Madame @EliseLucet, N'ayant pas eu la joie de découvrir votre stand hier à l'Assemblée, j'accepte de passer votre test anti-drogue. À une seule condition : Que le test soit fait dans les locaux de France Télévisions, avec un test simultané effectué par sa présidente. Le tout pouvant être diffusé en direct sur les réseaux sociaux. Je me tiens, en MP, à disposition de vos équipes pour discuter des modalités du tournage, si vous l'acceptez. #EnvoyéSpécial

The biggest scam in the world: Alcohol. It's destroying your brain and health. Here's what alcohol does to you (backed by science):

We've changed so much as a society. Something happened...maybe in 2008

Also don’t move in with your friends

$50M of condoms is a LOT of condoms 🤷‍♂️

“Nothing will make sense to your American ears.” It’s been almost ten years since my roommate & I walked into the AMC Kabuki Theater in San Francisco & witnessed Sicario (🌟🌟🌟🌟🌟). Rewatching this film as it approaches its 10th anniversary, I still feel the same way now as I did then: this is a watershed moment in modern American filmmaking. Sicario provides a formula for making a modern American masterpiece. The formula is as follows: Denis Villeneuve directing. Taylor Sheridan writing (his first full feature-film screenplay). Sir Roger Deakins on camera. And three of the finest actors in the world each giving the best performance of their career all at the same time. I believe that masterpieces, in any form of art, whether it’s painting, writing, music, or Cinema, change our expectations of the art form itself. When I say “change our expectations”, what I mean is that things we once thought were impossible or never even thought could exist in the first place, are now presented to us for the first time. That’s exactly what Villeneuve does with Sicario, he changes our expectations of the art of Cinema itself. For example, the opening drug-raid. Never in my life have I witnessed such an intense, realistic opening 15 minutes to a film that actually makes my knees buckle. You feel like you’re with Blunt & Kaluuya on the bust, you might as well be in uniform with them. But once you see this opening drug-raid, every other drug-raid in film history seems silly. The opening of Sicario has become the standard. It’s best in breed. If you think you know how to fire off a film with a bang, you’re going to have overcome the bar set by this movie. We didn’t know then (yes, we, not just me) that Taylor Sheridan would become a giant in this industry in a matter of years. I don’t think anyone could’ve predicted Sheridan’s sky-rocket success after this film. But man, there were so many signs. Signs that Sheridan knows how to fend off the “corny” allegations & signs that Sheridan understands that less is more in films this intense. Give us less dialogue that’s more meaningful. Give us something to chew on, not something that drones in self love. In other words, Sheridan’s script is as tight as hell. There’s no unnecessary fat in this script. It’s perfectly bound & fits Villeneuve’s vision, which is brought to life by perhaps the best cinematographer on this planet, Sir Roger Deakins. Every actor in this film is outstanding, including Daniel Kaluuya and Jon Bernthal. But it’s Josh Brolin, Emily Blunt, and my fucking boy Benicio del Toro who make this film iconic. Each are A list actors in their prime. And each give the best performance of their career, which includes del Toro who owns an Academy Award for Traffic. These three stars met the moment & none tried to outshine the other. In particular, Blunt. In many ways, she is the audience’s perspective here- she’s the outsider learning the cruelties of this world. Her evolution & her range in this film is unforgettable. This is a generational film.

what if Kieran Culkin played Mozart in an Amadeus revival with Jeremy Strong as Salieri walk with me here