Hello friends, I want to share with you that I have tested positive for COVID-19 and am currently in the hospital for medical treatment. I am doing well but also have COVID-related pneumonia, so I need medical supervision. 1/3
During this very difficult & unclear time in the world, my thoughts & support go out to everyone who suffers from the effects of this virus & many of those who have lost jobs. We don't know what tomorrow brings, but let's be strong and use this time to make the right choices. ❤️
I knew of course there was always going to be a risk that I might get infected. But I don’t regret going back to performing because I strongly believe that we need culture, now as ever. I am expected to make a full recovery thanks to the wonderful care I’m receiving. 2/3
Happy cast after our beloved Forza! Ludovic, Veronica, me and Jonas! Счастливый состав после второго спектакля Силы Судьбы - Людовик Тезье, Вероника Симеони,я и Йонас Кауфман
@tenorkaufmann
@RoyalOperaHouse
🎼😍 Hello from Baden Baden! Getting ready for today's concert in Frankfurt, with arias and scenes from operas of Tchaikovsky, Rimsky Korsakov, Rachmaninov 😍🎼❤️
We are very, very grateful that Yusif and Tiago have tested negative for the virus. Yusif has tested positive for antibodies so he is clear to perform, which makes me very happy. Thank you all for the well wishes and continued support. 3/3
Blast from the past... this is my first Violetta...at age 22.. my first Pamina, and my first Rosina..ina..ina..😍 Из архивов- это моя первая Травиата- мне 22 года😍... первая Памина и Розина. Все эти роли я перепела , когда мне ещё не было 30.
Ready to start my work on the amazing new role of Leonora di Vargas at
@RoyalOperaHouse
with Maestro Pappano! I learn music and I love it! So exited! London I am coming!
Can't wait for tomorrow's HD transmission from the
@MetOpera
! 👏👏👏 If you can't join us in the theatre, click here to find a screening near you!! 👉 🙌💋💋💞💋❤️🌹
For the 6th time, Anna opened the season at the Teatro alla Scala with Don Carlo. According to the Financial Times, "Netrebko emerged as the star of the show as Elisabeth of Valois, plumbing the expressive depths of her valedictory act-four aria to win incandescent applause.”
I'm so happy to be making my debut at one of the oldest and most beautiful theaters in the world,
@teatrosancarlo
di Napoli. I will perform Verdi's Aida! 🎶❤️🌟
Few days left before big Tosca premier at
@teatroallascala
! Last notes and preparations with Maestro😊 Всего несколько дней осталось до большой премьеры оперы Тоска и открытия сезона в театре Ла Скала! Последние приготовления и музыкальные репетиции с маэстро Риккардо Шайи!
Ещё одна неделя и сбор винограда будет закончен🤩🍇🍇🍇 в этом году около 300 литров красного сухого вина👏👏👏👍🍷🍷🍷 One more week and grapes will be done 🍷👍👍👍🍇.. about 300 litres of red wine this year 👍💪🍇🍷🤩
I was so happy to sing at the Schönbrunn Palace last night with the amazing
@ValeryGergiev
and
@Vienna_Phil
. Thank you to our wonderful audience who joined us for a magical evening of Italian opera. ⭐️💋👏💞💞👏💞
🥞🥞 It’s time for Spring in Krasnodar! It’s time for blini party, for singing and sharing happiness between 4 generations at the same table ❤️❤️❤️❤️❤️🥂🎉
Anna shines amongst a staggering cast in performances of Aida at the Vienna State Opera: E. Garanča, J. Kaufmann, L. Salsi, A. Vinograd and N. Luisotti. Filmed live, this Aida will be broadcast on Sunday, January 29, at 8:15pm CET on ORF III. .
How many singers today can, between performances of Aida and Turandot, revisit demanding arias from early roles such as Donizetti's Anna Bolena and (in the excerpt below) the usually excised poison aria from Gounod's Roméo et Juliette? The answer is: not many.
With great contrtenore
@jarousskyphil
... I can’t sing baroque music, but I can listen to you and make selfy 😍🎼 С великолепным контр тенором Филиппом Ярусски. Я не могу петь барокко, но могу Вас слушать и сделать селфи 😉🎼😍
Yesterday was a very special day for me! 🙏❤️😍💋🌹Thanks to the
@MetOperaGuild
for this honor! 🙏 So much gratitude to my friends and colleagues who attended, and a special thanks to
@MalteseTenor
for his beautiful words! It’s was such a lovely event—I'm overwhelmed! Love you❤️
2 days in Vienna ... Xmas Markets, sugar cotton, punsh, wurst, baked potatoes and pink elephant ... 🤪 Два дня в Вене - Рождественский рынок, пунш, сосиски, сахарная вата, печёная картошка и розовый слон 🥰😍🤪🤩🎊🎉
Flashback to the 2006
@SbgFestival
😆 This performance with the
@Vienna_Phil
& Nikolas Harnoncourt was very special to me; and now, it is available as an e-Album Video on
@DGclassics
.
Tomorrow, you can watch our concert from
@SbgFestival
! The stream will be available at 14:30 CEST / 8:30am ET on
@ARTEen
and on my Facebook page! 💙🤩💋
Photos by Marco Borrelli
On Tuesday, Anna Netrebko brought David McVicar’s production of Adriana Lecouvreur to life in Paris for the first time. “She was extraordinary, sublime, divine…She was absolutely exceptional…I was incomplete ecstasy, she sang so well,” Richard Martet said on Radio France.
ANNA SINGS LA TRAVIATA! Last night at the Wiener Konzerthaus, Anna returned to a role she has been singing since she was 23 years old, Violetta in Verdi's La traviata. Enjoy a sample of her resplendent singing in the Act III aria "Addio del passato".
Grazie, Arena! Grazie, Amici! Viva Verdi! Viva Zeffirelli !!! ❤️🌹🎼 Soon I will make an announcement about the broadcast! Скоро я анонсирую даты трансляции! (dress by Yanina Couture)
(1/2) Raina Kabaivanska - legendary Tosca came to visit us at the performance 🙏🏻❤️ Big honor to meet this beautiful women and singer, from her recordings I was studying my Tosca! Thank you 🙏🏻🌹🌹🌹🌹🌹❤️
Ideal dinner before a performance - red snapper, baked in the oven for 15 min, spinach pan fried with mushroom and goat feta, and quinoa. You add a fresh splash of lemon before to eat🤗💋💋💋
Tonight Anna gives her second of four performances in Verdi’s Il trovatore to sold-out audiences at Buenos Aires’ Teatro Colón. After Anna’s Act I aria “A thunderous and extensive ovation broke out, as has not happened for a long time during an opera performance.” (La Nación)