British Film Editors BFE
@BFEditors
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British Film Editors celebrates and promotes the art, craft and science of editing. Editors and assistant editors, working in all kinds of film, TV & streaming
Joined September 2013
Join us! Editors with two or more film credits or over five hours of TV credits Assistant editors with two or more film or more than five TV credits Students attending a UK media institution
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Limited tickets available for Thursday’s ceremony. For TV and Film assistant editors, editors and post supervisors and their plus ones. for application details.
All nominated editors in the BFE 2025 CAA will see that their individual nomination now appears on their IMDb name page. If you’d like to see a complete list of all nominated editors and titles, please click this link:
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Limited tickets available for Thursday’s ceremony. For TV and Film assistant editors, editors and post supervisors and their plus ones. for application details.
Every nominated editor in our #BFECutAboveAwards 2025 have their nomination appearing on their IMDb page. Complete list of all nominated editors and titles: Winners will be announced on Thursday!
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Connect with your assistant editor and editor colleagues at the 2025 #CutAboveAwards on Thursday. Tickets available now!
The film industry’s long BAFTA Film Awards weekend starts at 5.30pm Thursday 13th February with our ceremony announcing our 2025 BFE #CutAboveAwards at London’s BFI South Bank If you are an editor or assistant editor, please join us!
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All nominated editors in the BFE 2025 CAA will see that their individual nomination now appears on their IMDb name page. If you’d like to see a complete list of all nominated editors and titles, please click this link:
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Every nominated editor in our #BFECutAboveAwards 2025 have their nomination appearing on their IMDb page. Complete list of all nominated editors and titles: Winners will be announced on Thursday!
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RT @BFEditors: The film industry’s long BAFTA Film Awards weekend starts at 5.30pm Thursday 13th February with our ceremony announcing our…
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RT @envypost: 🏆 And the Broadcast Award goes to... Best of luck to all of tonight's nominees at the Broadcast Awards. A special shout out…
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RT @EmmaButtSound: Tomorrow at 1pm myself and Amelia will be holding a webinar to chat through the paper on working conditions in the UK po…
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We really appreciate Salon for supporting us in 2025. Please support us by retweeting this competition! 👍
9 DAYS until @BFEditors Cut Above Awards 2025 #SponsoredbySalon To celebrate the UK's only awards honouring the art of editing, we are offering 10 FREE TICKETS to the ceremony 13/02 at @BFI Southbank. ENTER by FRI 5PM: #bfi #southbank #freetickets
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RT @salon_rentals: 9 DAYS until @BFEditors Cut Above Awards 2025 #SponsoredbySalon To celebrate the UK's only awards honouring the art of…
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RT @envypost: 💗 Say hello to this years cohort of mentors and mentees taking part in the @WonderWomenTVUK mentoring scheme! Taking part thi…
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The film industry’s long BAFTA Film Awards weekend starts at 5.30pm Thursday 13th February with our ceremony announcing our 2025 BFE #CutAboveAwards at London’s BFI South Bank If you are an editor or assistant editor, please join us!
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If an editor rewrites the AI-generated output - by the act of editing - that should be enough of a rewrite to get copyright protection. …and residuals. 😈
To be granted copyright protection, a human needs to rewrite any AI-produced script. What counts as a rewrite?
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RT @MediaComposer: 🎬 Analyzing the editing timeline of Mission Impossible – Dead Reckoning 📷 Assistant editors Chris Frith & Grace Couzins…
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RT @postinblack: When asked to share a valuable piece of advice, film and TV editor Angela Latimer's response really resonated. Absolutely…
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Smarter film reviewers consider the editing: “Unlike many musicals that are cut so frenetically you can barely see what the dancers’ legs are doing, editor Brian A. Cates lets the numbers breathe.”
‘Kiss of the Spider Woman’ Review: Bill Condon’s Uneven Adaptation of the Kander and Ebb Musical Shines Brightest in ...
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Review considers editing: “The editing, by Jane Rizzo and Ramzi Bashour, is finely attuned to the straightforward, crystalline lensing and the story’s often wordless poignancy.”
‘Rebuilding’ Review: Josh O’Connor Is Heart-Wrenching in a Tender Portrait of Post-Wildfire Loss and Resilience
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RT @DonaldClarke63: I beg of you to learn what an editor does. Their brief is not to make the film as short as possible.
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Review mentions editor: “Collaborating again with Summer of Soul editor Joshua L. Pearson, Questlove shapes an engaging narrative that charts Stone’s undulating career.” As well as shaping scenes, editors shape stories. In documentaries and dramas.
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