’s just one layer of a one shot. absolutely cracked
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if producers + engineers had bigger %s on songs they’d put in more work to make better music cause the performance of the record will directly benefit them. if it’s just an advance and a fraction of a % no one really cares what happens after that advance hits
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y’all gotta chill with the extra shit when you’re sending loops . i been getting emails like “some new fun little sounds i’ve been crafting ! remember to smile ! *THE CONTENTS OF THIS EMAIL ARE EXCLUSIVELY INTENDED FOR THIS RECIPIENT* “ shut upppp broo
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new meek mill + vory produced by the gang and i 🎩 (timmy jakik splitmind) 💿
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everyone argues over what % the loopmaker should get… i think it’s funny y’all even consider giving them a cut at all !
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i don’t care about your connects / discography . just wanna surround myself with good people and create
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spent my first music check on a girl and i’m never doing that shit again.
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unpopular opinion : paid collabs aren’t evil , noones forcing you to work with that person , they have bills to pay , time is an asset .
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once you realize your idols aren’t where they want to be yet, you look at everything differently
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i miss the “is using loops cheating era”, now we got tik tok speed runs + ai drake
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808s are the most sensitive + controversial subject of producer twitter
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i don’t even sell beats like that but if i sell you a beat i am not obligated to be your biggest fan and keep in touch . we’re not dating bro , stop the weird shit .
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when your favorite artists fw you it’s irrelevant to worry about what random dudes think
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people will call me “ lucky ” like bro i haven’t taken a day off in years . fuck outta here this shit was overdue
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moving to la on the 15th to make timeless music with my homies , life is great .
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