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Social media hubbub spurs a wacky rumor about FX show The Bear filming locally.
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MOVIE REVIEW: Squabbling coworkers mistaken for a couple attract the murderous attention of the Heart Eyes Killer.
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Get to know the recommended shows this week including Heavy the Mountain, Lomelda, Masta Killa, and more.
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A Mardi Gras pre-party, improvised intimacy, and more recommended arts and culture events for your weekend.
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REVIEW: Composer Hans Zimmer amped up his film scores at Moody Center live show last week.
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Genre-agnostic quartet Gus Baldwin and the Sketch debuts with classic rock energy and brassy punk politics.
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Clowning around with avant-garde troupe Fou Fou Ha as we discuss their history ahead of the 24 Carrot Show.
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New local rules regulating Airbnb-type rentals are on their way to a Council vote.
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Rooster Teeth is back! The online pioneers relaunch with Burnie Burns back at the helm.
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THEATRE REVIEW: Touring production of Les Mis rewards fans while offering new twists.
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On Swift Horses Rides Into SXSW, with ATX true crime series The Yogurt Shop Murders also announced for the fest.
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Alt-pop artist Caroline Rose ditches Spotify and Live Nation for an old-school album rollout.
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With only one first-term Trump-era vet and several rookies, Austin City Council posts up.
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Paul Feig's comedy-thriller sequel to A Simple Favor is this year's SXSW opening night film.
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Adrian Quesada goes back to college for Home Free’s original soundtrack.
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Food Trailer Review: Knuckle Sandwich is love at first bite. This buzzy spot is worth the price.
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Now-retired Austin Chronicle News Editor Michael King returns to talk about the death march of the barbarians.
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Belle and Sebastian’s Stuart Murdoch on chronic fatigue, Austin, and his debut novel, Nobody’s Empire.
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Visual Arts Review: “Transcendence: A Century of Black Queer Ecstasy.” Highlighting a subject usually depicted in pain, UT exhibit reverberates joy.
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OPINION: Transforming Boggy Creek – sustainable light rail for a greener, safer Austin.
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